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		<title>Mukbil at 06:54, 1 August 2021</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:54, 1 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ishaque, Abu&#039;&#039;&#039; (1926-2003) fiction writer, lexicographer, was born on 1 November 1926 at village Shirongol in Shariatpur district. His father was Muhammad Ebadullah and mother, Atharunnissa.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ishaque, Abu&#039;&#039;&#039; (1926-2003) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;fiction writer, lexicographer, was born on 1 November 1926 at village Shirongol in Shariatpur district. His father was Muhammad Ebadullah and mother, Atharunnissa.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Abu Ishaque did his secondary schooling from Uapsi Bijari Taraprasanna English High School at Naria upazila in 1942, higher secondary from Faridpur Rajendra College in 1944 and graduation from Karachi University in 1960.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abu Ishaque did his secondary schooling from Uapsi Bijari Taraprasanna English High School at Naria upazila in 1942, higher secondary from Faridpur Rajendra College in 1944 and graduation from Karachi University in 1960.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Abu Ishaque first joined as a supervisor in a semi-government organisation. After partition of the subcontinent, he joined the Police Department as a Sub-Inspector and served in Karachi, Rawalpindi and Islamabad until 1956.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abu Ishaque first joined as a supervisor in a semi-government organisation. After partition of the subcontinent, he joined the Police Department as a Sub-Inspector and served in Karachi, Rawalpindi and Islamabad until 1956.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;After liberation he came over to Dhaka and joined the National Security Intelligence as a Deputy Director in 1973. A year later, he was posted as Vice-Consul in the Bangladesh Mission at Akyab in Myanmar and in 1976 he became a First Secretary at the Bangladesh Deputy High Commission in Calcutta. In 1979 he was posted in Khulna as the Divisional Chief of NSI and from there he retired in 1984.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After liberation he came over to Dhaka and joined the National Security Intelligence as a Deputy Director in 1973. A year later, he was posted as Vice-Consul in the Bangladesh Mission at Akyab in Myanmar and in 1976 he became a First Secretary at the Bangladesh Deputy High Commission in Calcutta. In 1979 he was posted in Khulna as the Divisional Chief of NSI and from there he retired in 1984.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;He made his debut as a writer with the appearance of his short story &#039;Abhishap&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;in Calcutta&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s Bengali daily &#039;&#039;Nabajug&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/del&gt;&#039;&#039; edited by Kazi Nazrul Islam. His other writings appeared in Calcutta&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s &#039;&#039;Saogat, Azad &#039;&#039;etc. He wrote his first novel &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;rya &lt;/del&gt;Deeghal &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;B&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;i &lt;/del&gt;&#039;&#039;in the background of four major historical events like the Second World War, famine, communal riots and partition of the subcontinent. His writing technique and the theme immediately attracted the attention of the readers. The primary theme of the novel was the struggle for survival of husband-forsaken Jaigun with her two children. Famine-stricken Jaigun first left her village for the city in search of food but the barren, bitter and heartless city life drove her back to her village only to become an inescapable victim of fanaticism and revenge of social superiors and to suffer untold miseries and sufferings. The writer has shown that independence had brought about no change in the economic life of the working people of the villages. In fact, their sufferings had multiplied. &#039;&#039;Surya Deeghal Badi &#039;&#039;was cast into a film and also translated into several foreign languages.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his debut as a writer with the appearance of his short story &#039;Abhishap&#039; in Calcutta&#039;s Bengali daily &#039;&#039;Nabajug&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;edited by Kazi Nazrul Islam. His other writings appeared in Calcutta&#039;s &#039;&#039;Saogat&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Azad&#039;&#039; etc. He wrote his first novel &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Surya &lt;/ins&gt;Deeghal &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Badi&lt;/ins&gt;&#039;&#039; in the background of four major historical events like the Second World War, famine, communal riots and partition of the subcontinent. His writing technique and the theme immediately attracted the attention of the readers. The primary theme of the novel was the struggle for survival of husband-forsaken Jaigun with her two children. Famine-stricken Jaigun first left her village for the city in search of food but the barren, bitter and heartless city life drove her back to her village only to become an inescapable victim of fanaticism and revenge of social superiors and to suffer untold miseries and sufferings. The writer has shown that independence had brought about no change in the economic life of the working people of the villages. In fact, their sufferings had multiplied. &#039;&#039;Surya Deeghal Badi&#039;&#039; was cast into a film and also translated into several foreign languages.