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	<title>Haricharan Acharya - Revision history</title>
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	<updated>2026-05-31T20:28:26Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=12790&amp;oldid=prev</id>
		<title>Mukbil at 06:42, 20 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=12790&amp;oldid=prev"/>
		<updated>2021-08-20T06:42:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:42, 20 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Haricharan Acharya&#039;&#039;&#039; (1861-1941) a notable &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kaviy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039; (professional versifier). Also known as Hari Acharya, Haricharan was born in [[narsingdi]]. He became a professional versifier about the age of 15. His gurus were Ramkanai Acharya, Baikunthanath Chakraborty, and Harishchandra Chakraborty. He subsequently organised a troupe himself and rendered [[kavigan]] in different places of Bengal for almost fifty years.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Haricharan Acharya&#039;&#039;&#039; (1861-1941) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;a notable &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kaviyal&lt;/ins&gt;&#039;&#039; (professional versifier). Also known as Hari Acharya, Haricharan was born in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Narsingdi District|&lt;/ins&gt;narsingdi]]. He became a professional versifier about the age of 15. His gurus were Ramkanai Acharya, Baikunthanath Chakraborty, and Harishchandra Chakraborty. He subsequently organised a troupe himself and rendered [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kavigan|&lt;/ins&gt;kavigan]] in different places of Bengal for almost fifty years.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Some of Haricharan Acharya&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &#039;&#039;&lt;/del&gt;songs were anthologised in &#039;&#039;Kavir &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039; (Volume 1,1929). The second volume of the anthology was published in 1950. His other books are &#039;&#039;Amiya &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lahar&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (1931), &#039;&#039;Banger Kavi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La&#039;&#039;&#039;&#039;da&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (1931), &#039;&#039;Basanta &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lil&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ta&lt;/del&gt;&#039;&#039;, etc.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of Haricharan Acharya&#039;s songs were anthologised in &#039;&#039;Kavir &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jhabkar&lt;/ins&gt;&#039;&#039; (Volume 1,1929). The second volume of the anthology was published in 1950. His other books are &#039;&#039;Amiya &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lahari&lt;/ins&gt;&#039;&#039; (1931), &#039;&#039;Banger Kavi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ladai&lt;/ins&gt;&#039;&#039; (1931), &#039;&#039;Basanta &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lilamrta&lt;/ins&gt;&#039;&#039;, etc.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Haricharan&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kavig&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039; are free from the vulgarity common to this genre and, instead, portray the social conditions of the times. He vividly describes the sufferings of common people, their poverty, their want of food and clothing. He was also politically conscious: the sufferings of the colonial subject and the [[swadeshi movement]] find a place in his kavigan. A non-communal man, he believed in Hindu-Muslim amity, and words like &#039;Veda-Purana&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;, &#039;Kitab-Quran&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;, &#039;Masjid-Mandir&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;strew his verses.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Haricharan&#039;s &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kavigan&lt;/ins&gt;&#039;&#039; are free from the vulgarity common to this genre and, instead, portray the social conditions of the times. He vividly describes the sufferings of common people, their poverty, their want of food and clothing. He was also politically conscious: the sufferings of the colonial subject and the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Swadeshi Movement|&lt;/ins&gt;swadeshi movement]] find a place in his kavigan. A non-communal man, he believed in Hindu-Muslim amity, and words like &#039;Veda-Purana&#039;, &#039;Kitab-Quran&#039;, &#039;Masjid-Mandir&#039; strew his verses.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Haricharan was a Vaishnava. He established &#039;Sri Sri Gour Visnupriya Ashram&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;in his own village and taught kavigan and shastra to his disciples there. The scholar community of kishoreganj adorned him with the title of &#039;Kavigunakar&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;for his contributions to kavigan. He died on 13 Jyaistha 1348 BS/ 1941 AD. [Ali Nawaz&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Nawaz, Ali  former Director, Bangla Cell, Bangladesh Agricultural University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Haricharan was a Vaishnava. He established &#039;Sri Sri Gour Visnupriya Ashram&#039; in his own village and taught kavigan and shastra to his disciples there. The scholar community of kishoreganj adorned him with the title of &#039;Kavigunakar&#039; for his contributions to kavigan. He died on 13 Jyaistha 1348 BS/ 1941 AD. [Ali Nawaz]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হরিচরণ আচার্য]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হরিচরণ আচার্য]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=11185&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=11185&amp;oldid=prev"/>
