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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Daulat_Qazi</id>
	<title>Daulat Qazi - Revision history</title>
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	<updated>2026-06-13T04:44:16Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=14132&amp;oldid=prev</id>
		<title>Mukbil at 15:21, 20 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=14132&amp;oldid=prev"/>
		<updated>2021-09-20T15:21:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:21, 20 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Qazi&#039;&#039;&#039; (c 1600-1638) medieval Bangla poet, believed to have been born into a Qazi family in the village of Sultanpur in Rauzan, [[chittagong]]. As his patronymic suggests, he was an educated person. Not getting any recognition at home, he left for Arakan, where he seems to have been received warmly. He was appointed a court poet of King Sri Sudharma (Thiri-thu-Dhamma, 1622-1638) for whom he composed the poem &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sat&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;mayn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lorchandr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;. He was able to complete only two-thirds of the poem before he died. [[alaol]] completed the rest of the poem in 1659.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Qazi&#039;&#039;&#039; (c 1600-1638) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;medieval Bangla poet, believed to have been born into a Qazi family in the village of Sultanpur in Rauzan, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chittagong District|&lt;/ins&gt;chittagong]]. As his patronymic suggests, he was an educated person. Not getting any recognition at home, he left for Arakan, where he seems to have been received warmly. He was appointed a court poet of King Sri Sudharma (Thiri-thu-Dhamma, 1622-1638) for whom he composed the poem &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Satimayna &lt;/ins&gt;O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lorchandrani&lt;/ins&gt;&#039;&#039;. He was able to complete only two-thirds of the poem before he died. [[alaol]] completed the rest of the poem in 1659.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;&#039;&#039;Satimayna O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lorchandran&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; is a romantic narrative poem about the love of a feudal prince and princess. It is believed that the poet was influenced by two Hindi poems: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Main&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sat&lt;/del&gt;&#039;&#039; by Mian Sadhan and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nd&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;in&lt;/del&gt;&#039;&#039; by Molla Daud. The Hindi poems, however, have a deeper spiritual meaning which is absent in Daulat Qazi&#039;;s poem about human love. Daulat Qazi&#039;;s genius is revealed in his measured verses and the beauty and charm of his descriptions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Satimayna O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lorchandrani&lt;/ins&gt;&#039;&#039; is a romantic narrative poem about the love of a feudal prince and princess. It is believed that the poet was influenced by two Hindi poems: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mainasat&lt;/ins&gt;&#039;&#039; by Mian Sadhan and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chandain&lt;/ins&gt;&#039;&#039; by Molla Daud. The Hindi poems, however, have a deeper spiritual meaning which is absent in Daulat Qazi&#039;;s poem about human love. Daulat Qazi&#039;;s genius is revealed in his measured verses and the beauty and charm of his descriptions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;A Sufi by faith, Daulat Qazi skillfully used in his poem the &#039;&#039;[[ramayana]]&#039;&#039;, the &#039;&#039;[[mahabharata]]&#039;&#039;, the epics of [[kalidasa]] and [[jaydev]], as well as Vaishnava lyrics and [[folk tales]]. His language draws from the vocabulary of Arabic, Persian, Magh, Arakanese, Burmese, Sanskrit and the dialects of the Chittagong region. [Amrita Lal Bala&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Bala, Amrita Lal  Department of Bangla, Rajshahi University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A Sufi by faith, Daulat Qazi skillfully used in his poem the &#039;&#039;[[ramayana]]&#039;&#039;, the &#039;&#039;[[mahabharata]]&#039;&#039;, the epics of [[kalidasa]] and [[jaydev]], as well as Vaishnava lyrics and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Folk Tales|&lt;/ins&gt;folk tales]]. His language draws from the vocabulary of Arabic, Persian, Magh, Arakanese, Burmese, Sanskrit and the dialects of the Chittagong region. [Amrita Lal Bala]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত কাজী]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত কাজী]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=10803&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=10803&amp;oldid=prev"/>
