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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=De%2C_Brajendra_Kumar</id>
	<title>De, Brajendra Kumar - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=De%2C_Brajendra_Kumar"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;action=history"/>
	<updated>2026-06-13T04:51:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=14065&amp;oldid=prev</id>
		<title>Mukbil at 11:09, 20 September 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=14065&amp;oldid=prev"/>
		<updated>2021-09-20T11:09:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:09, 20 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;De, Brajendra Kumar&#039;&#039;&#039; (1907-1976) writer of Jatrapala (a traditional form of folk theatre in Bengal), was born in the village of Ganganagar in [[shariatpur]] on 1 February 1907. His father was Horkishore De and mother Khiroda Sundari. After passing matriculation, he chose teaching as his career. Mukunda Das (1878-1934) first introduced indigenous Jatrapala (texts for Jatra). Brajendra Kumar De enriched his legacy by adding literary and artistic style.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;De, Brajendra Kumar&#039;&#039;&#039; (1907-1976) writer of Jatrapala (a traditional form of folk theatre in Bengal), was born in the village of Ganganagar in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shariatpur District|&lt;/ins&gt;shariatpur]] on 1 February 1907. His father was Horkishore De and mother Khiroda Sundari. After passing matriculation, he chose teaching as his career. Mukunda Das (1878-1934) first introduced indigenous Jatrapala (texts for Jatra). Brajendra Kumar De enriched his legacy by adding literary and artistic style.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;He became attracted to jatrapala during his student life and did an adaptation of Bankim Chandra&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s &#039;&#039;Chandrasekhar&#039;&#039;. His first Jatrapala &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Swar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;ala&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &lt;/del&gt;&#039;&#039;was published in 1925. He also made many experiments on jatrapala. Previously, the dialogue of the on-stage jatrapala used to be long and full of speeches, while the dialogue of the plot of a drama was light and humorous. Because of weird characters, that seemed improbable. Brajendra Kumar De reformed this customary, conventional trend. He brought variety and novelty in the texts of jatrapala. He earned huge expertise in composing dramas based on myths and history. In order to satisfy the demand of the contemporary time, he presented some of the characters in symbolic terms. Thus he created social, revolutionary, realistic and imaginary dramas. And he was the forerunner in creating these kinds of dramas.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He became attracted to jatrapala during his student life and did an adaptation of Bankim Chandra&#039;s &#039;&#039;Chandrasekhar&#039;&#039;. His first Jatrapala &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Swarnalabkar &lt;/ins&gt;&#039;&#039;was published in 1925. He also made many experiments on jatrapala. Previously, the dialogue of the on-stage jatrapala used to be long and full of speeches, while the dialogue of the plot of a drama was light and humorous. Because of weird characters, that seemed improbable. Brajendra Kumar De reformed this customary, conventional trend. He brought variety and novelty in the texts of jatrapala. He earned huge expertise in composing dramas based on myths and history. In order to satisfy the demand of the contemporary time, he presented some of the characters in symbolic terms. Thus he created social, revolutionary, realistic and imaginary dramas. And he was the forerunner in creating these kinds of dramas.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Brajendra Kumar De wrote 152 Jatrapalas, and for his excellence in composing Jatrapalas he was offered the title of &#039;&#039;safol &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039; (the successful dramatist) by the Nikhil Bharat Banga Sahitya Sammelan (All India Bangla Literature Conference) in 1973. In 1976, the periodical &#039;&#039;Obhinoy&#039;&#039; gave him the title of &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lokn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tya &lt;/del&gt;guru&#039;&#039; (the guru of folk drama). To the general public, he came to be known as the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;somr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &lt;/del&gt;&#039;&#039;(the king of drama). He died on 12 March in 1976. [Muhammad Saiful Islam&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Islam, Muhammad Saiful  Assistant Director, Research Division, Bangla Academy, Dhaka&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Brajendra Kumar De wrote 152 Jatrapalas, and for his excellence in composing Jatrapalas he was offered the title of &#039;&#039;safol &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;palakar&lt;/ins&gt;&#039;&#039; (the successful dramatist) by the Nikhil Bharat Banga Sahitya Sammelan (All India Bangla Literature Conference) in 1973. In 1976, the periodical &#039;&#039;Obhinoy&#039;&#039; gave him the title of &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;loknatya &lt;/ins&gt;guru&#039;&#039; (the guru of folk drama). To the general public, he came to be known as the &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;palasomrat &lt;/ins&gt;&#039;&#039;(the king of drama). He died on 12 March in 1976. [Muhammad Saiful Islam]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দে, বজ্রেন্দকুমার]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দে, বজ্রেন্দকুমার]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=10811&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=10811&amp;oldid=prev"/>
