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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Amir%2C_Shaykh_Muhammad</id>
	<title>Amir, Shaykh Muhammad - Revision history</title>
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	<updated>2026-06-17T10:46:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Amir,_Shaykh_Muhammad&amp;diff=13347&amp;oldid=prev</id>
		<title>Mukbil at 13:38, 3 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Amir,_Shaykh_Muhammad&amp;diff=13347&amp;oldid=prev"/>
		<updated>2021-09-03T13:38:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:38, 3 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Amir, Shaykh Muhammad&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &#039;&#039;&#039;&lt;/del&gt;nineteenth century artist working with the East India Company. Like other indigenous company artists Shaykh Muhammad Amir of Karraya drew in a realistic manner the portraits of native and European people of different professions, as well as pictures of his European master&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s mansion, retainers, equipment, carriage, horses, dogs etc. Under the patronage of his master Thomas Halroyd, the artist visited every nook and corner of European area of Calcutta and drew sketches of their buildings, domestic animals, pets etc. He made excellent tinted drawings of horses and dogs by applying European perspective. One such noteworthy painting is &amp;amp;quot;&#039;&#039;Two Dogs in a Meadow Landscape&#039;&#039;&amp;amp;quot; (1840-50).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Amir, Shaykh Muhammad&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;nineteenth century artist working with the East India Company. Like other indigenous company artists Shaykh Muhammad Amir of Karraya drew in a realistic manner the portraits of native and European people of different professions, as well as pictures of his European master&#039;s mansion, retainers, equipment, carriage, horses, dogs etc. Under the patronage of his master Thomas Halroyd, the artist visited every nook and corner of European area of Calcutta and drew sketches of their buildings, domestic animals, pets etc. He made excellent tinted drawings of horses and dogs by applying European perspective. One such noteworthy painting is &amp;amp;quot;&#039;&#039;Two Dogs in a Meadow Landscape&#039;&#039;&amp;amp;quot; (1840-50).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shaykh Muhammad meticulously drew in European watercolour style abandoning the Mughal &#039;&#039;qalam&#039;&#039; of gouache technique. His colourful paintings in European style reflect European realism, perspective and knowledge of anatomy. Some of his paintings are now preserved in the India Office Library, London. [Najma Khan Majlis&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Majlis, Najma Khan  Professor of Islamic History and Culture, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shaykh Muhammad meticulously drew in European watercolour style abandoning the Mughal &#039;&#039;qalam&#039;&#039; of gouache technique. His colourful paintings in European style reflect European realism, perspective and knowledge of anatomy. Some of his paintings are now preserved in the India Office Library, London. [Najma Khan Majlis]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:আমির, শেখ মুহম্মদ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:আমির, শেখ মুহম্মদ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Amir,_Shaykh_Muhammad&amp;diff=286&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Amir,_Shaykh_Muhammad&amp;diff=286&amp;oldid=prev"/>
		<updated>2021-06-17T18:56:39Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Amir, Shaykh Muhammad&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;nineteenth century artist working with the East India Company. Like other indigenous company artists Shaykh Muhammad Amir of Karraya drew in a realistic manner the portraits of native and European people of different professions, as well as pictures of his European master&amp;#039;;s mansion, retainers, equipment, carriage, horses, dogs etc. Under the patronage of his master Thomas Halroyd, the artist visited every nook and corner of European area of Calcutta and drew sketches of their buildings, domestic animals, pets etc. He made excellent tinted drawings of horses and dogs by applying European perspective. One such noteworthy painting is &amp;amp;quot;&amp;#039;&amp;#039;Two Dogs in a Meadow Landscape&amp;#039;&amp;#039;&amp;amp;quot; (1840-50).&lt;br /&gt;
&lt;br /&gt;
Shaykh Muhammad meticulously drew in European watercolour style abandoning the Mughal &amp;#039;&amp;#039;qalam&amp;#039;&amp;#039; of gouache technique. His colourful paintings in European style reflect European realism, perspective and knowledge of anatomy. Some of his paintings are now preserved in the India Office Library, London. [Najma Khan Majlis] [Majlis, Najma Khan  Professor of Islamic History and Culture, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:আমির, শেখ মুহম্মদ]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
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