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	<title>Mitra, Premendra - Revision history</title>
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		<title>Mukbil at 07:29, 5 August 2021</title>
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		<updated>2021-08-05T07:29:15Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:29, 5 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Mitra, Premendra&#039;&#039;&#039; (1904-1988) poet, fiction writer, journalist, editor, was born in September 1904 at Kashi. His parental home was at Baikunthapur in 24 Parganas of West Bengal. His father Jnanendra Mitra was a railway employee. His mother was Suhasini Devi.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Mitra, Premendra&#039;&#039;&#039; (1904-1988) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;poet, fiction writer, journalist, editor, was born in September 1904 at Kashi. His parental home was at Baikunthapur in 24 Parganas of West Bengal. His father Jnanendra Mitra was a railway employee. His mother was Suhasini Devi.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;After his matriculation in 1920 from Calcutta&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s South Suburban School, Premendra Mitra engaged himself in literary activities. In 1923 the journal &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prob&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;published his two short stories &#039;Shudhu Kerani&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;;&#039;&#039; &#039;&lt;/del&gt;&#039;and &#039;Gopan Charini&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;;&#039;&lt;/del&gt;&#039;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;The journal &#039;&#039;Kallol &#039;&#039;reviewed the stories with considerable importance. This made him known in the literary circle. In the first phase of his literary work he used the pseudonym &#039;Krittibash Bhadra&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After his matriculation in 1920 from Calcutta&#039;s South Suburban School, Premendra Mitra engaged himself in literary activities. In 1923 the journal &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Probasi&lt;/ins&gt;&#039;&#039; published his two short stories &#039;Shudhu Kerani&#039; and &#039;Gopan Charini&#039;. The journal &#039;&#039;Kallol&#039;&#039; reviewed the stories with considerable importance. This made him known in the literary circle. In the first phase of his literary work he used the pseudonym &#039;Krittibash Bhadra&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;Premendra Mitra was a regular contributor to &#039;&#039;Kallol &#039;&#039;(1923)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Later he edited the journal &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;likalam &lt;/del&gt;&#039;&#039;(1926) in cooperation with Muralidhar Basu. But essentially he established himself as a powerful and major poet in the modern Bengali literature of the post 1930s. He absorbed the influence of [[rabindranath tagore]] in his own way. He admired international doctrines but did not accept them unquestionably. He accepted them in the light of the perspectives of his own country by showing sympathy for the poor working classes. In one of his poems he said &#039;I am a poet of all the blacksmiths, bell-metal craftsmen, carpenters, day labourers/ I am a poet of all the lowly people.&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;Although in his early life he was influenced by the poetic trend set by [[satyendranath &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dutt&lt;/del&gt;]], [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jo]][[gendranath &lt;/del&gt;sengupta]] and [[kazi nazrul islam]] to come out of the gravity of Tagore, in later life he found an entirely new way of his own. His novels depict realities. Whipping at mock satire and hypocrisy is a distinct trait of his stories. This made his stories different from the traditional &#039;&#039;Kallol &#039;&#039;stories. Among his contemporaries, he was the most incisive and powerful writer. He perceived the obscurity of urban life, its constant futility, defeat of the ego and inevitability of life itself and portrayed them in his stories. As in his profession, his writings also had distinctiveness.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Premendra Mitra was a regular contributor to &#039;&#039;Kallol&#039;&#039; (1923). Later he edited the journal &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kalikalam&lt;/ins&gt;&#039;&#039; (1926) in cooperation with Muralidhar Basu. But essentially he established himself as a powerful and major poet in the modern Bengali literature of the post 1930s. He absorbed the influence of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tagore, Rabindranath|&lt;/ins&gt;rabindranath tagore]] in his own way. He admired international doctrines but did not accept them unquestionably. He accepted them in the light of the perspectives of his own country by showing sympathy for the poor working classes. In one of his poems he said &#039;I am a poet of all the blacksmiths, bell-metal craftsmen, carpenters, day labourers/ I am a poet of all the lowly people.