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Abu Ishaque&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s second novel &#039;&#039;Padmar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Polidw&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;p&lt;/del&gt;&#039;&#039; was published in 1986. It speaks of the life struggle of the people who live on the sand strips rising out of the Padma&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s bed. Although written after a lapse of decades it indicates the writer&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s outlook. The basic theme of Abu Ishaque&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s novels is people&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s struggle for existence. Consequently, his novels demonstrate a kind of consciousness of futile rebellion.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abu Ishaque&#039;s second novel &#039;&#039;Padmar &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Polidwip&lt;/ins&gt;&#039;&#039; was published in 1986. It speaks of the life struggle of the people who live on the sand strips rising out of the Padma&#039;s bed. Although written after a lapse of decades it indicates the writer&#039;s outlook. The basic theme of Abu Ishaque&#039;s novels is people&#039;s struggle for existence. Consequently, his novels demonstrate a kind of consciousness of futile rebellion.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;His third novel was &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;J&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l &lt;/del&gt;&#039;&#039;written in detective style. He published two books on short stories &amp;amp;#8211; &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rem&lt;/del&gt;&#039;&#039; (1962) and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tra &lt;/del&gt;&#039;&#039;(1963). As in his novels, the life struggle of landless people and of those stricken by wars and famines is reflected in his short stories. His only play was &#039;&#039;Joyoddhani&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;&#039;&#039;His autobiographical book&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itibichitr&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; was published in 2001.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His third novel was &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jal&lt;/ins&gt;&#039;&#039; written in detective style. He published two books on short stories &amp;amp;#8211; &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Harem&lt;/ins&gt;&#039;&#039; (1962) and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahapatra&lt;/ins&gt;&#039;&#039;(1963). As in his novels, the life struggle of landless people and of those stricken by wars and famines is reflected in his short stories. His only play was &#039;&#039;Joyoddhani&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;His autobiographical book &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Smritibichitra&lt;/ins&gt;&#039;&#039; was published in 2001.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Abu Ishaque was also reputed as a lexicographer. He widened the sphere of Bengali lexicography with the publication of his two-volume &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lin &lt;/del&gt;Bangla &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;r Abhidh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;A distinctive feature of his dictionary was that its words not only had their meanings but also all kinds of their synonyms. His dictionary gives 127 synonyms for the word &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;andhak&lt;/del&gt;&#039;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a&lt;/del&gt;&#039;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;r&#039;&lt;/del&gt;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Abu Ishaque was also reputed as a lexicographer. He widened the sphere of Bengali lexicography with the publication of his two-volume &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samakalin &lt;/ins&gt;Bangla &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhashar Abhidhan&lt;/ins&gt;&#039;&#039;. A distinctive feature of his dictionary was that its words not only had their meanings but also all kinds of their synonyms. His dictionary gives 127 synonyms for the word &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;andhakar&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;For his contribution to Bangla literature, Abu Ishaque was awarded &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangla Academy Sahitya Puraskar&lt;/ins&gt;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 1963, &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sundarban Sahitya Padak&lt;/ins&gt;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 1981, &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangladesh Lekhika Sangha Sahitya Padak&lt;/ins&gt;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 1990, Swadhinata Padak (posthumous) in 2004 and &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shishu Academy Padak (posthumous) in 2006. He died in Dhaka on 16 February 2003&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[Wakil Ahmed]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; For his contribution to Bangla literature, Abu Ishaque was awarded &#039;Bangla Academy Sahitya Puraskar&#039;; in 1963, &#039;Sundarban Sahitya Padak&#039;; in 1981, &#039;Bangladesh Lekhika Sangha Sahitya Padak&#039;; in 1990, Swadhinata Padak (posthumous) in 2004 and &#039;Shishu Academy Padak (posthumous) in 2006. He died in Dhaka on 16 February 2003. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইসহাক, আবু]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইসহাক, আবু]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Ishaque,_Abu&amp;diff=11282&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Ishaque,_Abu&amp;diff=11282&amp;oldid=prev"/>
