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	<title>Karim, Sheikh Fazlul - Revision history</title>
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		<title>Mukbil at 05:16, 3 August 2021</title>
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		<updated>2021-08-03T05:16:16Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:16, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, Sheikh Fazlul&#039;&#039;&#039; (1882-1936) Poet, literateur and editor. Born on 9 April 1882 at village Kakina in Rangpur district. Father Amirullah, mother Kokila Bibi.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, Sheikh Fazlul&#039;&#039;&#039; (1882-1936) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;Poet, literateur and editor. Born on 9 April 1882 at village Kakina in Rangpur district. Father Amirullah, mother Kokila Bibi.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;His early education began with house tutor Harshankar Moitreya, editor of the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dikprak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &lt;/del&gt;&#039;&#039;of Rangpur. Later he got admitted to a high school but he interrupted his education to take up employment with a local jute firm in 1901. After seven years he left the job and established a printing press at Kakina and named it Shahabia Printing Works.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His early education began with house tutor Harshankar Moitreya, editor of the &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dikprakash&lt;/ins&gt;&#039;&#039; of Rangpur. Later he got admitted to a high school but he interrupted his education to take up employment with a local jute firm in 1901. After seven years he left the job and established a printing press at Kakina and named it Shahabia Printing Works.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Quite early in life Sheikh Fazlul Karim had his first book of poems &#039;&#039;Saral Padya &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &lt;/del&gt;&#039;&#039;published in 1894. He wrote in 1900 his book of devotional songs &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;T&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;h&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;a &lt;/del&gt;&#039;&#039;following the tradition of Urdu gazal. He wrote &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Paritr&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;in 1903 depicting the glory of Prophet Muhammad&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s life and religious teachings. He wrote &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vagnabeen&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;in 1904, &#039;&#039;Premer &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;iti &lt;/del&gt;&#039;&#039;in 1905, &#039;&#039;Vakti &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pu&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;hp&#039;&#039;&#039;&#039;av&#039;&#039;&#039;&#039;jali &lt;/del&gt;&#039;&#039;in 1911, &#039;&#039;Path O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;theyo&lt;/del&gt;&#039;&#039; in 1913, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;th&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;in 1920, and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Uchch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &lt;/del&gt;&#039;&#039;in the narrative and epic style.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Quite early in life Sheikh Fazlul Karim had his first book of poems &#039;&#039;Saral Padya &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bikash&lt;/ins&gt;&#039;&#039; published in 1894. He wrote in 1900 his book of devotional songs &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Trishva&lt;/ins&gt;&#039;&#039; following the tradition of Urdu gazal. He wrote &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Paritran&lt;/ins&gt;&#039;&#039; in 1903 depicting the glory of Prophet Muhammad&#039;s life and religious teachings. He wrote &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vagnabeena&lt;/ins&gt;&#039;&#039; in 1904, &#039;&#039;Premer &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Smriti&lt;/ins&gt;&#039;&#039; in 1905, &#039;&#039;Vakti &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pushpavjali&lt;/ins&gt;&#039;&#039; in 1911, &#039;&#039;Path O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Patheyo&lt;/ins&gt;&#039;&#039; in 1913, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gatha&lt;/ins&gt;&#039;&#039; in 1920, and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Uchchash&lt;/ins&gt;&#039;&#039; in the narrative and epic style.