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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Karim%2C_AKM_Bazlul</id>
	<title>Karim, AKM Bazlul - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Karim%2C_AKM_Bazlul"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;action=history"/>
	<updated>2026-05-31T18:24:41Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=12403&amp;oldid=prev</id>
		<title>Mukbil at 04:56, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=12403&amp;oldid=prev"/>
		<updated>2021-08-03T04:56:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:56, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Karim, AKM Bazlul&amp;#039;&amp;#039;&amp;#039; (1932-1977)  actor, director, theatre activist and translator, was born in [[Comilla District|comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &amp;#039;&amp;#039;Nildurpun&amp;#039;&amp;#039; (1955), &amp;#039;&amp;#039;Parihas Bijlipitam&amp;#039;&amp;#039; (1956) and &amp;#039;&amp;#039;Keu Kichhu Balte Pare Na&amp;#039;&amp;#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&amp;#039; Union and [[Sanskriti Sangsad|sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Karim, AKM Bazlul&amp;#039;&amp;#039;&amp;#039; (1932-1977)  actor, director, theatre activist and translator, was born in [[Comilla District|comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &amp;#039;&amp;#039;Nildurpun&amp;#039;&amp;#039; (1955), &amp;#039;&amp;#039;Parihas Bijlipitam&amp;#039;&amp;#039; (1956) and &amp;#039;&amp;#039;Keu Kichhu Balte Pare Na&amp;#039;&amp;#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&amp;#039; Union and [[Sanskriti Sangsad|sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sabai Amar Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;Kalbela&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Thibi Akraman&#039;&#039; (1963) and &#039;&#039;Dantonr Mrtyu&#039;&#039; (1977).  [Anupam Hayat]  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Drama Circle|&lt;/ins&gt;drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sabai Amar Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;Kalbela&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Thibi Akraman&#039;&#039; (1963) and &#039;&#039;Dantonr Mrtyu&#039;&#039; (1977).  [Anupam Hayat]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=12402&amp;oldid=prev</id>
		<title>Mukbil at 04:55, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=12402&amp;oldid=prev"/>
		<updated>2021-08-03T04:55:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:55, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, AKM Bazlul&#039;&#039;&#039; (1932-1977) actor, director, theatre activist and translator, was born in [[comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;N&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ldurpu&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039; (1955), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Parih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &lt;/del&gt;Bijlipitam&#039;&#039; (1956) and &#039;&#039;Keu Kichhu Balte &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;re N&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;Union and [[sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, AKM Bazlul&#039;&#039;&#039; (1932-1977) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;actor, director, theatre activist and translator, was born in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Comilla District|&lt;/ins&gt;comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nildurpun&lt;/ins&gt;&#039;&#039; (1955), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Parihas &lt;/ins&gt;Bijlipitam&#039;&#039; (1956) and &#039;&#039;Keu Kichhu Balte &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pare Na&lt;/ins&gt;&#039;&#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&#039; Union and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sanskriti Sangsad|&lt;/ins&gt;sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sabai Amar Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;Kalbela&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Thibi Akraman&#039;&#039; (1963) and &#039;&#039;Dantonr Mrtyu&#039;&#039; (1977).  [Anupam Hayat] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sab&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;i &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lbel&#039;&#039;&#039;&#039;a&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Th&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;bi &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;krama&#039;&#039;&#039;&#039;n&#039;&#039; (1963) and &#039;&#039;Dantonr M&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tyu&#039;&#039; (1977). [Anupam Hayat] [Hayat, Anupam  former Public Information Officer, Trading Corporation of Bangladesh]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, এ.কে.এম বজলুল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, এ.কে.এম বজলুল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=11325&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=11325&amp;oldid=prev"/>