		<updated>2021-06-18T05:56:01Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:56, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Daulat Qazi&#039;&#039;&#039; (c 1600-1638) medieval Bangla poet, believed to have been born into a Qazi family in the village of Sultanpur in Rauzan, [[chittagong]]. As his patronymic suggests, he was an educated person. Not getting any recognition at home, he left for Arakan, where he seems to have been received warmly. He was appointed a court poet of King Sri Sudharma (Thiri-thu-Dhamma, 1622-1638) for whom he composed the poem &#039;&#039;Sat&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;mayn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; O Lorchandr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;i&#039;&#039;. He was able to complete only two-thirds of the poem before he died. [[alaol]] completed the rest of the poem in 1659.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Qazi&#039;&#039;&#039; (c 1600-1638) medieval Bangla poet, believed to have been born into a Qazi family in the village of Sultanpur in Rauzan, [[chittagong]]. As his patronymic suggests, he was an educated person. Not getting any recognition at home, he left for Arakan, where he seems to have been received warmly. He was appointed a court poet of King Sri Sudharma (Thiri-thu-Dhamma, 1622-1638) for whom he composed the poem &#039;&#039;Sat&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;mayn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; O Lorchandr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;i&#039;&#039;. He was able to complete only two-thirds of the poem before he died. [[alaol]] completed the rest of the poem in 1659.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;Satimayna O Lorchandran&#039;&#039;&#039;&#039;i&#039;&#039; is a romantic narrative poem about the love of a feudal prince and princess. It is believed that the poet was influenced by two Hindi poems: &#039;&#039;Main&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sat&#039;&#039; by Mian Sadhan and &#039;&#039;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nd&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;in&#039;&#039; by Molla Daud. The Hindi poems, however, have a deeper spiritual meaning which is absent in Daulat Qazi&#039;;s poem about human love. Daulat Qazi&#039;;s genius is revealed in his measured verses and the beauty and charm of his descriptions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &#039;&#039;Satimayna O Lorchandran&#039;&#039;&#039;&#039;i&#039;&#039; is a romantic narrative poem about the love of a feudal prince and princess. It is believed that the poet was influenced by two Hindi poems: &#039;&#039;Main&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sat&#039;&#039; by Mian Sadhan and &#039;&#039;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nd&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;in&#039;&#039; by Molla Daud. The Hindi poems, however, have a deeper spiritual meaning which is absent in Daulat Qazi&#039;;s poem about human love. Daulat Qazi&#039;;s genius is revealed in his measured verses and the beauty and charm of his descriptions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;A Sufi by faith, Daulat Qazi skillfully used in his poem the &#039;&#039;[[ramayana]]&#039;&#039;, the &#039;&#039;[[mahabharata]]&#039;&#039;, the epics of [[kalidasa]] and [[jaydev]], as well as Vaishnava lyrics and [[folk tales]]. His language draws from the vocabulary of Arabic, Persian, Magh, Arakanese, Burmese, Sanskrit and the dialects of the Chittagong region. [Amrita Lal Bala] [Bala, Amrita Lal  Department of Bangla, Rajshahi University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  A Sufi by faith, Daulat Qazi skillfully used in his poem the &#039;&#039;[[ramayana]]&#039;&#039;, the &#039;&#039;[[mahabharata]]&#039;&#039;, the epics of [[kalidasa]] and [[jaydev]], as well as Vaishnava lyrics and [[folk tales]]. His language draws from the vocabulary of Arabic, Persian, Magh, Arakanese, Burmese, Sanskrit and the dialects of the Chittagong region. [Amrita Lal Bala] [Bala, Amrita Lal  Department of Bangla, Rajshahi University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত কাজী]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত কাজী]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=1781&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Qazi&amp;diff=1781&amp;oldid=prev"/>
		<updated>2021-06-17T19:06:43Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Daulat Qazi&amp;#039;&amp;#039;&amp;#039; (c 1600-1638) medieval Bangla poet, believed to have been born into a Qazi family in the village of Sultanpur in Rauzan, [[chittagong]]. As his patronymic suggests, he was an educated person. Not getting any recognition at home, he left for Arakan, where he seems to have been received warmly. He was appointed a court poet of King Sri Sudharma (Thiri-thu-Dhamma, 1622-1638) for whom he composed the poem &amp;#039;&amp;#039;Sat&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;mayn&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; O Lorchandr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;. He was able to complete only two-thirds of the poem before he died. [[alaol]] completed the rest of the poem in 1659. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;Satimayna O Lorchandran&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; is a romantic narrative poem about the love of a feudal prince and princess. It is believed that the poet was influenced by two Hindi poems: &amp;#039;&amp;#039;Main&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sat&amp;#039;&amp;#039; by Mian Sadhan and &amp;#039;&amp;#039;Ch&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nd&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;in&amp;#039;&amp;#039; by Molla Daud. The Hindi poems, however, have a deeper spiritual meaning which is absent in Daulat Qazi&amp;#039;;s poem about human love. Daulat Qazi&amp;#039;;s genius is revealed in his measured verses and the beauty and charm of his descriptions.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;A Sufi by faith, Daulat Qazi skillfully used in his poem the &amp;#039;&amp;#039;[[ramayana]]&amp;#039;&amp;#039;, the &amp;#039;&amp;#039;[[mahabharata]]&amp;#039;&amp;#039;, the epics of [[kalidasa]] and [[jaydev]], as well as Vaishnava lyrics and [[folk tales]]. His language draws from the vocabulary of Arabic, Persian, Magh, Arakanese, Burmese, Sanskrit and the dialects of the Chittagong region. [Amrita Lal Bala] [Bala, Amrita Lal  Department of Bangla, Rajshahi University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:দৌলত কাজী]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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