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Karim proved his distinction in prose writing as well. He wrote novels such as &#039;&#039;Laily-Majnu &#039;&#039;and &#039;&#039;Harunur Rashid&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;&#039;&#039;Among his biographical and historical books are &#039;&#039;Hazrat Khawaja Mainuddin Chisty, Afghanistaner &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &lt;/del&gt;&#039;&#039;(1909), &#039;&#039;Bibi Rahima&#039;&#039; (1918), &#039;&#039;Rajorshi Ibrahim&#039;&#039; (1924), &#039;&#039;Bibi Khadiza &#039;&#039;(1927) and &#039;&#039;Bibi Fatima (1927). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;His prose was very lucid and refined. He wrote as many as forty books in verse and prose.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Karim proved his distinction in prose writing as well. He wrote novels such as &#039;&#039;Laily-Majnu&#039;&#039; and &#039;&#039;Harunur Rashid&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;Among his biographical and historical books are &#039;&#039;Hazrat Khawaja Mainuddin Chisty, Afghanistaner &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Itihash&lt;/ins&gt;&#039;&#039; (1909), &#039;&#039;Bibi Rahima&#039;&#039; (1918), &#039;&#039;Rajorshi Ibrahim&#039;&#039; (1924), &#039;&#039;Bibi Khadiza&#039;&#039; (1927) and &#039;&#039;Bibi Fatima&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;(1927). His prose was very lucid and refined. He wrote as many as forty books in verse and prose.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Karim&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s poetic thoughts and literary efforts were mainly inspired by religious beliefs and moral principles. He was a follower of Chishtia school of Sufism which is amply reflected in his writings. He did not however overlook the problems of the contemporary society. Karim&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s writings reflected his humanistic thoughts. To further this thought he started editing a journal called &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;shon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(Boishakh 1335). Although the journal very short-lived it reflected some precious thinking of the contemporary society including the editor&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s own clear views on Bengali language. His journal stood firmly in favour of Bangla, when a crisis grew over the language of the Bengali Muslims. A prime focus of the journal was on Hindu-Muslim unity. During a period of crisis in Hindu-Muslim relations, he wrote the following in verse:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Karim&#039;s poetic thoughts and literary efforts were mainly inspired by religious beliefs and moral principles. He was a follower of Chishtia school of Sufism which is amply reflected in his writings. He did not however overlook the problems of the contemporary society. Karim&#039;s writings reflected his humanistic thoughts. To further this thought he started editing a journal called &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bashona&lt;/ins&gt;&#039;&#039; (Boishakh 1335). Although the journal very short-lived it reflected some precious thinking of the contemporary society including the editor&#039;s own clear views on Bengali language. His journal stood firmly in favour of Bangla, when a crisis grew over the language of the Bengali Muslims. A prime focus of the journal was on Hindu-Muslim unity. During a period of crisis in Hindu-Muslim relations, he wrote the following in verse:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Where is the heaven, where is the hell, who says these are far off?  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Where is the heaven, where is the hell, who says these are far off?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The heaven and hell are among human beings and the angels and demons are made of human beings.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The heaven and hell are among human beings and the angels and demons are made of human beings.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Whenever our good senses are driven off by our cardinal passions, we burn in the hell-fire of self-remorse.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever our good senses are driven off by our cardinal passions, we burn in the hell-fire of self-remorse.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Whenever we meet in the holy bondage of love and affection, the heaven comes down to our cottages.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever we meet in the holy bondage of love and affection, the heaven comes down to our cottages.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;For his contribution to literature the Nadia Sahitya Sabha honoured him with the title of &#039;Sahityabisharad&#039; in 1916 and with the title of &#039;Kabyaratnakar&#039; in 1917. He died on 28 September 1936.  [Wakil Ahmed]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; For his contribution to literature the Nadia Sahitya Sabha honoured him with the title of &#039;Sahityabisharad&#039;; in 1916 and with the title of &#039;Kabyaratnakar&#039;; in 1917. He died on 28 September 1936. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, শেখ ফজলল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, শেখ ফজলল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_Sheikh_Fazlul&amp;diff=11328&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_Sheikh_Fazlul&amp;diff=11328&amp;oldid=prev"/>