&#039; Although in his early life he was influenced by the poetic trend set by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dutta, Satyendranath|&lt;/ins&gt;satyendranath &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dutta&lt;/ins&gt;]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sengupta, Jatindranath|jatindranath &lt;/ins&gt;sengupta]] and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam, Kazi Nazrul|&lt;/ins&gt;kazi nazrul islam]] to come out of the gravity of Tagore, in later life he found an entirely new way of his own. His novels depict realities. Whipping at mock satire and hypocrisy is a distinct trait of his stories. This made his stories different from the traditional &#039;&#039;Kallol&#039;&#039; stories. Among his contemporaries, he was the most incisive and powerful writer. He perceived the obscurity of urban life, its constant futility, defeat of the ego and inevitability of life itself and portrayed them in his stories. As in his profession, his writings also had distinctiveness.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;In addition to poems, novels and short stories, he wrote many creative essays. He also wrote songs, cineplays, belles-letters and detective stories. His &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Par&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;shar &lt;/del&gt;Barma &#039;&#039;was a unique creation in the tradition of humorous writing. His &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ghan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;d&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;was an incomparable creation in children&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s literature in Bengali. He created Ghanada to give expression to the children&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s psychology of adventure. This character was first created through his short story &#039;Mosha&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(1937). He demonstrated an uncommon ability in writing detective and thrilling stories to capture the imagination of the children. On the other hand, he firmly established a new trend in Bengali literature by writing a science fiction &#039;&#039;Kuhoker Deshe &#039;&#039;for the teenagers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to poems, novels and short stories, he wrote many creative essays. He also wrote songs, cineplays, belles-letters and detective stories. His &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Parashar &lt;/ins&gt;Barma&#039;&#039; was a unique creation in the tradition of humorous writing. His &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ghanada&lt;/ins&gt;&#039;&#039; was an incomparable creation in children&#039;s literature in Bengali. He created Ghanada to give expression to the children&#039;s psychology of adventure. This character was first created through his short story &#039;Mosha&#039; (1937). He demonstrated an uncommon ability in writing detective and thrilling stories to capture the imagination of the children. On the other hand, he firmly established a new trend in Bengali literature by writing a science fiction &#039;&#039;Kuhoker Deshe&#039;&#039; for the teenagers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;Premendra Mitra enriched Bangla literature by his literary activities. Poems: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prothom&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1932), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Somr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &lt;/del&gt;&#039;&#039;(1940), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gar &lt;/del&gt;Theke &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fer&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1956), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fer&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;Fouz &#039;&#039;(1958), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hori&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039; Chit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;Chil &#039;&#039;(1959), &#039;&#039;Kakhono Megh &#039;&#039;(1961), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Othob&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;Kinnor &#039;&#039;(1965), and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;r &lt;/del&gt;Nikotey &#039;&#039;(1972); short stories: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Po&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;choshwar &lt;/del&gt;&#039;&#039;(1929), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ben&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;Bandar &#039;&#039;(1930), &#039;&#039;Putul O &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Protim&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1932), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ittik&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1932), &#039;&#039;Afuranto&#039;&#039; (1935), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nagar &lt;/del&gt;&#039;&#039;(1937), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dh&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;lidh&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;sar &lt;/del&gt;&#039;&#039;(1938), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nish&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;th Nagar&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1938), &#039;&#039;Kuriye Chhariye &#039;&#039;(1946), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mney Cho&#039;&#039;&#039;&#039;da&#039;&#039;&#039;&#039;i &lt;/del&gt;&#039;&#039;(1947), &#039;&#039;Premendra Mitrer &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shre&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;tha &lt;/del&gt;Galpo &#039;&#039;(1952), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saptapod&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1955), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jolp&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;yr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1957), and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;N&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; Ra&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;ge