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		<title>Mukbil at 06:36, 20 August 2021</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:36, 20 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Haque, Abdul1&#039;&#039;&#039; (1918-1997) journalist and writer, was born at Chapai Nawabganj in rajhhahi. He graduated with honours in English from [[rajshahi college]] in 1944 and obtained MA in English in 1946 from Calcutta University. While still a university student he worked briefly in the daily [[azad]] in Calcutta in 1945 as sub-editor. After completing MA, he joined the paper as a regular sub-editor. Later he was appointed assistant editor of the monthly [[saogat]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Haque, Abdul1&#039;&#039;&#039; (1918-1997) journalist and writer, was born at Chapai Nawabganj in rajhhahi. He graduated with honours in English from [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rajshahi College|&lt;/ins&gt;rajshahi college]] in 1944 and obtained MA in English in 1946 from Calcutta University. While still a university student he worked briefly in the daily [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Azad, The|&lt;/ins&gt;azad]] in Calcutta in 1945 as sub-editor. After completing MA, he joined the paper as a regular sub-editor. Later he was appointed assistant editor of the monthly [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saogat|&lt;/ins&gt;saogat]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1947, Abdul Haque joined the Regional Information Office, Dhaka as a staff writer, subsequently becoming assistant publication officer. After the independence of Bangladesh, he joined the Bengali Development Board in Dhaka as assistant publication officer and was later made its publication officer. When the Bengali Development Board was amalgamated with the [[bangla academy]], he was appointed deputy director of the Academy, retiring as director in 1981.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1947, Abdul Haque joined the Regional Information Office, Dhaka as a staff writer, subsequently becoming assistant publication officer. After the independence of Bangladesh, he joined the Bengali Development Board in Dhaka as assistant publication officer and was later made its publication officer. When the Bengali Development Board was amalgamated with the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangla Academy|&lt;/ins&gt;bangla academy]], he was appointed deputy director of the Academy, retiring as director in 1981.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s first poem &#039;Lutfunnesa&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;, and his first short story, &#039;Tahal&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(Ambulation), were published in the monthly mohammodi in 1940 and 1941 respectively. His first essay, &#039;Sahitya Srstir Prerana&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;, was published in 1941. He was a fine and thought-provoking essayist, writing critiques of contemporary society and politics to analyses of the language issue. Some of his well-known essays on [[bangla language]] and Bangali nationalism published in various journals are: &#039;Pakistaner Rastrabhasa&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1947), &#039;Bangla Bhasa Bisayak Prastab&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1947), &#039;Urdu Rastra Bhasa Hale&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1947), &#039;Arbi Harafe Bangla&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1949), &#039;Muslim Jatiyatabad: Punaniriksa&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1966), &#039;Yuddha O Sampradayikata&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1966). The last two were published in the monthly samakal under the pseudonym of Abul Ahsan. For publishing these two essays the issues of &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039; were confiscated by the government.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque&#039;s first poem &#039;Lutfunnesa&#039;, and his first short story, &#039;Tahal&#039; (Ambulation), were published in the monthly mohammodi in 1940 and 1941 respectively. His first essay, &#039;Sahitya Srstir Prerana&#039;, was published in 1941. He was a fine and thought-provoking essayist, writing critiques of contemporary society and politics to analyses of the language issue. Some of his well-known essays on [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangla Language|&lt;/ins&gt;bangla language]] and Bangali nationalism published in various journals are: &#039;Pakistaner Rastrabhasa&#039; (1947), &#039;Bangla Bhasa Bisayak Prastab&#039; (1947), &#039;Urdu Rastra Bhasa Hale&#039; (1947), &#039;Arbi Harafe Bangla&#039; (1949), &#039;Muslim Jatiyatabad: Punaniriksa&#039; (1966), &#039;Yuddha O Sampradayikata&#039; (1966). The last two were published in the monthly samakal under the pseudonym of Abul Ahsan. For publishing these two essays the issues of &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samakal&lt;/ins&gt;&#039;&#039; were confiscated by the government.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s volumes of essays include &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ntik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039; (1962), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hitya &lt;/del&gt;Aitijhya Mulyabodh&#039;&#039; (1968), &#039;&#039;Bangali Jatiyatabad O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Any&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nya Prasa&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;ga&lt;/del&gt;&#039;&#039; (1973), &#039;&#039;Sahitya O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sv&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;dh&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;nat&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1974), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;ndolaner &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;diparba&lt;/del&gt;&#039;&#039; (1976), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nihsa&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;ga Chetan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;O Anyanya Prasanga&#039;&#039; (1984), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chetan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &lt;/del&gt;Album O Bibidha Prasanga&#039;&#039; (1993), &#039;&#039;Lekhaker &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rojn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mach&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;y Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &lt;/del&gt;Dashaker &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;jn&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ti Parikram&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Preks&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;pat &lt;/del&gt;Bangladesh&#039;&#039; (1993). His short stories were collected in &#039;&#039;Rokeyar Nijer &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;B&#039;&#039;&#039;&#039;adi&lt;/del&gt;&#039;&#039; (1967) and &#039;&#039;Chhinna &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Patrik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hin&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (1981). He also wrote a number of plays: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Advit&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;y&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1956), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ferdaus&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (1964), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Son&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &lt;/del&gt;Dim&#039;&#039; (1976). His translated plays include &#039;&#039;Putuler &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sangs&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039; (1966), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pret&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tm&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1966), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sthapati&lt;/del&gt;&#039;&#039; (1966), &#039;&#039;Rasmar&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s Home&#039;&#039; (1967), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hedd&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bl&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039; (1967), &#039;&#039;Illinoisye Ab Linkan&#039;&#039; (1967), &#039;&#039;John Gabriel Borkman&#039;&#039; (1968), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ga&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;ashatru&lt;/del&gt;&#039;&#039; (1992). He also wrote a detective story, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lo &lt;/del&gt;Mukhos&#039;&#039; (1958), using the pseudonym of Abul Ahsan. He edited &#039;&#039;Kazi Abdul Wadud &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rachan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;val&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (1st and 2nd vol) and &#039;&#039;Qazi Motahar Husain Rachanavali&#039;&#039; (1st and 2nd vol).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque&#039;s volumes of essays include &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Krantikal&lt;/ins&gt;&#039;&#039; (1962), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sahitya &lt;/ins&gt;Aitijhya Mulyabodh&#039;&#039; (1968), &#039;&#039;Bangali Jatiyatabad O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anyanya Prasabga&lt;/ins&gt;&#039;&#039; (1973), &#039;&#039;Sahitya O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Svadhinata&lt;/ins&gt;&#039;&#039; (1974), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhasa Andolaner Adiparba&lt;/ins&gt;&#039;&#039; (1976), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nihsabga Chetana &lt;/ins&gt;O Anyanya Prasanga&#039;&#039; (1984), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chetanar &lt;/ins&gt;Album O Bibidha Prasanga&#039;&#039; (1993), &#039;&#039;Lekhaker &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rojnamachay Char &lt;/ins&gt;Dashaker &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rajniti Parikrama&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Preksapat &lt;/ins&gt;Bangladesh&#039;&#039; (1993). His short stories were collected in &#039;&#039;Rokeyar Nijer &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Badi&lt;/ins&gt;&#039;&#039; (1967) and &#039;&#039;Chhinna &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Patrikar Kahini&lt;/ins&gt;&#039;&#039; (1981). He also wrote a number of plays: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Advitiya&lt;/ins&gt;&#039;&#039; (1956), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ferdausi&lt;/ins&gt;&#039;&#039; (1964), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sonar &lt;/ins&gt;Dim&#039;&#039; (1976). His translated plays include &#039;&#039;Putuler &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sangsar&lt;/ins&gt;&#039;&#039; (1966), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pretatma&lt;/ins&gt;&#039;&#039; (1966), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahasthapati&lt;/ins&gt;&#039;&#039; (1966), &#039;&#039;Rasmar&#039;s Home&#039;&#039; (1967), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hedda Gablar&lt;/ins&gt;&#039;&#039; (1967), &#039;&#039;Illinoisye Ab Linkan&#039;&#039; (1967), &#039;&#039;John Gabriel Borkman&#039;&#039; (1968), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ganashatru&lt;/ins&gt;&#039;&#039; (1992). He also wrote a detective story, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kalo &lt;/ins&gt;Mukhos&#039;&#039; (1958), using the pseudonym of Abul Ahsan. He edited &#039;&#039;Kazi Abdul Wadud &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rachanavali&lt;/ins&gt;&#039;&#039; (1st and 2nd vol) and &#039;&#039;Qazi Motahar Husain Rachanavali&#039;&#039; (1st and 2nd vol).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque was awarded the Dawood Prize (1968), the Bangla Academy Prize (1974), the Abul Hasnat Literary Award (1988), the Hilali Memorial Gold Medal (1990) for his contributions to [[bangla literature]]. [Wakil Ahmed&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Ahmed, Wakil  former Vice Chancellor, National University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abdul Haque was awarded the Dawood Prize (1968), the Bangla Academy Prize (1974), the Abul Hasnat Literary Award (1988), the Hilali Memorial Gold Medal (1990) for his contributions to [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangla Literature|&lt;/ins&gt;bangla literature]]. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হক, আবদুল১]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হক, আবদুল১]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Haque,_Abdul1&amp;diff=2701&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Haque,_Abdul1&amp;diff=2701&amp;oldid=prev"/>
