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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Ghazal</id>
	<title>Ghazal - Revision history</title>
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	<updated>2026-05-31T21:50:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=13141&amp;oldid=prev</id>
		<title>Mukbil at 07:07, 30 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=13141&amp;oldid=prev"/>
		<updated>2021-08-30T07:07:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:07, 30 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ghazal&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &#039;&#039;&#039;&lt;/del&gt;a kind of light song with Persian origin. There are two main branches of Indian songs: Hindustani or North Indian songs and Karnataki or South Indian songs. Ghazals belong to the former group, with the two main centres located in Delhi and Lucknow. The language of the Indian ghazal is mainly [[urdu]], though Indian poets have also written [[persian]] ghazals.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ghazal&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;a kind of light song with Persian origin. There are two main branches of Indian songs: Hindustani or North Indian songs and Karnataki or South Indian songs. Ghazals belong to the former group, with the two main centres located in Delhi and Lucknow. The language of the Indian ghazal is mainly [[urdu]], though Indian poets have also written [[persian]] ghazals.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The ghazal is erotic in nature, expressing diverse emotions of lovers: courtship, passion, repentance, apathy, separation, desire, togetherness, etc. While many ghazals are about secular love, many of them are philosophical and express love and devotion towards God in terms of human love.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The ghazal is erotic in nature, expressing diverse emotions of lovers: courtship, passion, repentance, apathy, separation, desire, togetherness, etc. While many ghazals are about secular love, many of them are philosophical and express love and devotion towards God in terms of human love.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;In the ghazal, words are more important than the tune. The poem relies upon word play, delighting the audience with the cleverness of the poet. Although the ghazal is about erotic love, it can be on any subject. The nature of the ghazal is soft, and, like [[tappa]] and [[thungri]], it uses sweet and slow [[raga]]s, such as&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;fi&lt;/del&gt;&#039;&#039;,&#039;&#039; jhijhint&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mv&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;j&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bhairav&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;,&#039;&#039; pilu&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;v&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;roy&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;. The common rhythms used are &#039;&#039;pashtu &#039;&#039;and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;d&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;pavand&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the ghazal, words are more important than the tune. The poem relies upon word play, delighting the audience with the cleverness of the poet. Although the ghazal is about erotic love, it can be on any subject. The nature of the ghazal is soft, and, like [[tappa]] and [[thungri]], it uses sweet and slow [[raga]]s, such as &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kafi&lt;/ins&gt;&#039;&#039;, &#039;&#039;jhijhint&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;khamvaj&lt;/ins&gt;&#039;&#039;,&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bhairavi&lt;/ins&gt;&#039;&#039;, &#039;&#039;pilu&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;varoya&lt;/ins&gt;&#039;&#039;. The common rhythms used are &#039;&#039;pashtu&#039;&#039; and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dipavandi&lt;/ins&gt;&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The pioneer of Bangla ghazals was [[atulprasad sen]]. Atulparasad lived in Lucknow where he learned ghazals. [[kazi nazrul islam]] also wrote Bangla ghazals and greatly popularised them. [[moniruddin yusuf]] has also written a number of Bangla ghazals. In recent years, the singing of Urdu ghazals has become popular, and new Bangla ghazals are also being composed. [Mobarak Hossain Khan&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The pioneer of Bangla ghazals was [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sen, Atulprasad|&lt;/ins&gt;atulprasad sen]]. Atulparasad lived in Lucknow where he learned ghazals. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam, Kazi Nazrul|&lt;/ins&gt;kazi nazrul islam]] also wrote Bangla ghazals and greatly popularised them. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Yusuf, Moniruddin|&lt;/ins&gt;moniruddin yusuf]] has also written a number of Bangla ghazals. In recent years, the singing of Urdu ghazals has become popular, and new Bangla ghazals are also being composed. [Mobarak Hossain Khan]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:গজল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:গজল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=11111&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=11111&amp;oldid=prev"/>
