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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Hutom_Pyanchar_Naksha</id>
	<title>Hutom Pyanchar Naksha - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Hutom_Pyanchar_Naksha"/>
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	<updated>2026-05-31T19:41:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=12253&amp;oldid=prev</id>
		<title>Mukbil at 12:27, 14 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=12253&amp;oldid=prev"/>
		<updated>2021-07-14T12:27:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:27, 14 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Hutom Pyanchar Naksha&#039;&#039;&#039; (1862) a satire on the affluent society of Kolkata by [[kali prasanna singh]] (1840-1870). While there are diverse characters, the &#039;&#039;nouveau riche&#039;&#039; are the main targets of the writer. He reveals how they have indulged in forgery, gambling, tricks and deception in order to amass wealth.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Hutom Pyanchar Naksha&#039;&#039;&#039; (1862) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;a satire on the affluent society of Kolkata by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Singh, Kali Prasanna|&lt;/ins&gt;kali prasanna singh]] (1840-1870). While there are diverse characters, the &#039;&#039;nouveau riche&#039;&#039; are the main targets of the writer. He reveals how they have indulged in forgery, gambling, tricks and deception in order to amass wealth.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The book is historically important as it depicts the contemporary life of Kolkata in the mid-19th century in a realistic manner. It is also significant for its use of the spoken language of Kolkata and its surrounding areas. The writer&#039;s use of the pseudonym &#039;Hutom&#039; led to the language of the book being known as &#039;Hutomi Bangla&#039;. This language is more refined than the &#039;&#039;Alali&#039;&#039; language of [[Mitra, Peary Chand|peary chand mitra]] (1814-1883) and there is no confusion of spoken and written forms. [Nurul Amin]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; The book is historically important as it depicts the contemporary life of Kolkata in the mid-19th century in a realistic manner. It is also significant for its use of the spoken language of Kolkata and its surrounding areas. The writer&#039;;s use of the pseudonym &#039;Hutom&#039;; led to the language of the book being known as &#039;Hutomi Bangla&#039;;. This language is more refined than the &#039;&#039;A&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;language&#039;&#039; &#039;&#039;of [[peary chand mitra]] (1814-1883) and there is no confusion of spoken and written forms. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হুতোম পঁ্যাচার নকশা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হুতোম পঁ্যাচার নকশা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=11236&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=11236&amp;oldid=prev"/>
		<updated>2021-06-18T06:05:54Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:05, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Hutom Pyanchar Naksha&#039;&#039;&#039; (1862) a satire on the affluent society of Kolkata by [[kali prasanna singh]] (1840-1870). While there are diverse characters, the &#039;&#039;nouveau riche&#039;&#039; are the main targets of the writer. He reveals how they have indulged in forgery, gambling, tricks and deception in order to amass wealth.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Hutom Pyanchar Naksha&#039;&#039;&#039; (1862) a satire on the affluent society of Kolkata by [[kali prasanna singh]] (1840-1870). While there are diverse characters, the &#039;&#039;nouveau riche&#039;&#039; are the main targets of the writer. He reveals how they have indulged in forgery, gambling, tricks and deception in order to amass wealth.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The book is historically important as it depicts the contemporary life of Kolkata in the mid-19th century in a realistic manner. It is also significant for its use of the spoken language of Kolkata and its surrounding areas. The writer&#039;;s use of the pseudonym &#039;Hutom&#039;; led to the language of the book being known as &#039;Hutomi Bangla&#039;;. This language is more refined than the &#039;&#039;A&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;language&#039;&#039; &#039;&#039;of [[peary chand mitra]] (1814-1883) and there is no confusion of spoken and written forms. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The book is historically important as it depicts the contemporary life of Kolkata in the mid-19th century in a realistic manner. It is also significant for its use of the spoken language of Kolkata and its surrounding areas. The writer&#039;;s use of the pseudonym &#039;Hutom&#039;; led to the language of the book being known as &#039;Hutomi Bangla&#039;;. This language is more refined than the &#039;&#039;A&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;language&#039;&#039; &#039;&#039;of [[peary chand mitra]] (1814-1883) and there is no confusion of spoken and written forms. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হুতোম পঁ্যাচার নকশা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:হুতোম পঁ্যাচার নকশা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=2902&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Hutom_Pyanchar_Naksha&amp;diff=2902&amp;oldid=prev"/>
		<updated>2021-06-17T19:14:25Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Hutom Pyanchar Naksha&amp;#039;&amp;#039;&amp;#039; (1862) a satire on the affluent society of Kolkata by [[kali prasanna singh]] (1840-1870). While there are diverse characters, the &amp;#039;&amp;#039;nouveau riche&amp;#039;&amp;#039; are the main targets of the writer. He reveals how they have indulged in forgery, gambling, tricks and deception in order to amass wealth. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The book is historically important as it depicts the contemporary life of Kolkata in the mid-19th century in a realistic manner. It is also significant for its use of the spoken language of Kolkata and its surrounding areas. The writer&amp;#039;;s use of the pseudonym &amp;#039;Hutom&amp;#039;; led to the language of the book being known as &amp;#039;Hutomi Bangla&amp;#039;;. This language is more refined than the &amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;language&amp;#039;&amp;#039; &amp;#039;&amp;#039;of [[peary chand mitra]] (1814-1883) and there is no confusion of spoken and written forms. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;br /&gt;
&lt;br /&gt;
[[bn:হুতোম পঁ্যাচার নকশা]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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