		<updated>2021-06-18T06:09:27Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:09, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Karim, AKM Bazlul&#039;&#039;&#039; (1932-1977) actor, director, theatre activist and translator, was born in [[comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &#039;&#039;N&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ldurpu&#039;&#039;&#039;&#039;n&#039;&#039; (1955), &#039;&#039;Parih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s Bijlipitam&#039;&#039; (1956) and &#039;&#039;Keu Kichhu Balte P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;re N&#039;&#039;&#039;&#039;a&#039;&#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&#039;; Union and [[sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, AKM Bazlul&#039;&#039;&#039; (1932-1977) actor, director, theatre activist and translator, was born in [[comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &#039;&#039;N&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ldurpu&#039;&#039;&#039;&#039;n&#039;&#039; (1955), &#039;&#039;Parih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s Bijlipitam&#039;&#039; (1956) and &#039;&#039;Keu Kichhu Balte P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;re N&#039;&#039;&#039;&#039;a&#039;&#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&#039;; Union and [[sangskriti sangsad]] of Dhaka University.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sab&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;i &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lbel&#039;&#039;&#039;&#039;a&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Th&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;bi &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;krama&#039;&#039;&#039;&#039;n&#039;&#039; (1963) and &#039;&#039;Dantonr M&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tyu&#039;&#039; (1977). [Anupam Hayat] [Hayat, Anupam  former Public Information Officer, Trading Corporation of Bangladesh]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &#039;&#039;Sab&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;i &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Chhele&#039;&#039; (1959), &#039;&#039;King Oedipas&#039;&#039; (1962), &#039;&#039;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lbel&#039;&#039;&#039;&#039;a&#039;&#039; (1962), &#039;&#039;Arms and the Man&#039;&#039; (1963 and 1973), &#039;&#039;Sapta Surer Th&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;bi &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;krama&#039;&#039;&#039;&#039;n&#039;&#039; (1963) and &#039;&#039;Dantonr M&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tyu&#039;&#039; (1977). [Anupam Hayat] [Hayat, Anupam  former Public Information Officer, Trading Corporation of Bangladesh]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, এ.কে.এম বজলুল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, এ.কে.এম বজলুল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=3314&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_AKM_Bazlul&amp;diff=3314&amp;oldid=prev"/>
		<updated>2021-06-17T19:17:18Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Karim, AKM Bazlul&amp;#039;&amp;#039;&amp;#039; (1932-1977) actor, director, theatre activist and translator, was born in [[comilla]] on 23 March 1932. Bazlul Karim passed his Masters from Dhaka University. He became interested in drama while at the university. He acted in &amp;#039;&amp;#039;N&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;ldurpu&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039; (1955), &amp;#039;&amp;#039;Parih&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s Bijlipitam&amp;#039;&amp;#039; (1956) and &amp;#039;&amp;#039;Keu Kichhu Balte P&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;re N&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1956), staged in the Curzon Hall under the initiative of the Central Students&amp;#039;; Union and [[sangskriti sangsad]] of Dhaka University. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Bazlul Karim took an active role in establishing theatre organisations, in directing and producing plays and in translating foreign plays. He was one of the founder members of [[drama circle]] (1956), the first group theatre in Bangladesh. In 1963 he went abroad. He returned to the country in 1973 and revitalized Drama Circle. Among the plays that he translated and directed are &amp;#039;&amp;#039;Sab&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;i &amp;#039;&amp;#039;&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Chhele&amp;#039;&amp;#039; (1959), &amp;#039;&amp;#039;King Oedipas&amp;#039;&amp;#039; (1962), &amp;#039;&amp;#039;K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;lbel&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1962), &amp;#039;&amp;#039;Arms and the Man&amp;#039;&amp;#039; (1963 and 1973), &amp;#039;&amp;#039;Sapta Surer Th&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;bi &amp;#039;&amp;#039;&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;krama&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039; (1963) and &amp;#039;&amp;#039;Dantonr M&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;tyu&amp;#039;&amp;#039; (1977). [Anupam Hayat] [Hayat, Anupam  former Public Information Officer, Trading Corporation of Bangladesh]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:করিম, এ.কে.এম বজলুল]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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