		<updated>2021-06-18T06:02:19Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:02, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Ghazal&#039;&#039;&#039;&#039;&#039;&#039; &#039;&#039;&#039;a kind of light song with Persian origin. There are two main branches of Indian songs: Hindustani or North Indian songs and Karnataki or South Indian songs. Ghazals belong to the former group, with the two main centres located in Delhi and Lucknow. The language of the Indian ghazal is mainly [[urdu]], though Indian poets have also written [[persian]] ghazals.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ghazal&#039;&#039;&#039;&#039;&#039;&#039; &#039;&#039;&#039;a kind of light song with Persian origin. There are two main branches of Indian songs: Hindustani or North Indian songs and Karnataki or South Indian songs. Ghazals belong to the former group, with the two main centres located in Delhi and Lucknow. The language of the Indian ghazal is mainly [[urdu]], though Indian poets have also written [[persian]] ghazals.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The ghazal is erotic in nature, expressing diverse emotions of lovers: courtship, passion, repentance, apathy, separation, desire, togetherness, etc. While many ghazals are about secular love, many of them are philosophical and express love and devotion towards God in terms of human love.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The ghazal is erotic in nature, expressing diverse emotions of lovers: courtship, passion, repentance, apathy, separation, desire, togetherness, etc. While many ghazals are about secular love, many of them are philosophical and express love and devotion towards God in terms of human love.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;In the ghazal, words are more important than the tune. The poem relies upon word play, delighting the audience with the cleverness of the poet. Although the ghazal is about erotic love, it can be on any subject. The nature of the ghazal is soft, and, like [[tappa]] and [[thungri]], it uses sweet and slow [[raga]]s, such as&#039;&#039; k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;fi&#039;&#039;,&#039;&#039; jhijhint&#039;&#039;,&#039;&#039; kh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mv&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;j&#039;&#039;,&#039;&#039; bhairav&#039;&#039;&#039;&#039;i&#039;&#039;,&#039;&#039; pilu&#039;&#039;,&#039;&#039; v&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;roy&#039;&#039;&#039;&#039;a&#039;&#039;. The common rhythms used are &#039;&#039;pashtu &#039;&#039;and &#039;&#039;d&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;pavand&#039;&#039;&#039;&#039;i&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  In the ghazal, words are more important than the tune. The poem relies upon word play, delighting the audience with the cleverness of the poet. Although the ghazal is about erotic love, it can be on any subject. The nature of the ghazal is soft, and, like [[tappa]] and [[thungri]], it uses sweet and slow [[raga]]s, such as&#039;&#039; k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;fi&#039;&#039;,&#039;&#039; jhijhint&#039;&#039;,&#039;&#039; kh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mv&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;j&#039;&#039;,&#039;&#039; bhairav&#039;&#039;&#039;&#039;i&#039;&#039;,&#039;&#039; pilu&#039;&#039;,&#039;&#039; v&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;roy&#039;&#039;&#039;&#039;a&#039;&#039;. The common rhythms used are &#039;&#039;pashtu &#039;&#039;and &#039;&#039;d&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;pavand&#039;&#039;&#039;&#039;i&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The pioneer of Bangla ghazals was [[atulprasad sen]]. Atulparasad lived in Lucknow where he learned ghazals. [[kazi nazrul islam]] also wrote Bangla ghazals and greatly popularised them. [[moniruddin yusuf]] has also written a number of Bangla ghazals. In recent years, the singing of Urdu ghazals has become popular, and new Bangla ghazals are also being composed. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The pioneer of Bangla ghazals was [[atulprasad sen]]. Atulparasad lived in Lucknow where he learned ghazals. [[kazi nazrul islam]] also wrote Bangla ghazals and greatly popularised them. [[moniruddin yusuf]] has also written a number of Bangla ghazals. In recent years, the singing of Urdu ghazals has become popular, and new Bangla ghazals are also being composed. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:গজল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:গজল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=2497&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Ghazal&amp;diff=2497&amp;oldid=prev"/>
		<updated>2021-06-17T19:11:42Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Ghazal&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;a kind of light song with Persian origin. There are two main branches of Indian songs: Hindustani or North Indian songs and Karnataki or South Indian songs. Ghazals belong to the former group, with the two main centres located in Delhi and Lucknow. The language of the Indian ghazal is mainly [[urdu]], though Indian poets have also written [[persian]] ghazals. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The ghazal is erotic in nature, expressing diverse emotions of lovers: courtship, passion, repentance, apathy, separation, desire, togetherness, etc. While many ghazals are about secular love, many of them are philosophical and express love and devotion towards God in terms of human love. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;In the ghazal, words are more important than the tune. The poem relies upon word play, delighting the audience with the cleverness of the poet. Although the ghazal is about erotic love, it can be on any subject. The nature of the ghazal is soft, and, like [[tappa]] and [[thungri]], it uses sweet and slow [[raga]]s, such as&amp;#039;&amp;#039; k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;fi&amp;#039;&amp;#039;,&amp;#039;&amp;#039; jhijhint&amp;#039;&amp;#039;,&amp;#039;&amp;#039; kh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;mv&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;j&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bhairav&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;,&amp;#039;&amp;#039; pilu&amp;#039;&amp;#039;,&amp;#039;&amp;#039; v&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;roy&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;. The common rhythms used are &amp;#039;&amp;#039;pashtu &amp;#039;&amp;#039;and &amp;#039;&amp;#039;d&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;pavand&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The pioneer of Bangla ghazals was [[atulprasad sen]]. Atulparasad lived in Lucknow where he learned ghazals. [[kazi nazrul islam]] also wrote Bangla ghazals and greatly popularised them. [[moniruddin yusuf]] has also written a number of Bangla ghazals. In recent years, the singing of Urdu ghazals has become popular, and new Bangla ghazals are also being composed. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;br /&gt;
&lt;br /&gt;
[[Category:Performing Arts]]&lt;br /&gt;
&lt;br /&gt;
[[bn:গজল]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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