		<updated>2021-06-18T05:56:10Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:56, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;De, Brajendra Kumar&#039;&#039;&#039; (1907-1976) writer of Jatrapala (a traditional form of folk theatre in Bengal), was born in the village of Ganganagar in [[shariatpur]] on 1 February 1907. His father was Horkishore De and mother Khiroda Sundari. After passing matriculation, he chose teaching as his career. Mukunda Das (1878-1934) first introduced indigenous Jatrapala (texts for Jatra). Brajendra Kumar De enriched his legacy by adding literary and artistic style.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;De, Brajendra Kumar&#039;&#039;&#039; (1907-1976) writer of Jatrapala (a traditional form of folk theatre in Bengal), was born in the village of Ganganagar in [[shariatpur]] on 1 February 1907. His father was Horkishore De and mother Khiroda Sundari. After passing matriculation, he chose teaching as his career. Mukunda Das (1878-1934) first introduced indigenous Jatrapala (texts for Jatra). Brajendra Kumar De enriched his legacy by adding literary and artistic style.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;He became attracted to jatrapala during his student life and did an adaptation of Bankim Chandra&#039;;s &#039;&#039;Chandrasekhar&#039;&#039;. His first Jatrapala &#039;&#039;Swar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;ala&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &#039;&#039;was published in 1925. He also made many experiments on jatrapala. Previously, the dialogue of the on-stage jatrapala used to be long and full of speeches, while the dialogue of the plot of a drama was light and humorous. Because of weird characters, that seemed improbable. Brajendra Kumar De reformed this customary, conventional trend. He brought variety and novelty in the texts of jatrapala. He earned huge expertise in composing dramas based on myths and history. In order to satisfy the demand of the contemporary time, he presented some of the characters in symbolic terms. Thus he created social, revolutionary, realistic and imaginary dramas. And he was the forerunner in creating these kinds of dramas.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  He became attracted to jatrapala during his student life and did an adaptation of Bankim Chandra&#039;;s &#039;&#039;Chandrasekhar&#039;&#039;. His first Jatrapala &#039;&#039;Swar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;ala&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &#039;&#039;was published in 1925. He also made many experiments on jatrapala. Previously, the dialogue of the on-stage jatrapala used to be long and full of speeches, while the dialogue of the plot of a drama was light and humorous. Because of weird characters, that seemed improbable. Brajendra Kumar De reformed this customary, conventional trend. He brought variety and novelty in the texts of jatrapala. He earned huge expertise in composing dramas based on myths and history. In order to satisfy the demand of the contemporary time, he presented some of the characters in symbolic terms. Thus he created social, revolutionary, realistic and imaginary dramas. And he was the forerunner in creating these kinds of dramas.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Brajendra Kumar De wrote 152 Jatrapalas, and for his excellence in composing Jatrapalas he was offered the title of &#039;&#039;safol p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039; (the successful dramatist) by the Nikhil Bharat Banga Sahitya Sammelan (All India Bangla Literature Conference) in 1973. In 1976, the periodical &#039;&#039;Obhinoy&#039;&#039; gave him the title of &#039;&#039;lokn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tya guru&#039;&#039; (the guru of folk drama). To the general public, he came to be known as the &#039;&#039;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;somr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &#039;&#039;(the king of drama). He died on 12 March in 1976. [Muhammad Saiful Islam] [Islam, Muhammad Saiful  Assistant Director, Research Division, Bangla Academy, Dhaka]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Brajendra Kumar De wrote 152 Jatrapalas, and for his excellence in composing Jatrapalas he was offered the title of &#039;&#039;safol p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039; (the successful dramatist) by the Nikhil Bharat Banga Sahitya Sammelan (All India Bangla Literature Conference) in 1973. In 1976, the periodical &#039;&#039;Obhinoy&#039;&#039; gave him the title of &#039;&#039;lokn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tya guru&#039;&#039; (the guru of folk drama). To the general public, he came to be known as the &#039;&#039;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;somr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &#039;&#039;(the king of drama). He died on 12 March in 1976. [Muhammad Saiful Islam] [Islam, Muhammad Saiful  Assistant Director, Research Division, Bangla Academy, Dhaka]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দে, বজ্রেন্দকুমার]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:দে, বজ্রেন্দকুমার]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=1796&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=De,_Brajendra_Kumar&amp;diff=1796&amp;oldid=prev"/>
		<updated>2021-06-17T19:06:49Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;De, Brajendra Kumar&amp;#039;&amp;#039;&amp;#039; (1907-1976) writer of Jatrapala (a traditional form of folk theatre in Bengal), was born in the village of Ganganagar in [[shariatpur]] on 1 February 1907. His father was Horkishore De and mother Khiroda Sundari. After passing matriculation, he chose teaching as his career. Mukunda Das (1878-1934) first introduced indigenous Jatrapala (texts for Jatra). Brajendra Kumar De enriched his legacy by adding literary and artistic style. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;He became attracted to jatrapala during his student life and did an adaptation of Bankim Chandra&amp;#039;;s &amp;#039;&amp;#039;Chandrasekhar&amp;#039;&amp;#039;. His first Jatrapala &amp;#039;&amp;#039;Swar&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;ala&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r &amp;#039;&amp;#039;was published in 1925. He also made many experiments on jatrapala. Previously, the dialogue of the on-stage jatrapala used to be long and full of speeches, while the dialogue of the plot of a drama was light and humorous. Because of weird characters, that seemed improbable. Brajendra Kumar De reformed this customary, conventional trend. He brought variety and novelty in the texts of jatrapala. He earned huge expertise in composing dramas based on myths and history. In order to satisfy the demand of the contemporary time, he presented some of the characters in symbolic terms. Thus he created social, revolutionary, realistic and imaginary dramas. And he was the forerunner in creating these kinds of dramas. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Brajendra Kumar De wrote 152 Jatrapalas, and for his excellence in composing Jatrapalas he was offered the title of &amp;#039;&amp;#039;safol p&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039; (the successful dramatist) by the Nikhil Bharat Banga Sahitya Sammelan (All India Bangla Literature Conference) in 1973. In 1976, the periodical &amp;#039;&amp;#039;Obhinoy&amp;#039;&amp;#039; gave him the title of &amp;#039;&amp;#039;lokn&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;tya guru&amp;#039;&amp;#039; (the guru of folk drama). To the general public, he came to be known as the &amp;#039;&amp;#039;p&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;somr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t &amp;#039;&amp;#039;(the king of drama). He died on 12 March in 1976. [Muhammad Saiful Islam] [Islam, Muhammad Saiful  Assistant Director, Research Division, Bangla Academy, Dhaka]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:দে, বজ্রেন্দকুমার]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>