		<updated>2021-06-18T06:09:33Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:09, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Karim, Sheikh Fazlul&#039;&#039;&#039; (1882-1936) Poet, literateur and editor. Born on 9 April 1882 at village Kakina in Rangpur district. Father Amirullah, mother Kokila Bibi.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Karim, Sheikh Fazlul&#039;&#039;&#039; (1882-1936) Poet, literateur and editor. Born on 9 April 1882 at village Kakina in Rangpur district. Father Amirullah, mother Kokila Bibi.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;His early education began with house tutor Harshankar Moitreya, editor of the &#039;&#039;Dikprak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;of Rangpur. Later he got admitted to a high school but he interrupted his education to take up employment with a local jute firm in 1901. After seven years he left the job and established a printing press at Kakina and named it Shahabia Printing Works.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  His early education began with house tutor Harshankar Moitreya, editor of the &#039;&#039;Dikprak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;of Rangpur. Later he got admitted to a high school but he interrupted his education to take up employment with a local jute firm in 1901. After seven years he left the job and established a printing press at Kakina and named it Shahabia Printing Works.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Quite early in life Sheikh Fazlul Karim had his first book of poems &#039;&#039;Saral Padya Bik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;published in 1894. He wrote in 1900 his book of devotional songs &#039;&#039;T&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;h&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;a &#039;&#039;following the tradition of Urdu gazal. He wrote &#039;&#039;Paritr&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &#039;&#039;in 1903 depicting the glory of Prophet Muhammad&#039;;s life and religious teachings. He wrote &#039;&#039;Vagnabeen&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;in 1904, &#039;&#039;Premer Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;iti &#039;&#039;in 1905, &#039;&#039;Vakti Pu&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;hp&#039;&#039;&#039;&#039;av&#039;&#039;&#039;&#039;jali &#039;&#039;in 1911, &#039;&#039;Path O P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;theyo&#039;&#039; in 1913, &#039;&#039;G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;th&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;in 1920, and &#039;&#039;Uchch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;in the narrative and epic style.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Quite early in life Sheikh Fazlul Karim had his first book of poems &#039;&#039;Saral Padya Bik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;published in 1894. He wrote in 1900 his book of devotional songs &#039;&#039;T&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;h&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;a &#039;&#039;following the tradition of Urdu gazal. He wrote &#039;&#039;Paritr&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &#039;&#039;in 1903 depicting the glory of Prophet Muhammad&#039;;s life and religious teachings. He wrote &#039;&#039;Vagnabeen&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;in 1904, &#039;&#039;Premer Sm&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;iti &#039;&#039;in 1905, &#039;&#039;Vakti Pu&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;hp&#039;&#039;&#039;&#039;av&#039;&#039;&#039;&#039;jali &#039;&#039;in 1911, &#039;&#039;Path O P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;theyo&#039;&#039; in 1913, &#039;&#039;G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;th&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;in 1920, and &#039;&#039;Uchch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;in the narrative and epic style.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Karim proved his distinction in prose writing as well. He wrote novels such as &#039;&#039;Laily-Majnu &#039;&#039;and &#039;&#039;Harunur Rashid. &#039;&#039;Among his biographical and historical books are &#039;&#039;Hazrat Khawaja Mainuddin Chisty, Afghanistaner Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;(1909), &#039;&#039;Bibi Rahima&#039;&#039; (1918), &#039;&#039;Rajorshi Ibrahim&#039;&#039; (1924), &#039;&#039;Bibi Khadiza &#039;&#039;(1927) and &#039;&#039;Bibi Fatima (1927). &#039;&#039;His prose was very lucid and refined. He wrote as many as forty books in verse and prose.