		<updated>2021-06-18T06:06:51Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:06, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Ishaque, Abu&#039;&#039;&#039; (1926-2003) fiction writer, lexicographer, was born on 1 November 1926 at village Shirongol in Shariatpur district. His father was Muhammad Ebadullah and mother, Atharunnissa.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Ishaque, Abu&#039;&#039;&#039; (1926-2003) fiction writer, lexicographer, was born on 1 November 1926 at village Shirongol in Shariatpur district. His father was Muhammad Ebadullah and mother, Atharunnissa.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Abu Ishaque did his secondary schooling from Uapsi Bijari Taraprasanna English High School at Naria upazila in 1942, higher secondary from Faridpur Rajendra College in 1944 and graduation from Karachi University in 1960.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Abu Ishaque did his secondary schooling from Uapsi Bijari Taraprasanna English High School at Naria upazila in 1942, higher secondary from Faridpur Rajendra College in 1944 and graduation from Karachi University in 1960.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Abu Ishaque first joined as a supervisor in a semi-government organisation. After partition of the subcontinent, he joined the Police Department as a Sub-Inspector and served in Karachi, Rawalpindi and Islamabad until 1956.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Abu Ishaque first joined as a supervisor in a semi-government organisation. After partition of the subcontinent, he joined the Police Department as a Sub-Inspector and served in Karachi, Rawalpindi and Islamabad until 1956.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;After liberation he came over to Dhaka and joined the National Security Intelligence as a Deputy Director in 1973. A year later, he was posted as Vice-Consul in the Bangladesh Mission at Akyab in Myanmar and in 1976 he became a First Secretary at the Bangladesh Deputy High Commission in Calcutta. In 1979 he was posted in Khulna as the Divisional Chief of NSI and from there he retired in 1984.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  After liberation he came over to Dhaka and joined the National Security Intelligence as a Deputy Director in 1973. A year later, he was posted as Vice-Consul in the Bangladesh Mission at Akyab in Myanmar and in 1976 he became a First Secretary at the Bangladesh Deputy High Commission in Calcutta. In 1979 he was posted in Khulna as the Divisional Chief of NSI and from there he retired in 1984.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;He made his debut as a writer with the appearance of his short story &#039;Abhishap&#039;; in Calcutta&#039;;s Bengali daily &#039;&#039;Nabajug,&#039;&#039; edited by Kazi Nazrul Islam. His other writings appeared in Calcutta&#039;;s &#039;&#039;Saogat, Azad &#039;&#039;etc. He wrote his first novel &#039;&#039;S&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;rya Deeghal B&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;i &#039;&#039;in the background of four major historical events like the Second World War, famine, communal riots and partition of the subcontinent. His writing technique and the theme immediately attracted the attention of the readers. The primary theme of the novel was the struggle for survival of husband-forsaken Jaigun with her two children. Famine-stricken Jaigun first left her village for the city in search of food but the barren, bitter and heartless city life drove her back to her village only to become an inescapable victim of fanaticism and revenge of social superiors and to suffer untold miseries and sufferings. The writer has shown that independence had brought about no change in the economic life of the working people of the villages. In fact, their sufferings had multiplied. &#039;&#039;Surya Deeghal Badi &#039;&#039;was cast into a film and also translated into several foreign languages.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  He made his debut as a writer with the appearance of his short story &#039;Abhishap&#039;; in Calcutta&#039;;s Bengali daily &#039;&#039;Nabajug,&#039;&#039; edited by Kazi Nazrul Islam. His other writings appeared in Calcutta&#039;;s &#039;&#039;Saogat, Azad &#039;&#039;etc. He wrote his first novel &#039;&#039;S&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;rya Deeghal B&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;i &#039;&#039;in the background of four major historical events like the Second World War, famine, communal riots and partition of the subcontinent. His writing technique and the theme immediately attracted the attention of the readers. The primary theme of the novel was the struggle for survival of husband-forsaken Jaigun with her two children. Famine-stricken Jaigun first left her village for the city in search of food but the barren, bitter and heartless city life drove her back to her village only to become an inescapable victim of fanaticism and revenge of social superiors and to suffer untold miseries and sufferings. The writer has shown that independence had brought about no change in the economic life of the working people of the villages. In fact, their sufferings had multiplied. &#039;&#039;Surya Deeghal Badi &#039;&#039;was cast into a film and also translated into several foreign languages.