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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Kavitarkik</id>
	<title>Kavitarkik - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Kavitarkik"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kavitarkik&amp;action=history"/>
	<updated>2026-05-31T18:21:25Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.0</generator>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=12416&amp;oldid=prev</id>
		<title>Mukbil at 05:36, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=12416&amp;oldid=prev"/>
		<updated>2021-08-03T05:36:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:36, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Kavitarkik&amp;#039;&amp;#039;&amp;#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[Noakhali District|noakhali]], son of Baninath, a [[Sanskrit|sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&amp;#039;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Kavitarkik&amp;#039;&amp;#039;&amp;#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[Noakhali District|noakhali]], son of Baninath, a [[Sanskrit|sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&amp;#039;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The manuscript of Kavitarkik&#039;s one-act farce, &#039;&#039;Kautukaratnakar&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhula&lt;/del&gt;|bhulua]] and Manikya and reveals that bhulua was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The manuscript of Kavitarkik&#039;s one-act farce, &#039;&#039;Kautukaratnakar&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhulua&lt;/ins&gt;|bhulua]] and Manikya and reveals that bhulua was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[Dutt, Michael Madhusudan|michael madhusudan dutt]]&amp;#039;s play &amp;#039;&amp;#039;Budo Shaliker Ghade Ron&amp;#039;&amp;#039; greatly resembles &amp;#039;&amp;#039;Kautukaratnaka&amp;#039;&amp;#039;, which the [[University of Dhaka|university of dhaka]] published in 1997.   [Dulal Bhowmik]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[Dutt, Michael Madhusudan|michael madhusudan dutt]]&amp;#039;s play &amp;#039;&amp;#039;Budo Shaliker Ghade Ron&amp;#039;&amp;#039; greatly resembles &amp;#039;&amp;#039;Kautukaratnaka&amp;#039;&amp;#039;, which the [[University of Dhaka|university of dhaka]] published in 1997.   [Dulal Bhowmik]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=12415&amp;oldid=prev</id>
		<title>Mukbil at 05:35, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=12415&amp;oldid=prev"/>
		<updated>2021-08-03T05:35:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:35, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kavitarkik&#039;&#039;&#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[noakhali]], son of Baninath, a [[sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kavitarkik&#039;&#039;&#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Noakhali District|&lt;/ins&gt;noakhali]], son of Baninath, a [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sanskrit|&lt;/ins&gt;sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&#039;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The manuscript of Kavitarkik&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s one-act farce, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kautukaratn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;kar&lt;/del&gt;&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[bhulua]] and Manikya and reveals that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;bhulua&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The manuscript of Kavitarkik&#039;s one-act farce, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kautukaratnakar&lt;/ins&gt;&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhula|&lt;/ins&gt;bhulua]] and Manikya and reveals that bhulua was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[michael madhusudan dutt]]&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s play &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bu&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;o Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;liker Gh&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;e &lt;/del&gt;Ron&#039;&#039; greatly resembles &#039;&#039;Kautukaratnaka&#039;&#039;, which the [[university of dhaka]] published in 1997. [Dulal Bhowmik&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dutt, Michael Madhusudan|&lt;/ins&gt;michael madhusudan dutt]]&#039;s play &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Budo Shaliker Ghade &lt;/ins&gt;Ron&#039;&#039; greatly resembles &#039;&#039;Kautukaratnaka&#039;&#039;, which the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;University of Dhaka|&lt;/ins&gt;university of dhaka]] published in 1997. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;  &lt;/ins&gt;[Dulal Bhowmik]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=11334&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=11334&amp;oldid=prev"/>
		<updated>2021-06-18T06:09:56Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:09, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Kavitarkik&#039;&#039;&#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[noakhali]], son of Baninath, a [[sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&#039;;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Kavitarkik&#039;&#039;&#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[noakhali]], son of Baninath, a [[sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&#039;;s court. His original name was Raghunath; Kavitarkik was his appellation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The manuscript of Kavitarkik&#039;;s one-act farce, &#039;&#039;Kautukaratn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;kar&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[bhulua]] and Manikya and reveals that [[bhulua]] was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The manuscript of Kavitarkik&#039;;s one-act farce, &#039;&#039;Kautukaratn&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;kar&#039;&#039;, is still extant. The preface of the play describes the dynasties of [[bhulua]] and Manikya and reveals that [[bhulua]] was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[michael madhusudan dutt]]&#039;;s play &#039;&#039;Bu&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;o Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;liker Gh&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;e Ron&#039;&#039; greatly resembles &#039;&#039;Kautukaratnaka&#039;&#039;, which the [[university of dhaka]] published in 1997. [Dulal Bhowmik] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[michael madhusudan dutt]]&#039;;s play &#039;&#039;Bu&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;o Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;liker Gh&#039;&#039;&#039;&#039;ad&#039;&#039;&#039;&#039;e Ron&#039;&#039; greatly resembles &#039;&#039;Kautukaratnaka&#039;&#039;, which the [[university of dhaka]] published in 1997. [Dulal Bhowmik] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:কবিতার্কিক]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=3369&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Kavitarkik&amp;diff=3369&amp;oldid=prev"/>
		<updated>2021-06-17T19:17:41Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Kavitarkik&amp;#039;&amp;#039;&amp;#039; (16th-17th centuries) court-poet of King Laksanamanikya, was born towards the close to the 16th century in the village of Srirampur in the district of [[noakhali]], son of Baninath, a [[sanskrit]] poet. Some scholars believe that Kavitarkik was either a priest or a minister in the king&amp;#039;;s court. His original name was Raghunath; Kavitarkik was his appellation. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The manuscript of Kavitarkik&amp;#039;;s one-act farce, &amp;#039;&amp;#039;Kautukaratn&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;kar&amp;#039;&amp;#039;, is still extant. The preface of the play describes the dynasties of [[bhulua]] and Manikya and reveals that [[bhulua]] was once an important centre of education, literature and culture. The preface also includes stories about the valour of King Laksmanamanikya and his father, Gandharvamanikya. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The play, which describes the decadence of the beau-monde and the aberrations of the priests, has considerable literary value. [[michael madhusudan dutt]]&amp;#039;;s play &amp;#039;&amp;#039;Bu&amp;#039;&amp;#039;&amp;#039;&amp;#039;d&amp;#039;&amp;#039;&amp;#039;&amp;#039;o Sh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;liker Gh&amp;#039;&amp;#039;&amp;#039;&amp;#039;ad&amp;#039;&amp;#039;&amp;#039;&amp;#039;e Ron&amp;#039;&amp;#039; greatly resembles &amp;#039;&amp;#039;Kautukaratnaka&amp;#039;&amp;#039;, which the [[university of dhaka]] published in 1997. [Dulal Bhowmik] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[bn:কবিতার্কিক]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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