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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Majumder%2C_Surendranath</id>
	<title>Majumder, Surendranath - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Majumder%2C_Surendranath"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;action=history"/>
	<updated>2026-05-31T17:42:06Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=12523&amp;oldid=prev</id>
		<title>Mukbil at 07:04, 4 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=12523&amp;oldid=prev"/>
		<updated>2021-08-04T07:04:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:04, 4 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Majumder, Surendranath&#039;&#039;&#039; (1838-1878) lyrical poet, born in [[jessore]]. He studied at Free Church Institution, Hare School and Oriental Seminary at Kolkata. Apart from Bangla, he was proficient in Sanskrit, Persian, and English.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Majumder, Surendranath&#039;&#039;&#039; (1838-1878) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;lyrical poet, born in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jessore District|&lt;/ins&gt;jessore]]. He studied at Free Church Institution, Hare School and Oriental Seminary at Kolkata. Apart from Bangla, he was proficient in Sanskrit, Persian, and English.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;He worked at the Thakur Bari Estate, in Kolkata. He was fond of wine and women and led a bohemian life for some time. He was a regular contributor to &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibid&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rtha &lt;/del&gt;Sanggraha-O-Pradip&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sam&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ra&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chikits&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;&lt;/del&gt;-tattva &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bij&#039;&#039;&#039;&#039;va&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nalin&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;, etc. His poems focus on the human body and physical love. His books of poems include &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sa&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tu Bar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;an&lt;/del&gt;&#039;&#039; (1856), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sabit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;Sudarshan&#039;&#039; (1870), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fullar&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1870), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bar&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;abartan&lt;/del&gt;&#039;&#039; (1872), and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahil&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1880). In &#039;&#039;Mahila&#039;&#039;, which is considered to be his best book of poems, he glorifies women as mothers, daughters and wives. His other books include &#039;&#039;Bishva-Rahasya&#039;&#039; (1877). Besides, he wrote a play &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mir &lt;/del&gt;&#039;&#039;(1881); a translated book &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;jsth&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ner Itib&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itta&lt;/del&gt;&#039;&#039; (1872-1873) into five volumes based on Todd&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s book and with a view to Chaitramela he wrote &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rater &lt;/del&gt;british &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;san &lt;/del&gt;Paridarsan &#039;&#039;(1869). [Sushanta Sarker&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Sarker, Sushanta  Assitant Professor of Bangla, Khulna Government Girls&#039; College&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He worked at the Thakur Bari Estate, in Kolkata. He was fond of wine and women and led a bohemian life for some time. He was a regular contributor to &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibidartha &lt;/ins&gt;Sanggraha-O-Pradip&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samiran&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chikitsa&lt;/ins&gt;-tattva &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bijvan&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nalini&lt;/ins&gt;&#039;&#039;, etc. His poems focus on the human body and physical love. His books of poems include &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sadartu Barnan&lt;/ins&gt;&#039;&#039; (1856), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sabita &lt;/ins&gt;Sudarshan&#039;&#039; (1870), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fullara&lt;/ins&gt;&#039;&#039; (1870), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Barsabartan&lt;/ins&gt;&#039;&#039; (1872), and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahila&lt;/ins&gt;&#039;&#039; (1880). In &#039;&#039;Mahila&#039;&#039;, which is considered to be his best book of poems, he glorifies women as mothers, daughters and wives. His other books include &#039;&#039;Bishva-Rahasya&#039;&#039; (1877). Besides, he wrote a play &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hamir &lt;/ins&gt;&#039;&#039;(1881); a translated book &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rajsthaner Itibritta&lt;/ins&gt;&#039;&#039; (1872-1873) into five volumes based on Todd&#039;s book and with a view to Chaitramela he wrote &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bharater &lt;/ins&gt;british &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shasan &lt;/ins&gt;Paridarsan&#039;&#039; (1869). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[Sushanta Sarker]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মজুমদার, সুরেন্দ্রনাথ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মজুমদার, সুরেন্দ্রনাথ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=11403&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=11403&amp;oldid=prev"/>