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Abu Ishaque&#039;;s second novel &#039;&#039;Padmar Polidw&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;p&#039;&#039; was published in 1986. It speaks of the life struggle of the people who live on the sand strips rising out of the Padma&#039;;s bed. Although written after a lapse of decades it indicates the writer&#039;;s outlook. The basic theme of Abu Ishaque&#039;;s novels is people&#039;;s struggle for existence. Consequently, his novels demonstrate a kind of consciousness of futile rebellion.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Abu Ishaque&#039;;s second novel &#039;&#039;Padmar Polidw&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;p&#039;&#039; was published in 1986. It speaks of the life struggle of the people who live on the sand strips rising out of the Padma&#039;;s bed. Although written after a lapse of decades it indicates the writer&#039;;s outlook. The basic theme of Abu Ishaque&#039;;s novels is people&#039;;s struggle for existence. Consequently, his novels demonstrate a kind of consciousness of futile rebellion.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;His third novel was &#039;&#039;J&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l &#039;&#039;written in detective style. He published two books on short stories &amp;amp;#8211; &#039;&#039;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rem&#039;&#039; (1962) and &#039;&#039;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tra &#039;&#039;(1963). As in his novels, the life struggle of landless people and of those stricken by wars and famines is reflected in his short stories. His only play was &#039;&#039;Joyoddhani. &#039;&#039;His autobiographical book&#039;&#039; Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itibichitr&#039;&#039;&#039;&#039;a&#039;&#039; was published in 2001.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  His third novel was &#039;&#039;J&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l &#039;&#039;written in detective style. He published two books on short stories &amp;amp;#8211; &#039;&#039;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rem&#039;&#039; (1962) and &#039;&#039;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;p&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tra &#039;&#039;(1963). As in his novels, the life struggle of landless people and of those stricken by wars and famines is reflected in his short stories. His only play was &#039;&#039;Joyoddhani. &#039;&#039;His autobiographical book&#039;&#039; Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itibichitr&#039;&#039;&#039;&#039;a&#039;&#039; was published in 2001.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Abu Ishaque was also reputed as a lexicographer. He widened the sphere of Bengali lexicography with the publication of his two-volume &#039;&#039;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lin Bangla Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Abhidh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n. &#039;&#039;A distinctive feature of his dictionary was that its words not only had their meanings but also all kinds of their synonyms. His dictionary gives 127 synonyms for the word &#039;&#039;andhak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Abu Ishaque was also reputed as a lexicographer. He widened the sphere of Bengali lexicography with the publication of his two-volume &#039;&#039;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lin Bangla Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Abhidh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n. &#039;&#039;A distinctive feature of his dictionary was that its words not only had their meanings but also all kinds of their synonyms. His dictionary gives 127 synonyms for the word &#039;&#039;andhak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;For his contribution to Bangla literature, Abu Ishaque was awarded &#039;Bangla Academy Sahitya Puraskar&#039;; in 1963, &#039;Sundarban Sahitya Padak&#039;; in 1981, &#039;Bangladesh Lekhika Sangha Sahitya Padak&#039;; in 1990, Swadhinata Padak (posthumous) in 2004 and &#039;Shishu Academy Padak (posthumous) in 2006. He died in Dhaka on 16 February 2003. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  For his contribution to Bangla literature, Abu Ishaque was awarded &#039;Bangla Academy Sahitya Puraskar&#039;; in 1963, &#039;Sundarban Sahitya Padak&#039;; in 1981, &#039;Bangladesh Lekhika Sangha Sahitya Padak&#039;; in 1990, Swadhinata Padak (posthumous) in 2004 and &#039;Shishu Academy Padak (posthumous) in 2006. He died in Dhaka on 16 February 2003. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইসহাক, আবু]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইসহাক, আবু]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Ishaque,_Abu&amp;diff=3017&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Ishaque,_Abu&amp;diff=3017&amp;oldid=prev"/>
