Gopichandrer Gan: Difference between revisions
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'''Gopichandrer Gan''' famous Nath poem, based on the life of Prince Gopichandra of Meherkul. This poem, which was once very popular in north-eastern India, is an allegory describing the true ''yogic'' way of ''sannyas ''(life of a saint). On the advice of his ascetic mother, Maynamati, Gopichandra became a disciple of the sage, Hadipa. After twelve years of ascetic life, Gopichandra returned home. However, he did not understand the true implication of ''yoga'' and used the magical skills he had learned to amuse his wives. Hadipa became annoyed at this misuse of yogic lore. Gopichandra realized his mistake and rectified his ways. Finally understanding the meaning of [[yoga]], he permanently accepted sannyas. The story is familiar to Bengalis under three names: ''Maynamatir Gan'', ''Govindachandrer Git'' and ''Gopichandrer Sannyas''. The three poets who are associated with these versions are Durlabh Mallick, Bhabani Das and Sukur Mohammad. [Jayanta Banerjee] | |||
[[Category:Performing Arts]] | [[Category:Performing Arts]] | ||
[[bn:গোপীচন্দ্রের গান]] | [[bn:গোপীচন্দ্রের গান]] |
Latest revision as of 06:31, 30 August 2021
Gopichandrer Gan famous Nath poem, based on the life of Prince Gopichandra of Meherkul. This poem, which was once very popular in north-eastern India, is an allegory describing the true yogic way of sannyas (life of a saint). On the advice of his ascetic mother, Maynamati, Gopichandra became a disciple of the sage, Hadipa. After twelve years of ascetic life, Gopichandra returned home. However, he did not understand the true implication of yoga and used the magical skills he had learned to amuse his wives. Hadipa became annoyed at this misuse of yogic lore. Gopichandra realized his mistake and rectified his ways. Finally understanding the meaning of yoga, he permanently accepted sannyas. The story is familiar to Bengalis under three names: Maynamatir Gan, Govindachandrer Git and Gopichandrer Sannyas. The three poets who are associated with these versions are Durlabh Mallick, Bhabani Das and Sukur Mohammad. [Jayanta Banerjee]