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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Khatun%2C_Masuda</id>
	<title>Khatun, Masuda - Revision history</title>
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	<updated>2026-05-31T18:21:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12461&amp;oldid=prev</id>
		<title>Mukbil at 07:42, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12461&amp;oldid=prev"/>
		<updated>2021-08-03T07:42:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:42, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Khatun, Masuda&amp;#039;&amp;#039;&amp;#039; (1885-1926)  one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &amp;#039;&amp;#039;Chanachur&amp;#039;&amp;#039; (1927). A contemporary of [[Hossain, Roquiah Sakhawat|roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Khatun, Masuda&amp;#039;&amp;#039;&amp;#039; (1885-1926)  one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &amp;#039;&amp;#039;Chanachur&amp;#039;&amp;#039; (1927). A contemporary of [[Hossain, Roquiah Sakhawat|roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[Islam, Kazi&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;Nazrul|kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bisher Banshi&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;s literary journal, &#039;&#039;Dhumketu&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[Islam, Kazi Nazrul|kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bisher Banshi&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;s literary journal, &#039;&#039;Dhumketu&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrs M Rahman&amp;#039;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&amp;#039;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &amp;#039;&amp;#039;borka&amp;#039;&amp;#039; (veil) frequenting cinema halls and attending &amp;#039;&amp;#039;kirtan&amp;#039;&amp;#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrs M Rahman&amp;#039;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&amp;#039;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &amp;#039;&amp;#039;borka&amp;#039;&amp;#039; (veil) frequenting cinema halls and attending &amp;#039;&amp;#039;kirtan&amp;#039;&amp;#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12460&amp;oldid=prev</id>
		<title>Mukbil at 07:42, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12460&amp;oldid=prev"/>
		<updated>2021-08-03T07:42:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:42, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Khatun, Masuda&amp;#039;&amp;#039;&amp;#039; (1885-1926)  one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &amp;#039;&amp;#039;Chanachur&amp;#039;&amp;#039; (1927). A contemporary of [[Hossain, Roquiah Sakhawat|roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Khatun, Masuda&amp;#039;&amp;#039;&amp;#039; (1885-1926)  one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &amp;#039;&amp;#039;Chanachur&amp;#039;&amp;#039; (1927). A contemporary of [[Hossain, Roquiah Sakhawat|roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[Islam, Kazi, Nazrul|kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bisher Banshi&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;s literary journal, &#039;&#039;Dhumketu&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[Islam, Kazi, Nazrul|kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bisher Banshi&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;s literary journal, &#039;&#039;Dhumketu&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrs M Rahman&amp;#039;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&amp;#039;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &amp;#039;&amp;#039;borka&amp;#039;&amp;#039; (veil) frequenting cinema halls and attending &amp;#039;&amp;#039;kirtan&amp;#039;&amp;#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrs M Rahman&amp;#039;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&amp;#039;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &amp;#039;&amp;#039;borka&amp;#039;&amp;#039; (veil) frequenting cinema halls and attending &amp;#039;&amp;#039;kirtan&amp;#039;&amp;#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12459&amp;oldid=prev</id>
		<title>Mukbil at 07:41, 3 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=12459&amp;oldid=prev"/>
		<updated>2021-08-03T07:41:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:41, 3 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Khatun, Masuda&#039;&#039;&#039; (1885-1926) one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chur&lt;/del&gt;&#039;&#039; (1927). A contemporary of [[roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Khatun, Masuda&#039;&#039;&#039; (1885-1926) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chanachur&lt;/ins&gt;&#039;&#039; (1927). A contemporary of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hossain, Roquiah Sakhawat|&lt;/ins&gt;roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;and considered her a source of inspiration. The poet dedicated his &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bi&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;her B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;x&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s literary journal, &#039;&#039;Dhumketu&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&#039;&#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam, Kazi, Nazrul|&lt;/ins&gt;kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039; and considered her a source of inspiration. The poet dedicated his &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bisher Banshi&lt;/ins&gt;&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;s literary journal, &#039;&#039;Dhumketu&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Mrs M Rahman&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bork&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (veil) frequenting cinema halls and attending &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;k&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rta&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrs M Rahman&#039;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&#039;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;borka&lt;/ins&gt;&#039;&#039; (veil) frequenting cinema halls and attending &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kirtan&lt;/ins&gt;&#039;&#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The untimely death of Mrs M Rahman was deeply lamented by those who were struggling for women&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s emancipation at the time. Grief-stricken Nazrul Islam, in the dedication of his book, gave her the epithet of &#039;&#039;Agni &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;N&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gin&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (Fire Serpent). [Sonia Amin&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Amin, Sonia Nishat  Professor of History, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The untimely death of Mrs M Rahman was deeply lamented by those who were struggling for women&#039;s emancipation at the time. Grief-stricken Nazrul Islam, in the dedication of his book, gave her the epithet of &#039;&#039;Agni &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nagini&lt;/ins&gt;&#039;&#039; (Fire Serpent). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[Sonia Amin]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:খাতুন, মাসুদা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:খাতুন, মাসুদা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=11356&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=11356&amp;oldid=prev"/>
