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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Daulat_Uzir_Bahram_Khan</id>
	<title>Daulat Uzir Bahram Khan - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Daulat_Uzir_Bahram_Khan"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;action=history"/>
	<updated>2026-06-13T05:04:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.0</generator>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=14135&amp;oldid=prev</id>
		<title>Mukbil at 15:24, 20 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=14135&amp;oldid=prev"/>
		<updated>2021-09-20T15:24:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:24, 20 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan wrote two long narrative poems, &amp;#039;&amp;#039;[[Laily-Majnu|laily-majnu]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Imam-Vijay,&amp;#039;&amp;#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &amp;#039;&amp;#039;Laily-Majnu&amp;#039;&amp;#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan wrote two long narrative poems, &amp;#039;&amp;#039;[[Laily-Majnu|laily-majnu]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Imam-Vijay,&amp;#039;&amp;#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &amp;#039;&amp;#039;Laily-Majnu&amp;#039;&amp;#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of &#039;&#039;Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;dobhasi&#039;&#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of &#039;&#039;Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;dobhasi&#039;&#039; [[puthi]] in 1864, and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Karim, Sheikh Fazlul|&lt;/ins&gt;sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=14134&amp;oldid=prev</id>
		<title>Mukbil at 15:24, 20 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=14134&amp;oldid=prev"/>
		<updated>2021-09-20T15:24:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:24, 20 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Uzir Bahram Khan&#039;&#039;&#039; (c 16th century) medieval Bangla poet from Fateyabad or Jafrabad in [[chittagong]] district, son of Mobarak Khan, a minister of the ruler of Chittagong. One of his ancestors, Hamid Khan, was the principal courtier of Hussein Shah, Sultan of Gauda. Hamid Khan settled in Chittagong where he was a &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;j&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gird&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039;, or landlord, of two parganas. Bahram Khan&#039;;s real name was Asauddin. After the death of his father, he was made minister by Nizam Shah Sur, the ruler of Chittagong.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Uzir Bahram Khan&#039;&#039;&#039; (c 16th century) medieval Bangla poet from Fateyabad or Jafrabad in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chittagong District|&lt;/ins&gt;chittagong]] district, son of Mobarak Khan, a minister of the ruler of Chittagong. One of his ancestors, Hamid Khan, was the principal courtier of Hussein Shah, Sultan of Gauda. Hamid Khan settled in Chittagong where he was a &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jagirdar&lt;/ins&gt;&#039;&#039;, or landlord, of two parganas. Bahram Khan&#039;;s real name was Asauddin. After the death of his father, he was made minister by Nizam Shah Sur, the ruler of Chittagong.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Bahram Khan wrote two long narrative poems, &#039;&#039;[[laily-majnu]]&#039;&#039; and &#039;&#039;Imam-Vijay,&#039;&#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &#039;&#039;Laily-Majnu&#039;&#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan wrote two long narrative poems, &#039;&#039;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Laily-Majnu|&lt;/ins&gt;laily-majnu]]&#039;&#039; and &#039;&#039;Imam-Vijay,&#039;&#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &#039;&#039;Laily-Majnu&#039;&#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of&#039;&#039; Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dobh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;si&lt;/del&gt;&#039;&#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Ahmed, Wakil  former Vice Chancellor, National University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of &#039;&#039;Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dobhasi&lt;/ins&gt;&#039;&#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=10805&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=10805&amp;oldid=prev"/>
		<updated>2021-06-18T05:56:02Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:56, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Daulat Uzir Bahram Khan&#039;&#039;&#039; (c 16th century) medieval Bangla poet from Fateyabad or Jafrabad in [[chittagong]] district, son of Mobarak Khan, a minister of the ruler of Chittagong. One of his ancestors, Hamid Khan, was the principal courtier of Hussein Shah, Sultan of Gauda. Hamid Khan settled in Chittagong where he was a &#039;&#039;j&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gird&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;, or landlord, of two parganas. Bahram Khan&#039;;s real name was Asauddin. After the death of his father, he was made minister by Nizam Shah Sur, the ruler of Chittagong.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Daulat Uzir Bahram Khan&#039;&#039;&#039; (c 16th century) medieval Bangla poet from Fateyabad or Jafrabad in [[chittagong]] district, son of Mobarak Khan, a minister of the ruler of Chittagong. One of his ancestors, Hamid Khan, was the principal courtier of Hussein Shah, Sultan of Gauda. Hamid Khan settled in Chittagong where he was a &#039;&#039;j&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gird&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;, or landlord, of two parganas. Bahram Khan&#039;;s real name was Asauddin. After the death of his father, he was made minister by Nizam Shah Sur, the ruler of Chittagong.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Bahram Khan wrote two long narrative poems, &#039;&#039;[[laily-majnu]]&#039;&#039; and &#039;&#039;Imam-Vijay,&#039;&#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &#039;&#039;Laily-Majnu&#039;&#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Bahram Khan wrote two long narrative poems, &#039;&#039;[[laily-majnu]]&#039;&#039; and &#039;&#039;Imam-Vijay,&#039;&#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &#039;&#039;Laily-Majnu&#039;&#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of&#039;&#039; Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;dobh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;si&#039;&#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of&#039;&#039; Laily-Majnu&#039;&#039; are basically mystical, Bahram Khan&#039;;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &#039;&#039;dobh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;si&#039;&#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &#039;&#039;Imam-Vijay&#039;&#039; is the tragic battle of Karbala. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=1783&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Daulat_Uzir_Bahram_Khan&amp;diff=1783&amp;oldid=prev"/>
		<updated>2021-06-17T19:06:44Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Daulat Uzir Bahram Khan&amp;#039;&amp;#039;&amp;#039; (c 16th century) medieval Bangla poet from Fateyabad or Jafrabad in [[chittagong]] district, son of Mobarak Khan, a minister of the ruler of Chittagong. One of his ancestors, Hamid Khan, was the principal courtier of Hussein Shah, Sultan of Gauda. Hamid Khan settled in Chittagong where he was a &amp;#039;&amp;#039;j&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;gird&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;, or landlord, of two parganas. Bahram Khan&amp;#039;;s real name was Asauddin. After the death of his father, he was made minister by Nizam Shah Sur, the ruler of Chittagong. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Bahram Khan wrote two long narrative poems, &amp;#039;&amp;#039;[[laily-majnu]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Imam-Vijay,&amp;#039;&amp;#039; both of which have their roots in [[arabic]] literature. The Indian poet Amir Khasru and the Persian poets Abdur Rahman Jami and Abdullah Hativi had also written poems on the theme of &amp;#039;&amp;#039;Laily-Majnu&amp;#039;&amp;#039; in 1298, 1484 and 1531 respectively. It is believed that Bahram Khan based his poem on one of these versions. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Bahram Khan was the first poet to write a Bangla poem on the tragic love story of Laily and Majnu. However, while the Persian versions of&amp;#039;&amp;#039; Laily-Majnu&amp;#039;&amp;#039; are basically mystical, Bahram Khan&amp;#039;;s highly rhetorical version is a poem of secular love. Other Bengali writers who wrote about the ill-fated lovers include Muhammad Khater, who wrote a &amp;#039;&amp;#039;dobh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;si&amp;#039;&amp;#039; [[puthi]] in 1864, and [[sheikh fazlul karim]], who wrote a narrative poem in modern Bangla in 1903. The theme of &amp;#039;&amp;#039;Imam-Vijay&amp;#039;&amp;#039; is the tragic battle of Karbala. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:দৌলত উজির বাহরাম খান]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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