		<updated>2021-06-18T06:04:17Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:04, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Haricharan Acharya&#039;&#039;&#039; (1861-1941) a notable &#039;&#039;kaviy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039; (professional versifier). Also known as Hari Acharya, Haricharan was born in [[narsingdi]]. He became a professional versifier about the age of 15. His gurus were Ramkanai Acharya, Baikunthanath Chakraborty, and Harishchandra Chakraborty. He subsequently organised a troupe himself and rendered [[kavigan]] in different places of Bengal for almost fifty years.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Haricharan Acharya&#039;&#039;&#039; (1861-1941) a notable &#039;&#039;kaviy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039; (professional versifier). Also known as Hari Acharya, Haricharan was born in [[narsingdi]]. He became a professional versifier about the age of 15. His gurus were Ramkanai Acharya, Baikunthanath Chakraborty, and Harishchandra Chakraborty. He subsequently organised a troupe himself and rendered [[kavigan]] in different places of Bengal for almost fifty years.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Some of Haricharan Acharya&#039;;s&#039;&#039; &#039;&#039;songs were anthologised in &#039;&#039;Kavir Jha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039; (Volume 1,1929). The second volume of the anthology was published in 1950. His other books are &#039;&#039;Amiya Lahar&#039;&#039;&#039;&#039;i&#039;&#039; (1931), &#039;&#039;Banger Kavi La&#039;&#039;&#039;&#039;da&#039;&#039;&#039;&#039;i&#039;&#039; (1931), &#039;&#039;Basanta Lil&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ta&#039;&#039;, etc.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Some of Haricharan Acharya&#039;;s&#039;&#039; &#039;&#039;songs were anthologised in &#039;&#039;Kavir Jha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039; (Volume 1,1929). The second volume of the anthology was published in 1950. His other books are &#039;&#039;Amiya Lahar&#039;&#039;&#039;&#039;i&#039;&#039; (1931), &#039;&#039;Banger Kavi La&#039;&#039;&#039;&#039;da&#039;&#039;&#039;&#039;i&#039;&#039; (1931), &#039;&#039;Basanta Lil&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ta&#039;&#039;, etc.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Haricharan&#039;;s &#039;&#039;kavig&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039; are free from the vulgarity common to this genre and, instead, portray the social conditions of the times. He vividly describes the sufferings of common people, their poverty, their want of food and clothing. He was also politically conscious: the sufferings of the colonial subject and the [[swadeshi movement]] find a place in his kavigan. A non-communal man, he believed in Hindu-Muslim amity, and words like &#039;Veda-Purana&#039;;, &#039;Kitab-Quran&#039;;, &#039;Masjid-Mandir&#039;; strew his verses.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Haricharan&#039;;s &#039;&#039;kavig&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039; are free from the vulgarity common to this genre and, instead, portray the social conditions of the times. He vividly describes the sufferings of common people, their poverty, their want of food and clothing. He was also politically conscious: the sufferings of the colonial subject and the [[swadeshi movement]] find a place in his kavigan. A non-communal man, he believed in Hindu-Muslim amity, and words like &#039;Veda-Purana&#039;;, &#039;Kitab-Quran&#039;;, &#039;Masjid-Mandir&#039;; strew his verses.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Haricharan was a Vaishnava. He established &#039;Sri Sri Gour Visnupriya Ashram&#039;; in his own village and taught kavigan and shastra to his disciples there. The scholar community of kishoreganj adorned him with the title of &#039;Kavigunakar&#039;; for his contributions to kavigan. He died on 13 Jyaistha 1348 BS/ 1941 AD. [Ali Nawaz] [Nawaz, Ali  former Director, Bangla Cell, Bangladesh Agricultural University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Haricharan was a Vaishnava. He established &#039;Sri Sri Gour Visnupriya Ashram&#039;; in his own village and taught kavigan and shastra to his disciples there. The scholar community of kishoreganj adorned him with the title of &#039;Kavigunakar&#039;; for his contributions to kavigan. He died on 13 Jyaistha 1348 BS/ 1941 AD. [Ali Nawaz] [Nawaz, Ali  former Director, Bangla Cell, Bangladesh Agricultural University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হরিচরণ আচার্য]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হরিচরণ আচার্য]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=2720&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Haricharan_Acharya&amp;diff=2720&amp;oldid=prev"/>
		<updated>2021-06-17T19:13:12Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Haricharan Acharya&amp;#039;&amp;#039;&amp;#039; (1861-1941) a notable &amp;#039;&amp;#039;kaviy&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039; (professional versifier). Also known as Hari Acharya, Haricharan was born in [[narsingdi]]. He became a professional versifier about the age of 15. His gurus were Ramkanai Acharya, Baikunthanath Chakraborty, and Harishchandra Chakraborty. He subsequently organised a troupe himself and rendered [[kavigan]] in different places of Bengal for almost fifty years. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Some of Haricharan Acharya&amp;#039;;s&amp;#039;&amp;#039; &amp;#039;&amp;#039;songs were anthologised in &amp;#039;&amp;#039;Kavir Jha&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039; (Volume 1,1929). The second volume of the anthology was published in 1950. His other books are &amp;#039;&amp;#039;Amiya Lahar&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (1931), &amp;#039;&amp;#039;Banger Kavi La&amp;#039;&amp;#039;&amp;#039;&amp;#039;da&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (1931), &amp;#039;&amp;#039;Basanta Lil&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;ta&amp;#039;&amp;#039;, etc.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Haricharan&amp;#039;;s &amp;#039;&amp;#039;kavig&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039; are free from the vulgarity common to this genre and, instead, portray the social conditions of the times. He vividly describes the sufferings of common people, their poverty, their want of food and clothing. He was also politically conscious: the sufferings of the colonial subject and the [[swadeshi movement]] find a place in his kavigan. A non-communal man, he believed in Hindu-Muslim amity, and words like &amp;#039;Veda-Purana&amp;#039;;, &amp;#039;Kitab-Quran&amp;#039;;, &amp;#039;Masjid-Mandir&amp;#039;; strew his verses. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Haricharan was a Vaishnava. He established &amp;#039;Sri Sri Gour Visnupriya Ashram&amp;#039;; in his own village and taught kavigan and shastra to his disciples there. The scholar community of kishoreganj adorned him with the title of &amp;#039;Kavigunakar&amp;#039;; for his contributions to kavigan. He died on 13 Jyaistha 1348 BS/ 1941 AD. [Ali Nawaz] [Nawaz, Ali  former Director, Bangla Cell, Bangladesh Agricultural University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:হরিচরণ আচার্য]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>