		<updated>2021-06-18T06:11:09Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:11, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Khatun, Masuda&#039;&#039;&#039; (1885-1926) one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &#039;&#039;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chur&#039;&#039; (1927). A contemporary of [[roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Khatun, Masuda&#039;&#039;&#039; (1885-1926) one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &#039;&#039;Ch&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chur&#039;&#039; (1927). A contemporary of [[roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039;; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bi&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;her B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;x&#039;&#039;&#039;&#039;i&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;;s literary journal, &#039;&#039;Dhumketu.&#039;&#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &#039;mother&#039;; and considered her a source of inspiration. The poet dedicated his &#039;&#039;Bi&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;her B&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;x&#039;&#039;&#039;&#039;i&#039;&#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&#039;;s literary journal, &#039;&#039;Dhumketu.&#039;&#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Mrs M Rahman&#039;;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&#039;;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &#039;&#039;bork&#039;&#039;&#039;&#039;a&#039;&#039; (veil) frequenting cinema halls and attending &#039;&#039;k&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rta&#039;&#039;&#039;&#039;n&#039;&#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Mrs M Rahman&#039;;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&#039;;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &#039;&#039;bork&#039;&#039;&#039;&#039;a&#039;&#039; (veil) frequenting cinema halls and attending &#039;&#039;k&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rta&#039;&#039;&#039;&#039;n&#039;&#039; sessions. She also organised a centre for rehabilitating prostitutes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;The untimely death of Mrs M Rahman was deeply lamented by those who were struggling for women&#039;;s emancipation at the time. Grief-stricken Nazrul Islam, in the dedication of his book, gave her the epithet of &#039;&#039;Agni N&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gin&#039;&#039;&#039;&#039;i&#039;&#039; (Fire Serpent). [Sonia Amin] [Amin, Sonia Nishat  Professor of History, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The untimely death of Mrs M Rahman was deeply lamented by those who were struggling for women&#039;;s emancipation at the time. Grief-stricken Nazrul Islam, in the dedication of his book, gave her the epithet of &#039;&#039;Agni N&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gin&#039;&#039;&#039;&#039;i&#039;&#039; (Fire Serpent). [Sonia Amin] [Amin, Sonia Nishat  Professor of History, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:খাতুন, মাসুদা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:খাতুন, মাসুদা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=3496&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Khatun,_Masuda&amp;diff=3496&amp;oldid=prev"/>
		<updated>2021-06-17T19:18:33Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Khatun, Masuda&amp;#039;&amp;#039;&amp;#039; (1885-1926) one of the pioneering feminists of Bengal. Musammat Masuda Khatun came to be known as Mrs M Rahman after her marriage to Kazi Mahmudur Rahman. Unfortunately not much is known about her life. Her father, a landed aristocrat, was a legal practitioner in the Hughli court. Like other Muslim women of her time she was educated at home. At the age of 11 she was married to Mahmudur Rahman, a registrar in Calcutta who later published a posthumous volume of her collected works &amp;#039;&amp;#039;Ch&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;chur&amp;#039;&amp;#039; (1927). A contemporary of [[roquiah sakhawat hossain]], Masuda admired Roquiah and her work and the two corresponded frequently. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Of the many women who wrote at the time Mrs M Rahman wielded the most fiery pen. She articulated the problems of patriarchy and the remedies for these in uncompromising fashion. Her writings brim with wit, self-irony and a ruthless criticism of the conservative segment of the Muslim population. But the progressives admired her deeply. The rebel poet [[kazi nazrul islam]] was very attached to her, and praised her work and commitment. He addressed her as &amp;#039;mother&amp;#039;; and considered her a source of inspiration. The poet dedicated his &amp;#039;&amp;#039;Bi&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;her B&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;x&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; to this remarkable woman. Mrs M Rahman regularly wrote a feature for Nazrul&amp;#039;;s literary journal, &amp;#039;&amp;#039;Dhumketu.&amp;#039;&amp;#039; &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Mrs M Rahman&amp;#039;;s features dwelt on issues concerning women and a remarkable aspect of her formulation was the advocacy of women&amp;#039;;s waged work. She was committed to Hindu-Muslim unity and a firm secularist. She moved about freely in the Calcutta of the 1920s without a &amp;#039;&amp;#039;bork&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (veil) frequenting cinema halls and attending &amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;rta&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039; sessions. She also organised a centre for rehabilitating prostitutes. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;The untimely death of Mrs M Rahman was deeply lamented by those who were struggling for women&amp;#039;;s emancipation at the time. Grief-stricken Nazrul Islam, in the dedication of his book, gave her the epithet of &amp;#039;&amp;#039;Agni N&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;gin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (Fire Serpent). [Sonia Amin] [Amin, Sonia Nishat  Professor of History, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:খাতুন, মাসুদা]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>