		<updated>2021-06-18T06:15:03Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Majumder, Surendranath&#039;&#039;&#039; (1838-1878) lyrical poet, born in [[jessore]]. He studied at Free Church Institution, Hare School and Oriental Seminary at Kolkata. Apart from Bangla, he was proficient in Sanskrit, Persian, and English.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Majumder, Surendranath&#039;&#039;&#039; (1838-1878) lyrical poet, born in [[jessore]]. He studied at Free Church Institution, Hare School and Oriental Seminary at Kolkata. Apart from Bangla, he was proficient in Sanskrit, Persian, and English.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;He worked at the Thakur Bari Estate, in Kolkata. He was fond of wine and women and led a bohemian life for some time. He was a regular contributor to &#039;&#039;Bibid&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rtha Sanggraha-O-Pradip&#039;&#039;,&#039;&#039; Sam&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ra&#039;&#039;&#039;&#039;n&#039;&#039;,&#039;&#039; Chikits&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;-tattva Bij&#039;&#039;&#039;&#039;va&#039;&#039;&#039;&#039;n&#039;&#039;,&#039;&#039; Nalin&#039;&#039;&#039;&#039;i&#039;&#039;, etc. His poems focus on the human body and physical love. His books of poems include &#039;&#039;Sa&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tu Bar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;an&#039;&#039; (1856), &#039;&#039;Sabit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; Sudarshan&#039;&#039; (1870), &#039;&#039;Fullar&#039;&#039;&#039;&#039;a&#039;&#039; (1870), &#039;&#039;Bar&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;abartan&#039;&#039; (1872), and &#039;&#039;Mahil&#039;&#039;&#039;&#039;a&#039;&#039; (1880). In &#039;&#039;Mahila&#039;&#039;, which is considered to be his best book of poems, he glorifies women as mothers, daughters and wives. His other books include &#039;&#039;Bishva-Rahasya&#039;&#039; (1877). Besides, he wrote a play &#039;&#039;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mir &#039;&#039;(1881); a translated book &#039;&#039;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;jsth&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ner Itib&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itta&#039;&#039; (1872-1873) into five volumes based on Todd&#039;;s book and with a view to Chaitramela he wrote &#039;&#039;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rater british Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;san Paridarsan &#039;&#039;(1869). [Sushanta Sarker] [Sarker, Sushanta  Assitant Professor of Bangla, Khulna Government Girls&#039; College]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  He worked at the Thakur Bari Estate, in Kolkata. He was fond of wine and women and led a bohemian life for some time. He was a regular contributor to &#039;&#039;Bibid&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rtha Sanggraha-O-Pradip&#039;&#039;,&#039;&#039; Sam&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ra&#039;&#039;&#039;&#039;n&#039;&#039;,&#039;&#039; Chikits&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;-tattva Bij&#039;&#039;&#039;&#039;va&#039;&#039;&#039;&#039;n&#039;&#039;,&#039;&#039; Nalin&#039;&#039;&#039;&#039;i&#039;&#039;, etc. His poems focus on the human body and physical love. His books of poems include &#039;&#039;Sa&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;tu Bar&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;an&#039;&#039; (1856), &#039;&#039;Sabit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; Sudarshan&#039;&#039; (1870), &#039;&#039;Fullar&#039;&#039;&#039;&#039;a&#039;&#039; (1870), &#039;&#039;Bar&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;abartan&#039;&#039; (1872), and &#039;&#039;Mahil&#039;&#039;&#039;&#039;a&#039;&#039; (1880). In &#039;&#039;Mahila&#039;&#039;, which is considered to be his best book of poems, he glorifies women as mothers, daughters and wives. His other books include &#039;&#039;Bishva-Rahasya&#039;&#039; (1877). Besides, he wrote a play &#039;&#039;H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mir &#039;&#039;(1881); a translated book &#039;&#039;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;jsth&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ner Itib&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;itta&#039;&#039; (1872-1873) into five volumes based on Todd&#039;;s book and with a view to Chaitramela he wrote &#039;&#039;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rater british Sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;san Paridarsan &#039;&#039;(1869). [Sushanta Sarker] [Sarker, Sushanta  Assitant Professor of Bangla, Khulna Government Girls&#039; College]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মজুমদার, সুরেন্দ্রনাথ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মজুমদার, সুরেন্দ্রনাথ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=3910&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Majumder,_Surendranath&amp;diff=3910&amp;oldid=prev"/>
		<updated>2021-06-17T19:21:36Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Majumder, Surendranath&amp;#039;&amp;#039;&amp;#039; (1838-1878) lyrical poet, born in [[jessore]]. He studied at Free Church Institution, Hare School and Oriental Seminary at Kolkata. Apart from Bangla, he was proficient in Sanskrit, Persian, and English. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;He worked at the Thakur Bari Estate, in Kolkata. He was fond of wine and women and led a bohemian life for some time. He was a regular contributor to &amp;#039;&amp;#039;Bibid&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rtha Sanggraha-O-Pradip&amp;#039;&amp;#039;,&amp;#039;&amp;#039; Sam&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;,&amp;#039;&amp;#039; Chikits&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;-tattva Bij&amp;#039;&amp;#039;&amp;#039;&amp;#039;va&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;,&amp;#039;&amp;#039; Nalin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;, etc. His poems focus on the human body and physical love. His books of poems include &amp;#039;&amp;#039;Sa&amp;#039;&amp;#039;&amp;#039;&amp;#039;d&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;tu Bar&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;an&amp;#039;&amp;#039; (1856), &amp;#039;&amp;#039;Sabit&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; Sudarshan&amp;#039;&amp;#039; (1870), &amp;#039;&amp;#039;Fullar&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1870), &amp;#039;&amp;#039;Bar&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;abartan&amp;#039;&amp;#039; (1872), and &amp;#039;&amp;#039;Mahil&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1880). In &amp;#039;&amp;#039;Mahila&amp;#039;&amp;#039;, which is considered to be his best book of poems, he glorifies women as mothers, daughters and wives. His other books include &amp;#039;&amp;#039;Bishva-Rahasya&amp;#039;&amp;#039; (1877). Besides, he wrote a play &amp;#039;&amp;#039;H&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;mir &amp;#039;&amp;#039;(1881); a translated book &amp;#039;&amp;#039;R&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;jsth&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ner Itib&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;itta&amp;#039;&amp;#039; (1872-1873) into five volumes based on Todd&amp;#039;;s book and with a view to Chaitramela he wrote &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rater british Sh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;san Paridarsan &amp;#039;&amp;#039;(1869). [Sushanta Sarker] [Sarker, Sushanta  Assitant Professor of Bangla, Khulna Government Girls&amp;#039; College]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:মজুমদার, সুরেন্দ্রনাথ]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>