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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Moniruzzaman%2C_Mohammad</id>
	<title>Moniruzzaman, Mohammad - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Moniruzzaman%2C_Mohammad"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;action=history"/>
	<updated>2026-05-31T17:06:04Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=12572&amp;oldid=prev</id>
		<title>Mukbil at 11:47, 4 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=12572&amp;oldid=prev"/>
		<updated>2021-08-04T11:47:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:47, 4 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &amp;#039;&amp;#039;Millat&amp;#039;&amp;#039;. It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &amp;#039;&amp;#039;Adhunik Kahinikavye Muslim Jiban O Chitra&amp;#039;&amp;#039;.(1962). In 1969 he got his PhD from Dhaka University on &amp;#039;Hindu-Muslim relationship in modern Bengali poetry&amp;#039;. In 1969-70 he did his post-doctoral research from &amp;#039;School of Oriental and African Studies&amp;#039; of London University. While serving as a teacher of Dhaka University, he edited &amp;#039;&amp;#039;Sahitya Patrika&amp;#039;&amp;#039; for fifteen years. Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &amp;#039;&amp;#039;Millat&amp;#039;&amp;#039;. It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &amp;#039;&amp;#039;Adhunik Kahinikavye Muslim Jiban O Chitra&amp;#039;&amp;#039;.(1962). In 1969 he got his PhD from Dhaka University on &amp;#039;Hindu-Muslim relationship in modern Bengali poetry&amp;#039;. In 1969-70 he did his post-doctoral research from &amp;#039;School of Oriental and African Studies&amp;#039; of London University. While serving as a teacher of Dhaka University, he edited &amp;#039;&amp;#039;Sahitya Patrika&amp;#039;&amp;#039; for fifteen years. Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;Samakal&#039;&#039;. Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;Shabkito Aloke&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;(1968), &#039;&#039;Bipanno Bishad&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;(1968), &#039;&#039;Bhalobashar Hatey&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;(1976), &#039;&#039;Bhumiheen Krishijibi Ichhe tar&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;(1984), &#039;&#039;Muhammad Moniruzzaman Kavya Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[Tagore, Rabindranath|rabindranath tagore]] to [[Islam, Kazi Nazrul|kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;Onirvan&#039;&#039; (1967) and &#039;&#039;Nirbachita Gan&#039;&#039; (1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;Samakal&#039;&#039;. Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;Shabkito Aloke&#039;&#039; (1968), &#039;&#039;Bipanno Bishad&#039;&#039; (1968), &#039;&#039;Bhalobashar Hatey&#039;&#039; (1976), &#039;&#039;Bhumiheen Krishijibi Ichhe tar&#039;&#039; (1984), &#039;&#039;Muhammad Moniruzzaman Kavya Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems&#039;&#039; (Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[Tagore, Rabindranath|rabindranath tagore]] to [[Islam, Kazi Nazrul|kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;Onirvan&#039;&#039; (1967) and &#039;&#039;Nirbachita Gan&#039;&#039; (1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &amp;#039;&amp;#039;Adhunik Bangla Sahitya&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;Adhunik Bangla Kabye Hindu-Muslim Samparko&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;Bangla Kavitar Chhando&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;Bangla Sahitye Uchchatar Gabeshona&amp;#039;&amp;#039; (1978), &amp;#039;&amp;#039;Samoyikpatrey Sahitya Chinta: Saogat&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Dhaka Biswabidyalaya Bangla Bibhager Itihas&amp;#039;&amp;#039; (1981); edited books: &amp;#039;&amp;#039;Dhakar Lok-kahini&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;Jessorer Lok kahini&amp;#039;&amp;#039; (1974), &amp;#039;&amp;#039;Mufazzal Haider Chaudhuri Rachanabali&amp;#039;&amp;#039; (1978), &amp;#039;&amp;#039;Muhammad Enamul Haq Smarakgrantha&amp;#039;&amp;#039; (1985), &amp;#039;&amp;#039;Syed Ali Ahsan Sangbardhona Grantha&amp;#039;&amp;#039; (1985) and &amp;#039;&amp;#039;Abdul Ghani Hazari Rachanabali&amp;#039;&amp;#039; (1994).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &amp;#039;&amp;#039;Adhunik Bangla Sahitya&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;Adhunik Bangla Kabye Hindu-Muslim Samparko&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;Bangla Kavitar Chhando&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;Bangla Sahitye Uchchatar Gabeshona&amp;#039;&amp;#039; (1978), &amp;#039;&amp;#039;Samoyikpatrey Sahitya Chinta: Saogat&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Dhaka Biswabidyalaya Bangla Bibhager Itihas&amp;#039;&amp;#039; (1981); edited books: &amp;#039;&amp;#039;Dhakar Lok-kahini&amp;#039;&amp;#039; (1965), &amp;#039;&amp;#039;Jessorer Lok kahini&amp;#039;&amp;#039; (1974), &amp;#039;&amp;#039;Mufazzal Haider Chaudhuri Rachanabali&amp;#039;&amp;#039; (1978), &amp;#039;&amp;#039;Muhammad Enamul Haq Smarakgrantha&amp;#039;&amp;#039; (1985), &amp;#039;&amp;#039;Syed Ali Ahsan Sangbardhona Grantha&amp;#039;&amp;#039; (1985) and &amp;#039;&amp;#039;Abdul Ghani Hazari Rachanabali&amp;#039;&amp;#039; (1994).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;মনিরুজ্জামান, মোহাম্মদ&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=12571&amp;oldid=prev</id>