		<updated>2021-06-17T19:15:12Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Ishaque, Abu&amp;#039;&amp;#039;&amp;#039; (1926-2003) fiction writer, lexicographer, was born on 1 November 1926 at village Shirongol in Shariatpur district. His father was Muhammad Ebadullah and mother, Atharunnissa. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Abu Ishaque did his secondary schooling from Uapsi Bijari Taraprasanna English High School at Naria upazila in 1942, higher secondary from Faridpur Rajendra College in 1944 and graduation from Karachi University in 1960.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Abu Ishaque first joined as a supervisor in a semi-government organisation. After partition of the subcontinent, he joined the Police Department as a Sub-Inspector and served in Karachi, Rawalpindi and Islamabad until 1956. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;After liberation he came over to Dhaka and joined the National Security Intelligence as a Deputy Director in 1973. A year later, he was posted as Vice-Consul in the Bangladesh Mission at Akyab in Myanmar and in 1976 he became a First Secretary at the Bangladesh Deputy High Commission in Calcutta. In 1979 he was posted in Khulna as the Divisional Chief of NSI and from there he retired in 1984. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;He made his debut as a writer with the appearance of his short story &amp;#039;Abhishap&amp;#039;; in Calcutta&amp;#039;;s Bengali daily &amp;#039;&amp;#039;Nabajug,&amp;#039;&amp;#039; edited by Kazi Nazrul Islam. His other writings appeared in Calcutta&amp;#039;;s &amp;#039;&amp;#039;Saogat, Azad &amp;#039;&amp;#039;etc. He wrote his first novel &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039;&amp;#039;rya Deeghal B&amp;#039;&amp;#039;&amp;#039;&amp;#039;ad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i &amp;#039;&amp;#039;in the background of four major historical events like the Second World War, famine, communal riots and partition of the subcontinent. His writing technique and the theme immediately attracted the attention of the readers. The primary theme of the novel was the struggle for survival of husband-forsaken Jaigun with her two children. Famine-stricken Jaigun first left her village for the city in search of food but the barren, bitter and heartless city life drove her back to her village only to become an inescapable victim of fanaticism and revenge of social superiors and to suffer untold miseries and sufferings. The writer has shown that independence had brought about no change in the economic life of the working people of the villages. In fact, their sufferings had multiplied. &amp;#039;&amp;#039;Surya Deeghal Badi &amp;#039;&amp;#039;was cast into a film and also translated into several foreign languages. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Abu Ishaque&amp;#039;;s second novel &amp;#039;&amp;#039;Padmar Polidw&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;p&amp;#039;&amp;#039; was published in 1986. It speaks of the life struggle of the people who live on the sand strips rising out of the Padma&amp;#039;;s bed. Although written after a lapse of decades it indicates the writer&amp;#039;;s outlook. The basic theme of Abu Ishaque&amp;#039;;s novels is people&amp;#039;;s struggle for existence. Consequently, his novels demonstrate a kind of consciousness of futile rebellion. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;His third novel was &amp;#039;&amp;#039;J&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l &amp;#039;&amp;#039;written in detective style. He published two books on short stories &amp;amp;#8211; &amp;#039;&amp;#039;H&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rem&amp;#039;&amp;#039; (1962) and &amp;#039;&amp;#039;Mah&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;p&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;tra &amp;#039;&amp;#039;(1963). As in his novels, the life struggle of landless people and of those stricken by wars and famines is reflected in his short stories. His only play was &amp;#039;&amp;#039;Joyoddhani. &amp;#039;&amp;#039;His autobiographical book&amp;#039;&amp;#039; Sm&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;itibichitr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; was published in 2001. &lt;br /&gt;
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 &amp;lt;p class=Normal &amp;gt;Abu Ishaque was also reputed as a lexicographer. He widened the sphere of Bengali lexicography with the publication of his two-volume &amp;#039;&amp;#039;Samak&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;lin Bangla Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Abhidh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n. &amp;#039;&amp;#039;A distinctive feature of his dictionary was that its words not only had their meanings but also all kinds of their synonyms. His dictionary gives 127 synonyms for the word &amp;#039;&amp;#039;andhak&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;.&lt;br /&gt;
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 &amp;lt;p class=Normal &amp;gt;For his contribution to Bangla literature, Abu Ishaque was awarded &amp;#039;Bangla Academy Sahitya Puraskar&amp;#039;; in 1963, &amp;#039;Sundarban Sahitya Padak&amp;#039;; in 1981, &amp;#039;Bangladesh Lekhika Sangha Sahitya Padak&amp;#039;; in 1990, Swadhinata Padak (posthumous) in 2004 and &amp;#039;Shishu Academy Padak (posthumous) in 2006. He died in Dhaka on 16 February 2003. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
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[[Category:Biography]]&lt;br /&gt;
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[[bn:ইসহাক, আবু]]&lt;/div&gt;</summary>
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