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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Kando_Nadi_Kando</id>
	<title>Kando Nadi Kando - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Kando_Nadi_Kando"/>
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	<updated>2026-05-31T19:05:17Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.0</generator>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=12399&amp;oldid=prev</id>
		<title>Mukbil at 04:46, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=12399&amp;oldid=prev"/>
		<updated>2021-08-03T04:46:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:46, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kando Nadi Kando&#039;&#039;&#039; (Wail, River, Wail) is a novel by [[syed waliullah]] (1968). Though Waliullah is largely influenced by the western style of fictions, his characters, the landscape, and the social milieu in the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ndo Nad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;Kando&#039;&#039; are fundamentally Bengali. The story of the life of the junior magistrate, Muhammad Mustafa, of Kumurdanga, is narrated by a steamer passenger, Tabarak Bhuiyan. Waliullah&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s use of the stream-of-consciousness technique complicates the story as well as the characters, who appear to be inconsistent. The tragic story of Muhammad Mustafa juxtaposes the picture of the common people of Kumurdanga, whose lives are influenced by the drying Bakal river. With its conscious artistry, the book added a new dimension to the Bangla novel of the &#039;sixties of the last century. [Nurul Amin&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Amin, Nurul  Professor of Bangla, Chittagong University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kando Nadi Kando&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;(Wail, River, Wail) is a novel by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Waliullah, Syed|&lt;/ins&gt;syed waliullah]] (1968). Though Waliullah is largely influenced by the western style of fictions, his characters, the landscape, and the social milieu in the &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kando Nadi &lt;/ins&gt;Kando&#039;&#039; are fundamentally Bengali. The story of the life of the junior magistrate, Muhammad Mustafa, of Kumurdanga, is narrated by a steamer passenger, Tabarak Bhuiyan. Waliullah&#039;s use of the stream-of-consciousness technique complicates the story as well as the characters, who appear to be inconsistent. The tragic story of Muhammad Mustafa juxtaposes the picture of the common people of Kumurdanga, whose lives are influenced by the drying Bakal river. With its conscious artistry, the book added a new dimension to the Bangla novel of the &#039;sixties of the last century. [Nurul Amin]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কাঁদো নদী কাঁদো]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কাঁদো নদী কাঁদো]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=11322&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=11322&amp;oldid=prev"/>
		<updated>2021-06-18T06:09:18Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:09, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Kando Nadi Kando&#039;&#039;&#039; (Wail, River, Wail) is a novel by [[syed waliullah]] (1968). Though Waliullah is largely influenced by the western style of fictions, his characters, the landscape, and the social milieu in the &#039;&#039;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ndo Nad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Kando&#039;&#039; are fundamentally Bengali. The story of the life of the junior magistrate, Muhammad Mustafa, of Kumurdanga, is narrated by a steamer passenger, Tabarak Bhuiyan. Waliullah&#039;;s use of the stream-of-consciousness technique complicates the story as well as the characters, who appear to be inconsistent. The tragic story of Muhammad Mustafa juxtaposes the picture of the common people of Kumurdanga, whose lives are influenced by the drying Bakal river. With its conscious artistry, the book added a new dimension to the Bangla novel of the &#039;sixties of the last century. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kando Nadi Kando&#039;&#039;&#039; (Wail, River, Wail) is a novel by [[syed waliullah]] (1968). Though Waliullah is largely influenced by the western style of fictions, his characters, the landscape, and the social milieu in the &#039;&#039;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ndo Nad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Kando&#039;&#039; are fundamentally Bengali. The story of the life of the junior magistrate, Muhammad Mustafa, of Kumurdanga, is narrated by a steamer passenger, Tabarak Bhuiyan. Waliullah&#039;;s use of the stream-of-consciousness technique complicates the story as well as the characters, who appear to be inconsistent. The tragic story of Muhammad Mustafa juxtaposes the picture of the common people of Kumurdanga, whose lives are influenced by the drying Bakal river. With its conscious artistry, the book added a new dimension to the Bangla novel of the &#039;sixties of the last century. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কাঁদো নদী কাঁদো]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কাঁদো নদী কাঁদো]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=3298&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kando_Nadi_Kando&amp;diff=3298&amp;oldid=prev"/>
		<updated>2021-06-17T19:17:11Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Kando Nadi Kando&amp;#039;&amp;#039;&amp;#039; (Wail, River, Wail) is a novel by [[syed waliullah]] (1968). Though Waliullah is largely influenced by the western style of fictions, his characters, the landscape, and the social milieu in the &amp;#039;&amp;#039;K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ndo Nad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Kando&amp;#039;&amp;#039; are fundamentally Bengali. The story of the life of the junior magistrate, Muhammad Mustafa, of Kumurdanga, is narrated by a steamer passenger, Tabarak Bhuiyan. Waliullah&amp;#039;;s use of the stream-of-consciousness technique complicates the story as well as the characters, who appear to be inconsistent. The tragic story of Muhammad Mustafa juxtaposes the picture of the common people of Kumurdanga, whose lives are influenced by the drying Bakal river. With its conscious artistry, the book added a new dimension to the Bangla novel of the &amp;#039;sixties of the last century. [Nurul Amin] [Amin, Nurul  Professor of Bangla, Chittagong University]&lt;br /&gt;
&lt;br /&gt;
[[bn:কাঁদো নদী কাঁদো]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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