<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Bharatvarsa</id>
	<title>Bharatvarsa - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Bharatvarsa"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Bharatvarsa&amp;action=history"/>
	<updated>2026-06-17T06:47:11Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.0</generator>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Bharatvarsa&amp;diff=13528&amp;oldid=prev</id>
		<title>Mukbil at 14:58, 4 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Bharatvarsa&amp;diff=13528&amp;oldid=prev"/>
		<updated>2021-09-04T14:58:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:58, 4 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Bharatvarsa&#039;&#039;&#039; a Bangla journal originally edited by the famous dramatist [[dwijendralal roy]] (1863-1913). The journal appeared in June 1913 (1 &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Asad&#039;&#039;&#039;&#039;h&lt;/del&gt;&#039;&#039;, 1320 BS). Phanindranath Mukhopadhyay edited the journal for a long time.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Bharatvarsa&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;a Bangla journal originally edited by the famous dramatist [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Roy, Dwijendralal|&lt;/ins&gt;dwijendralal roy]] (1863-1913). The journal appeared in June 1913 (1 &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Asadh&lt;/ins&gt;&#039;&#039;, 1320 BS). Phanindranath Mukhopadhyay edited the journal for a long time.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the very first issue, the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ratvar&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; created a sensation by publishing six multi-coloured plates of drawings by eminent painters. The fields covered in subsequent issues include literature, science, fine arts, religion, philosophy, history and archaeology. Novels, short stories, drama, poetry, lyrics, travel, reviews etc were its regular features.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the very first issue, the &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bharatvarsa&lt;/ins&gt;&#039;&#039; created a sensation by publishing six multi-coloured plates of drawings by eminent painters. The fields covered in subsequent issues include literature, science, fine arts, religion, philosophy, history and archaeology. Novels, short stories, drama, poetry, lyrics, travel, reviews etc were its regular features.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the very first issue, one of the popular sections was &#039;Photography&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;. Many rare photographs with editorial notes were published in this section. Sections like Sports, Women, Children, Cinema, Literary news, current news (both national and international), Cartoon were added from time to time. Besides books, Gramophone records were regularly reviewed.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From the very first issue, one of the popular sections was &#039;Photography&#039;. Many rare photographs with editorial notes were published in this section. Sections like Sports, Women, Children, Cinema, Literary news, current news (both national and international), Cartoon were added from time to time. Besides books, Gramophone records were regularly reviewed.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ratvar&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; played an important role in the development of Bangla language and literature. [[sharat chandra &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;chattopadhyaya&lt;/del&gt;]] (most of his novels were serialised in it), [[tarashankar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bandyopadhyaya&lt;/del&gt;]], [[bibhutibhushan bandyopadhyaya]], Banaphool ([[balaichand mukhopadhyay]]), Premendra Mitra, Narain Gangopadhyaya, Samaresh Bose, Ashapurna Devi, Annadashankar Roy, [[jasimuddin]] were regular contributors to the Bharatvarsa. Linguist [[suniti kumar chatterji]], historian [[ramesh chandra majumdar]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;archaeologist [[rakhaldas bandyopadhyay]], scientist [[prafulla chandra ray]] and [[meghnad saha]], criminologist Panchanan Ghosal, magician [[pc sorcar]] wrote numerous articles in the journal.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bharatvarsa&lt;/ins&gt;&#039;&#039; played an important role in the development of Bangla language and literature. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chattopadhyay, Sharat Chandra|&lt;/ins&gt;sharat chandra &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;chattopadhyay&lt;/ins&gt;]] (most of his novels were serialised in it), [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bandyopadhyay, Tarashankar|&lt;/ins&gt;tarashankar &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bandyopadhyay&lt;/ins&gt;]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bandyopadhyay, Bibhutibhushan|&lt;/ins&gt;bibhutibhushan bandyopadhyaya]], Banaphool ([[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mukhopadhyay, Balaichand|&lt;/ins&gt;balaichand mukhopadhyay]]), Premendra Mitra, Narain Gangopadhyaya, Samaresh Bose, Ashapurna Devi, Annadashankar Roy, [[jasimuddin]] were regular contributors to the Bharatvarsa. Linguist [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chatterji, Suniti Kumar|&lt;/ins&gt;suniti kumar chatterji]], historian [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Majumdar, Ramesh Chandra|&lt;/ins&gt;ramesh chandra majumdar]], archaeologist [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bandyopadhyay, Rakhaldas|&lt;/ins&gt;rakhaldas bandyopadhyay]], scientist [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ray, Prafulla Chandra|&lt;/ins&gt;prafulla chandra ray]] and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saha, Meghnad|&lt;/ins&gt;meghnad saha]], criminologist Panchanan Ghosal, magician [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sorcar, PC|&lt;/ins&gt;pc sorcar]] wrote numerous articles in the journal.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The journal was so popular that many libraries contain complete sets, but its complete index is yet to be published. [Indrajit Chaudhuri&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Chaudhuri, Indrajit  Deputy Chief Editor, Ananda Bazar Patrika, Kolkata&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The journal was so popular that many libraries contain complete sets, but its complete index is yet to be published. [Indrajit Chaudhuri]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journal]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ভারতবর্ষ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ভারতবর্ষ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Bharatvarsa&amp;diff=1013&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Bharatvarsa&amp;diff=1013&amp;oldid=prev"/>
		<updated>2021-06-17T19:01:39Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Bharatvarsa&amp;#039;&amp;#039;&amp;#039; a Bangla journal originally edited by the famous dramatist [[dwijendralal roy]] (1863-1913). The journal appeared in June 1913 (1 &amp;#039;&amp;#039;Asad&amp;#039;&amp;#039;&amp;#039;&amp;#039;h&amp;#039;&amp;#039;, 1320 BS). Phanindranath Mukhopadhyay edited the journal for a long time. &lt;br /&gt;
&lt;br /&gt;
From the very first issue, the &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ratvar&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; created a sensation by publishing six multi-coloured plates of drawings by eminent painters. The fields covered in subsequent issues include literature, science, fine arts, religion, philosophy, history and archaeology. Novels, short stories, drama, poetry, lyrics, travel, reviews etc were its regular features. &lt;br /&gt;
&lt;br /&gt;
From the very first issue, one of the popular sections was &amp;#039;Photography&amp;#039;;. Many rare photographs with editorial notes were published in this section. Sections like Sports, Women, Children, Cinema, Literary news, current news (both national and international), Cartoon were added from time to time. Besides books, Gramophone records were regularly reviewed. &lt;br /&gt;
&lt;br /&gt;
The &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ratvar&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; played an important role in the development of Bangla language and literature. [[sharat chandra chattopadhyaya]] (most of his novels were serialised in it), [[tarashankar bandyopadhyaya]], [[bibhutibhushan bandyopadhyaya]], Banaphool ([[balaichand mukhopadhyay]]), Premendra Mitra, Narain Gangopadhyaya, Samaresh Bose, Ashapurna Devi, Annadashankar Roy, [[jasimuddin]] were regular contributors to the Bharatvarsa. Linguist [[suniti kumar chatterji]], historian [[ramesh chandra majumdar]][[,]] archaeologist [[rakhaldas bandyopadhyay]], scientist [[prafulla chandra ray]] and [[meghnad saha]], criminologist Panchanan Ghosal, magician [[pc sorcar]] wrote numerous articles in the journal. &lt;br /&gt;
&lt;br /&gt;
The journal was so popular that many libraries contain complete sets, but its complete index is yet to be published. [Indrajit Chaudhuri] [Chaudhuri, Indrajit  Deputy Chief Editor, Ananda Bazar Patrika, Kolkata]&lt;br /&gt;
&lt;br /&gt;
[[Category:Journal]]&lt;br /&gt;
&lt;br /&gt;
[[bn:ভারতবর্ষ]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>