Bon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1960); novels: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nk &lt;/del&gt;&#039;&#039;(1926), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ku&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1930), &#039;&#039;Michil &#039;&#039;(1933), &#039;&#039;Upanayan &#039;&#039;(1933), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A&#039;&#039;&#039;&#039;g&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l &lt;/del&gt;&#039;&#039;(1934), &#039;&#039;Pratishodh &#039;&#039;(1941), &#039;&#039;Pratiddhani Pherey &#039;&#039;(1961), &#039;&#039;Anya Ek &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;N&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&lt;/del&gt;&#039;&#039; (1962), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; B&#039;&#039;&#039;&#039;ada&#039;&#039;&#039;&#039;lei R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sta &lt;/del&gt;&#039;&#039;(1962), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pat&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; J&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rey D&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;o &lt;/del&gt;&#039;&#039;(1963), &#039;&#039;Stabdho Prahor &#039;&#039;(1963), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Monudb&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;dash&lt;/del&gt;&#039;&#039; (1964), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Amolt&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &lt;/del&gt;&#039;&#039;(1965), &#039;&#039;Swapnatanu&#039;&#039; (1965), &#039;&#039;Digbaloy&#039;&#039; (1967), &#039;&#039;Jini &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bidh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1970) and &#039;&#039;Shei Je Shahar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;joli &lt;/del&gt;&#039;&#039;(1972). He wrote &#039;&#039;Bisarpil &#039;&#039;and &#039;&#039;Banosree&#039;&#039; novels in collaboration with [[achintya kumar sengupta]] (1903-1976) and [[buddhadev bose]] (1908-1974) in 1934.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Premendra Mitra enriched Bangla literature by his literary activities. Poems: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prothoma&lt;/ins&gt;&#039;&#039; (1932), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Somrat&lt;/ins&gt;&#039;&#039; (1940), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sagar &lt;/ins&gt;Theke &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fera&lt;/ins&gt;&#039;&#039; (1956), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ferari &lt;/ins&gt;Fouz&#039;&#039; (1958), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Horin Chita &lt;/ins&gt;Chil&#039;&#039; (1959), &#039;&#039;Kakhono Megh&#039;&#039; (1961), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Othoba &lt;/ins&gt;Kinnor&#039;&#039; (1965), and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nadir &lt;/ins&gt;Nikotey&#039;&#039; (1972); short stories: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Povchoshwar&lt;/ins&gt;&#039;&#039; (1929), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Benami &lt;/ins&gt;Bandar&#039;&#039; (1930), &#039;&#039;Putul O &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Protima&lt;/ins&gt;&#039;&#039; (1932), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mrittika&lt;/ins&gt;&#039;&#039; (1932), &#039;&#039;Afuranto&#039;&#039; (1935), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahanagar&lt;/ins&gt;&#039;&#039; (1937), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dhulidhusar&lt;/ins&gt;&#039;&#039; (1938), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nishith Nagari&lt;/ins&gt;&#039;&#039; (1938), &#039;&#039;Kuriye Chhariye&#039;&#039; (1946), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samney Chodai&lt;/ins&gt;&#039;&#039; (1947), &#039;&#039;Premendra Mitrer &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shrestha &lt;/ins&gt;Galpo&#039;&#039; (1952), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saptapodi&lt;/ins&gt;&#039;&#039; (1955), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jolpayra&lt;/ins&gt;&#039;&#039; (1957), and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nana Rabge Bona&lt;/ins&gt;&#039;&#039; (1960); novels: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pank&lt;/ins&gt;&#039;&#039; (1926), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kuasha&lt;/ins&gt;&#039;&#039; (1930), &#039;&#039;Michil&#039;&#039; (1933), &#039;&#039;Upanayan&#039;&#039; (1933), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Agamikal&lt;/ins&gt;&#039;&#039; (1934), &#039;&#039;Pratishodh&#039;&#039; (1941), &#039;&#039;Pratiddhani Pherey&#039;&#039; (1961), &#039;&#039;Anya Ek &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nam&lt;/ins&gt;&#039;&#039; (1962), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pa Badalei Rasta&lt;/ins&gt;&#039;&#039; (1962), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pataka Jarey Dao&lt;/ins&gt;&#039;&#039; (1963), &#039;&#039;Stabdho Prahor&#039;&#039; (1963), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Monudbadash&lt;/ins&gt;&#039;&#039; (1964), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Amoltas&lt;/ins&gt;&#039;&#039; (1965), &#039;&#039;Swapnatanu&#039;&#039; (1965), &#039;&#039;Digbaloy&#039;&#039; (1967), &#039;&#039;Jini &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bidhata&lt;/ins&gt;&#039;&#039; (1970) and &#039;&#039;Shei Je Shahar &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rajoli&lt;/ins&gt;&#039;&#039; (1972). He wrote &#039;&#039;Bisarpil&#039;&#039; and &#039;&#039;Banosree&#039;&#039; novels in collaboration with [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sengupta, Achintya Kumar|&lt;/ins&gt;achintya kumar sengupta]] (1903-1976) and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bose, Buddhadev|&lt;/ins&gt;buddhadev bose]] (1908-1974) in 1934.