		<updated>2021-06-17T19:13:04Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Haque, Abdul1&amp;#039;&amp;#039;&amp;#039; (1918-1997) journalist and writer, was born at Chapai Nawabganj in rajhhahi. He graduated with honours in English from [[rajshahi college]] in 1944 and obtained MA in English in 1946 from Calcutta University. While still a university student he worked briefly in the daily [[azad]] in Calcutta in 1945 as sub-editor. After completing MA, he joined the paper as a regular sub-editor. Later he was appointed assistant editor of the monthly [[saogat]]. &lt;br /&gt;
&lt;br /&gt;
In 1947, Abdul Haque joined the Regional Information Office, Dhaka as a staff writer, subsequently becoming assistant publication officer. After the independence of Bangladesh, he joined the Bengali Development Board in Dhaka as assistant publication officer and was later made its publication officer. When the Bengali Development Board was amalgamated with the [[bangla academy]], he was appointed deputy director of the Academy, retiring as director in 1981. &lt;br /&gt;
&lt;br /&gt;
Abdul Haque&amp;#039;;s first poem &amp;#039;Lutfunnesa&amp;#039;;, and his first short story, &amp;#039;Tahal&amp;#039;; (Ambulation), were published in the monthly mohammodi in 1940 and 1941 respectively. His first essay, &amp;#039;Sahitya Srstir Prerana&amp;#039;;, was published in 1941. He was a fine and thought-provoking essayist, writing critiques of contemporary society and politics to analyses of the language issue. Some of his well-known essays on [[bangla language]] and Bangali nationalism published in various journals are: &amp;#039;Pakistaner Rastrabhasa&amp;#039;; (1947), &amp;#039;Bangla Bhasa Bisayak Prastab&amp;#039;; (1947), &amp;#039;Urdu Rastra Bhasa Hale&amp;#039;; (1947), &amp;#039;Arbi Harafe Bangla&amp;#039;; (1949), &amp;#039;Muslim Jatiyatabad: Punaniriksa&amp;#039;; (1966), &amp;#039;Yuddha O Sampradayikata&amp;#039;; (1966). The last two were published in the monthly samakal under the pseudonym of Abul Ahsan. For publishing these two essays the issues of &amp;#039;&amp;#039;Samak&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039; were confiscated by the government. &lt;br /&gt;
&lt;br /&gt;
Abdul Haque&amp;#039;;s volumes of essays include &amp;#039;&amp;#039;Kr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ntik&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039; (1962), &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;hitya Aitijhya Mulyabodh&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;Bangali Jatiyatabad O Any&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nya Prasa&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ga&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;Sahitya O Sv&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;dh&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;nat&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1974), &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;ndolaner &amp;#039;&amp;#039;&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;diparba&amp;#039;&amp;#039; (1976), &amp;#039;&amp;#039;Nihsa&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ga Chetan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; O Anyanya Prasanga&amp;#039;&amp;#039; (1984), &amp;#039;&amp;#039;Chetan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Album O Bibidha Prasanga&amp;#039;&amp;#039; (1993), &amp;#039;&amp;#039;Lekhaker Rojn&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;mach&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;y Ch&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Dashaker R&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;jn&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;ti Parikram&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;: Preks&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;pat Bangladesh&amp;#039;&amp;#039; (1993). His short stories were collected in &amp;#039;&amp;#039;Rokeyar Nijer B&amp;#039;&amp;#039;&amp;#039;&amp;#039;adi&amp;#039;&amp;#039; (1967) and &amp;#039;&amp;#039;Chhinna Patrik&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;hin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (1981). He also wrote a number of plays: &amp;#039;&amp;#039;Advit&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;y&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1956), &amp;#039;&amp;#039;Ferdaus&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (1964), &amp;#039;&amp;#039;Son&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Dim&amp;#039;&amp;#039; (1976). His translated plays include &amp;#039;&amp;#039;Putuler Sangs&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039; (1966), &amp;#039;&amp;#039;Pret&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;tm&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1966), &amp;#039;&amp;#039;Mah&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sthapati&amp;#039;&amp;#039; (1966), &amp;#039;&amp;#039;Rasmar&amp;#039;;s Home&amp;#039;&amp;#039; (1967), &amp;#039;&amp;#039;Hedd&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; G&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;bl&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039; (1967), &amp;#039;&amp;#039;Illinoisye Ab Linkan&amp;#039;&amp;#039; (1967), &amp;#039;&amp;#039;John Gabriel Borkman&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;Ga&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;ashatru&amp;#039;&amp;#039; (1992). He also wrote a detective story, &amp;#039;&amp;#039;K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;lo Mukhos&amp;#039;&amp;#039; (1958), using the pseudonym of Abul Ahsan. He edited &amp;#039;&amp;#039;Kazi Abdul Wadud Rachan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;val&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (1st and 2nd vol) and &amp;#039;&amp;#039;Qazi Motahar Husain Rachanavali&amp;#039;&amp;#039; (1st and 2nd vol).&lt;br /&gt;
&lt;br /&gt;
Abdul Haque was awarded the Dawood Prize (1968), the Bangla Academy Prize (1974), the Abul Hasnat Literary Award (1988), the Hilali Memorial Gold Medal (1990) for his contributions to [[bangla literature]]. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:হক, আবদুল১]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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