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Karim proved his distinction in prose writing as well. He wrote novels such as &#039;&#039;Laily-Majnu &#039;&#039;and &#039;&#039;Harunur Rashid. &#039;&#039;Among his biographical and historical books are &#039;&#039;Hazrat Khawaja Mainuddin Chisty, Afghanistaner Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh &#039;&#039;(1909), &#039;&#039;Bibi Rahima&#039;&#039; (1918), &#039;&#039;Rajorshi Ibrahim&#039;&#039; (1924), &#039;&#039;Bibi Khadiza &#039;&#039;(1927) and &#039;&#039;Bibi Fatima (1927). &#039;&#039;His prose was very lucid and refined. He wrote as many as forty books in verse and prose.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Karim&#039;;s poetic thoughts and literary efforts were mainly inspired by religious beliefs and moral principles. He was a follower of Chishtia school of Sufism which is amply reflected in his writings. He did not however overlook the problems of the contemporary society. Karim&#039;;s writings reflected his humanistic thoughts. To further this thought he started editing a journal called &#039;&#039;B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;shon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;(Boishakh 1335). Although the journal very short-lived it reflected some precious thinking of the contemporary society including the editor&#039;;s own clear views on Bengali language. His journal stood firmly in favour of Bangla, when a crisis grew over the language of the Bengali Muslims. A prime focus of the journal was on Hindu-Muslim unity. During a period of crisis in Hindu-Muslim relations, he wrote the following in verse:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Karim&#039;;s poetic thoughts and literary efforts were mainly inspired by religious beliefs and moral principles. He was a follower of Chishtia school of Sufism which is amply reflected in his writings. He did not however overlook the problems of the contemporary society. Karim&#039;;s writings reflected his humanistic thoughts. To further this thought he started editing a journal called &#039;&#039;B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;shon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;(Boishakh 1335). Although the journal very short-lived it reflected some precious thinking of the contemporary society including the editor&#039;;s own clear views on Bengali language. His journal stood firmly in favour of Bangla, when a crisis grew over the language of the Bengali Muslims. A prime focus of the journal was on Hindu-Muslim unity. During a period of crisis in Hindu-Muslim relations, he wrote the following in verse:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Where is the heaven, where is the hell, who says these are far off?  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Where is the heaven, where is the hell, who says these are far off?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The heaven and hell are among human beings and the angels and demons are made of human beings.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The heaven and hell are among human beings and the angels and demons are made of human beings.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Whenever our good senses are driven off by our cardinal passions, we burn in the hell-fire of self-remorse.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Whenever our good senses are driven off by our cardinal passions, we burn in the hell-fire of self-remorse.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Whenever we meet in the holy bondage of love and affection, the heaven comes down to our cottages.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Whenever we meet in the holy bondage of love and affection, the heaven comes down to our cottages.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;For his contribution to literature the Nadia Sahitya Sabha honoured him with the title of &#039;Sahityabisharad&#039;; in 1916 and with the title of &#039;Kabyaratnakar&#039;; in 1917. He died on 28 September 1936. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  For his contribution to literature the Nadia Sahitya Sabha honoured him with the title of &#039;Sahityabisharad&#039;; in 1916 and with the title of &#039;Kabyaratnakar&#039;; in 1917. He died on 28 September 1936. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, শেখ ফজলল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:করিম, শেখ ফজলল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Karim,_Sheikh_Fazlul&amp;diff=3324&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Karim,_Sheikh_Fazlul&amp;diff=3324&amp;oldid=prev"/>