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &amp;lt;p class=Normalf8 &amp;gt;&lt;/del&gt;For his contribution to Bengali literature and culture, Premendra Mitra was awarded Sharat Memorial prize (1954), Akademi prize (1956), Ananda prize (1973), Nehru prize (1976), Bhubaneshwari Padak (BS 1378) by the Shishu Sahitya Parishad, Deshokattom title and Haronath Ghosh Padak by [[vangiya sahitya parishad]] (1981). He died in Calcutta on 3 May 1988. [Shoumitra Shekhor&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Sekhar, Soumitra  Professor of Bangla, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For his contribution to Bengali literature and culture, Premendra Mitra was awarded Sharat Memorial prize (1954), Akademi prize (1956), Ananda prize (1973), Nehru prize (1976), Bhubaneshwari Padak (BS 1378) by the Shishu Sahitya Parishad, Deshokattom title and Haronath Ghosh Padak by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vangiya Sahitya Parishad|&lt;/ins&gt;vangiya sahitya parishad]] (1981). He died in Calcutta on 3 May 1988. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[Shoumitra Shekhor]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মিত্র, প্রেমেন্দ্র]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:মিত্র, প্রেমেন্দ্র]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Mitra,_Premendra&amp;diff=4125&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Mitra,_Premendra&amp;diff=4125&amp;oldid=prev"/>
		<updated>2021-06-17T19:23:10Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normalf8 &amp;gt;&amp;#039;&amp;#039;&amp;#039;Mitra, Premendra&amp;#039;&amp;#039;&amp;#039; (1904-1988) poet, fiction writer, journalist, editor, was born in September 1904 at Kashi. His parental home was at Baikunthapur in 24 Parganas of West Bengal. His father Jnanendra Mitra was a railway employee. His mother was Suhasini Devi. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normalf8 &amp;gt;After his matriculation in 1920 from Calcutta&amp;#039;;s South Suburban School, Premendra Mitra engaged himself in literary activities. In 1923 the journal &amp;#039;&amp;#039;Prob&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;published his two short stories &amp;#039;Shudhu Kerani&amp;#039;;&amp;#039;&amp;#039; &amp;#039;&amp;#039;and &amp;#039;Gopan Charini&amp;#039;;&amp;#039;&amp;#039;.&amp;#039;&amp;#039; The journal &amp;#039;&amp;#039;Kallol &amp;#039;&amp;#039;reviewed the stories with considerable importance. This made him known in the literary circle. In the first phase of his literary work he used the pseudonym &amp;#039;Krittibash Bhadra&amp;#039;;. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normalf8 &amp;gt;Premendra Mitra was a regular contributor to &amp;#039;&amp;#039;Kallol &amp;#039;&amp;#039;(1923)&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Later he edited the journal &amp;#039;&amp;#039;K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;likalam &amp;#039;&amp;#039;(1926) in cooperation with Muralidhar Basu. But essentially he established himself as a powerful and major poet in the modern Bengali literature of the post 1930s. He absorbed the influence of [[rabindranath tagore]] in his own way. He admired international doctrines but did not accept them unquestionably. He accepted them in the light of the perspectives of his own country by showing sympathy for the poor working classes. In one of his poems he said &amp;#039;I am a poet of all the blacksmiths, bell-metal craftsmen, carpenters, day labourers/ I am a poet of all the lowly people.&amp;#039;; Although in his early life he was influenced by the poetic trend set by [[satyendranath dutt]], [[jo]][[gendranath sengupta]] and [[kazi nazrul islam]] to come out of the gravity of Tagore, in later life he found an entirely new way of his own. His novels depict realities. Whipping at mock satire and hypocrisy is a distinct trait of his stories. This made his stories different from the traditional &amp;#039;&amp;#039;Kallol &amp;#039;&amp;#039;stories. Among his contemporaries, he was the most incisive and powerful writer. He perceived the obscurity of urban life, its constant futility, defeat of the ego and inevitability of life itself and portrayed them in his stories. As in his profession, his writings also had distinctiveness. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normalf8 &amp;gt;In addition to poems, novels and short stories, he wrote many creative essays. He also wrote songs, cineplays, belles-letters and detective stories. His &amp;#039;&amp;#039;Par&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;shar Barma &amp;#039;&amp;#039;was a unique creation in the tradition of humorous writing. His &amp;#039;&amp;#039;Ghan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;d&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;was an incomparable creation in children&amp;#039;;s literature in Bengali. He created Ghanada to give expression to the children&amp;#039;;s psychology of adventure. This character was first created through his short story &amp;#039;Mosha&amp;#039;; (1937). He demonstrated an uncommon ability in writing detective and thrilling stories to capture the imagination of the children. On the other hand, he firmly established a new trend in Bengali literature by writing a science fiction &amp;#039;&amp;#039;Kuhoker Deshe &amp;#039;&amp;#039;for the teenagers. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normalf8 &amp;gt;Premendra Mitra enriched Bangla literature by his literary activities. Poems: &amp;#039;&amp;#039;Prothom&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1932), &amp;#039;&amp;#039;Somr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t &amp;#039;&amp;#039;(1940), &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;gar Theke Fer&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1956), &amp;#039;&amp;#039;Fer&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Fouz &amp;#039;&amp;#039;(1958), &amp;#039;&amp;#039;Hori&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039; Chit&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; Chil &amp;#039;&amp;#039;(1959), &amp;#039;&amp;#039;Kakhono Megh &amp;#039;&amp;#039;(1961), &amp;#039;&amp;#039;Othob&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; Kinnor &amp;#039;&amp;#039;(1965), and &amp;#039;&amp;#039;Nad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Nikotey &amp;#039;&amp;#039;(1972); short stories: &amp;#039;&amp;#039;Po&amp;#039;&amp;#039;&amp;#039;&amp;#039;v&amp;#039;&amp;#039;&amp;#039;&amp;#039;choshwar &amp;#039;&amp;#039;(1929), &amp;#039;&amp;#039;Ben&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Bandar &amp;#039;&amp;#039;(1930), &amp;#039;&amp;#039;Putul O Protim&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1932), &amp;#039;&amp;#039;M&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;ittik&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1932), &amp;#039;&amp;#039;Afuranto&amp;#039;&amp;#039; (1935), &amp;#039;&amp;#039;Mah&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nagar &amp;#039;&amp;#039;(1937), &amp;#039;&amp;#039;Dh&amp;#039;&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039;&amp;#039;lidh&amp;#039;&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039;&amp;#039;sar &amp;#039;&amp;#039;(1938), &amp;#039;&amp;#039;Nish&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;th Nagar&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1938), &amp;#039;&amp;#039;Kuriye Chhariye &amp;#039;&amp;#039;(1946), &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;mney Cho&amp;#039;&amp;#039;&amp;#039;&amp;#039;da&amp;#039;&amp;#039;&amp;#039;&amp;#039;i &amp;#039;&amp;#039;(1947), &amp;#039;&amp;#039;Premendra Mitrer Shre&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;tha Galpo &amp;#039;&amp;#039;(1952), &amp;#039;&amp;#039;Saptapod&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1955), &amp;#039;&amp;#039;Jolp&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;yr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1957), and &amp;#039;&amp;#039;N&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; Ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ge Bon&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1960); novels: &amp;#039;&amp;#039;P&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nk &amp;#039;&amp;#039;(1926), &amp;#039;&amp;#039;Ku&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1930), &amp;#039;&amp;#039;Michil &amp;#039;&amp;#039;(1933), &amp;#039;&amp;#039;Upanayan &amp;#039;&amp;#039;(1933), &amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;g&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l &amp;#039;&amp;#039;(1934), &amp;#039;&amp;#039;Pratishodh &amp;#039;&amp;#039;(1941), &amp;#039;&amp;#039;Pratiddhani Pherey &amp;#039;&amp;#039;(1961), &amp;#039;&amp;#039;Anya Ek N&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039; (1962), &amp;#039;&amp;#039;P&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; B&amp;#039;&amp;#039;&amp;#039;&amp;#039;ada&amp;#039;&amp;#039;&amp;#039;&amp;#039;lei R&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sta &amp;#039;&amp;#039;(1962), &amp;#039;&amp;#039;Pat&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; J&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rey D&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;o &amp;#039;&amp;#039;(1963), &amp;#039;&amp;#039;Stabdho Prahor &amp;#039;&amp;#039;(1963), &amp;#039;&amp;#039;Monudb&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;dash&amp;#039;&amp;#039; (1964), &amp;#039;&amp;#039;Amolt&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s &amp;#039;&amp;#039;(1965), &amp;#039;&amp;#039;Swapnatanu&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;Digbaloy&amp;#039;&amp;#039; (1967), &amp;#039;&amp;#039;Jini Bidh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1970) and &amp;#039;&amp;#039;Shei Je Shahar R&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;joli &amp;#039;&amp;#039;(1972). He wrote &amp;#039;&amp;#039;Bisarpil &amp;#039;&amp;#039;and &amp;#039;&amp;#039;Banosree&amp;#039;&amp;#039; novels in collaboration with [[achintya kumar sengupta]] (1903-1976) and [[buddhadev bose]] (1908-1974) in 1934. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normalf8 &amp;gt;For his contribution to Bengali literature and culture, Premendra Mitra was awarded Sharat Memorial prize (1954), Akademi prize (1956), Ananda prize (1973), Nehru prize (1976), Bhubaneshwari Padak (BS 1378) by the Shishu Sahitya Parishad, Deshokattom title and Haronath Ghosh Padak by [[vangiya sahitya parishad]] (1981). He died in Calcutta on 3 May 1988. [Shoumitra Shekhor] [Sekhar, Soumitra  Professor of Bangla, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:মিত্র, প্রেমেন্দ্র]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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