		<updated>2021-06-17T19:17:22Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Karim, Sheikh Fazlul&amp;#039;&amp;#039;&amp;#039; (1882-1936) Poet, literateur and editor. Born on 9 April 1882 at village Kakina in Rangpur district. Father Amirullah, mother Kokila Bibi.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;His early education began with house tutor Harshankar Moitreya, editor of the &amp;#039;&amp;#039;Dikprak&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh &amp;#039;&amp;#039;of Rangpur. Later he got admitted to a high school but he interrupted his education to take up employment with a local jute firm in 1901. After seven years he left the job and established a printing press at Kakina and named it Shahabia Printing Works. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Quite early in life Sheikh Fazlul Karim had his first book of poems &amp;#039;&amp;#039;Saral Padya Bik&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh &amp;#039;&amp;#039;published in 1894. He wrote in 1900 his book of devotional songs &amp;#039;&amp;#039;T&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;h&amp;#039;&amp;#039;&amp;#039;&amp;#039;v&amp;#039;&amp;#039;&amp;#039;&amp;#039;a &amp;#039;&amp;#039;following the tradition of Urdu gazal. He wrote &amp;#039;&amp;#039;Paritr&amp;#039;&amp;#039;&amp;#039;&amp;#039;an&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;in 1903 depicting the glory of Prophet Muhammad&amp;#039;;s life and religious teachings. He wrote &amp;#039;&amp;#039;Vagnabeen&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;in 1904, &amp;#039;&amp;#039;Premer Sm&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;iti &amp;#039;&amp;#039;in 1905, &amp;#039;&amp;#039;Vakti Pu&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;hp&amp;#039;&amp;#039;&amp;#039;&amp;#039;av&amp;#039;&amp;#039;&amp;#039;&amp;#039;jali &amp;#039;&amp;#039;in 1911, &amp;#039;&amp;#039;Path O P&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;theyo&amp;#039;&amp;#039; in 1913, &amp;#039;&amp;#039;G&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;th&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;in 1920, and &amp;#039;&amp;#039;Uchch&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh &amp;#039;&amp;#039;in the narrative and epic style. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Karim proved his distinction in prose writing as well. He wrote novels such as &amp;#039;&amp;#039;Laily-Majnu &amp;#039;&amp;#039;and &amp;#039;&amp;#039;Harunur Rashid. &amp;#039;&amp;#039;Among his biographical and historical books are &amp;#039;&amp;#039;Hazrat Khawaja Mainuddin Chisty, Afghanistaner Itih&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh &amp;#039;&amp;#039;(1909), &amp;#039;&amp;#039;Bibi Rahima&amp;#039;&amp;#039; (1918), &amp;#039;&amp;#039;Rajorshi Ibrahim&amp;#039;&amp;#039; (1924), &amp;#039;&amp;#039;Bibi Khadiza &amp;#039;&amp;#039;(1927) and &amp;#039;&amp;#039;Bibi Fatima (1927). &amp;#039;&amp;#039;His prose was very lucid and refined. He wrote as many as forty books in verse and prose. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Karim&amp;#039;;s poetic thoughts and literary efforts were mainly inspired by religious beliefs and moral principles. He was a follower of Chishtia school of Sufism which is amply reflected in his writings. He did not however overlook the problems of the contemporary society. Karim&amp;#039;;s writings reflected his humanistic thoughts. To further this thought he started editing a journal called &amp;#039;&amp;#039;B&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;shon&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(Boishakh 1335). Although the journal very short-lived it reflected some precious thinking of the contemporary society including the editor&amp;#039;;s own clear views on Bengali language. His journal stood firmly in favour of Bangla, when a crisis grew over the language of the Bengali Muslims. A prime focus of the journal was on Hindu-Muslim unity. During a period of crisis in Hindu-Muslim relations, he wrote the following in verse:&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Where is the heaven, where is the hell, who says these are far off? &lt;br /&gt;
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 &amp;lt;p class=Normal &amp;gt;The heaven and hell are among human beings and the angels and demons are made of human beings. &lt;br /&gt;
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 &amp;lt;p class=Normal &amp;gt;Whenever our good senses are driven off by our cardinal passions, we burn in the hell-fire of self-remorse. &lt;br /&gt;
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 &amp;lt;p class=Normal &amp;gt;Whenever we meet in the holy bondage of love and affection, the heaven comes down to our cottages. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;For his contribution to literature the Nadia Sahitya Sabha honoured him with the title of &amp;#039;Sahityabisharad&amp;#039;; in 1916 and with the title of &amp;#039;Kabyaratnakar&amp;#039;; in 1917. He died on 28 September 1936. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
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[[Category:Biography]]&lt;br /&gt;
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[[bn:করিম, শেখ ফজলল]]&lt;/div&gt;</summary>
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