		<title>Mukbil at 11:45, 4 August 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=12571&amp;oldid=prev"/>
		<updated>2021-08-04T11:45:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:45, 4 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Moniruzzaman, Mohammad&#039;&#039;&#039; (1936-2008) educationist, poet, lyricist and researcher, was born on 15 August 1936 in the village of Khadki pada of Jessore district. His father&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s name was Muhammad Shahadat Ali and mother&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s name Rahela Khatun.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Moniruzzaman, Mohammad&#039;&#039;&#039; (1936-2008) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;educationist, poet, lyricist and researcher, was born on 15 August 1936 in the village of Khadki pada of Jessore district. His father&#039;s name was Muhammad Shahadat Ali and mother&#039;s name Rahela Khatun.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Mohammad Moniruzzaman did his BA (Hons) in 1958 and MA in 1959 from Dhaka University. He joined Bangla Department of Dhaka University as Teaching Fellow in 1959 and then as a Lecturer in 1962. He became a Professor in 1975 and served as chairman of the Bangla Department from 1978 to 1981 and retired from that department in 2004.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mohammad Moniruzzaman did his BA (Hons) in 1958 and MA in 1959 from Dhaka University. He joined Bangla Department of Dhaka University as Teaching Fellow in 1959 and then as a Lecturer in 1962. He became a Professor in 1975 and served as chairman of the Bangla Department from 1978 to 1981 and retired from that department in 2004.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mill&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;a&#039;&#039;&#039;&#039;t&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A&#039;&#039;&#039;&#039;dhunik Kahin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vye &lt;/del&gt;Muslim &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;J&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ban &lt;/del&gt;O Chitra &#039;&#039;(1962). In 1969 he got his PhD from Dhaka University on &#039;Hindu-Muslim relationship in modern Bengali poetry.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;; &lt;/del&gt;In 1969-70 he did his post-doctoral research from &#039;School of Oriental and African Studies&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;of London University. While serving as a teacher of Dhaka University, he edited &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hitya Patrik&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; for fifteen years.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &#039;&#039;&lt;/del&gt;Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Millat&lt;/ins&gt;&#039;&#039;. It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Adhunik Kahinikavye &lt;/ins&gt;Muslim &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jiban &lt;/ins&gt;O Chitra&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;(1962). In 1969 he got his PhD from Dhaka University on &#039;Hindu-Muslim relationship in modern Bengali poetry&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/ins&gt;. In 1969-70 he did his post-doctoral research from &#039;School of Oriental and African Studies&#039; of London University. While serving as a teacher of Dhaka University, he edited &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sahitya Patrika&lt;/ins&gt;&#039;&#039; for fifteen years. Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samak&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;kito &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;loke &lt;/del&gt;&#039;&#039;(1968), &#039;&#039;Bipanno &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bish&#039;&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;a&#039;&#039;&#039;&#039;d &lt;/del&gt;&#039;&#039;(1968), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lob&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tey &lt;/del&gt;&#039;&#039;(1976), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;miheen K&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ishij&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;Ichhe &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;t&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;r &lt;/del&gt;&#039;&#039;(1984), &#039;&#039;Muhammad Moniruzzaman &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vya &lt;/del&gt;Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems &#039;&#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[rabindranath&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] [[&lt;/del&gt;tagore]] to [[kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Onirv&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1967) and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nirb&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chita G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n &lt;/del&gt;&#039;&#039;(1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samakal&lt;/ins&gt;&#039;&#039;. Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shabkito Aloke&lt;/ins&gt;&#039;&#039;&#039;(1968), &#039;&#039;Bipanno &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bishad&lt;/ins&gt;&#039;&#039;&#039;(1968), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhalobashar Hatey&lt;/ins&gt;&#039;&#039;&#039;(1976), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhumiheen Krishijibi &lt;/ins&gt;Ichhe &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tar&lt;/ins&gt;&#039;&#039;&#039;(1984), &#039;&#039;Muhammad Moniruzzaman &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kavya &lt;/ins&gt;Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/ins&gt;&#039;&#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tagore, Rabindranath|&lt;/ins&gt;rabindranath tagore]] to [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam, Kazi Nazrul|&lt;/ins&gt;kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Onirvan&lt;/ins&gt;&#039;&#039; (1967) and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nirbachita Gan&lt;/ins&gt;&#039;&#039; (1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A&#039;&#039;&#039;&#039;dhunik &lt;/del&gt;Bangla Sahitya &#039;&#039;(1965), &#039;&#039;Adhunik Bangla &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bye &lt;/del&gt;Hindu-Muslim Samparko &#039;&#039;(1970), &#039;&#039;Bangla &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kavit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &lt;/del&gt;Chhando &#039;&#039;(1970), &#039;&#039;Bangla Sahitye Uchchatar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gabeshon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1978), &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;moyikpatrey &lt;/del&gt;Sahitya &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chint&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saog&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &lt;/del&gt;&#039;&#039;(1981), &#039;&#039;Dhaka &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Biswabidy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;laya &lt;/del&gt;Bangla &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ger Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &lt;/del&gt;&#039;&#039;(1981); edited books: &#039;&#039;Dhakar Lok-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1965), &#039;&#039;Jessorer Lok kahini&#039;&#039; (1974), &#039;&#039;Mufazzal Haider Chaudhuri &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rachan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bal&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(1978), &#039;&#039;Muhammad Enamul Haq &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sm&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rakgrantha &lt;/del&gt;&#039;&#039;(1985), &#039;&#039;Syed Ali Ahsan &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sangbardhon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &lt;/del&gt;Grantha &#039;&#039;(1985) and &#039;&#039;Abdul Ghani Hazari Rachanabali &#039;&#039;(1994).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Adhunik &lt;/ins&gt;Bangla Sahitya&#039;&#039; (1965), &#039;&#039;Adhunik Bangla &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kabye &lt;/ins&gt;Hindu-Muslim Samparko&#039;&#039; (1970), &#039;&#039;Bangla &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kavitar &lt;/ins&gt;Chhando&#039;&#039; (1970), &#039;&#039;Bangla Sahitye Uchchatar &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gabeshona&lt;/ins&gt;&#039;&#039; (1978), &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Samoyikpatrey &lt;/ins&gt;Sahitya &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chinta&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saogat&lt;/ins&gt;&#039;&#039; (1981), &#039;&#039;Dhaka &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Biswabidyalaya &lt;/ins&gt;Bangla &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibhager Itihas&lt;/ins&gt;&#039;&#039; (1981); edited books: &#039;&#039;Dhakar Lok-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kahini&lt;/ins&gt;&#039;&#039; (1965), &#039;&#039;Jessorer Lok kahini&#039;&#039; (1974), &#039;&#039;Mufazzal Haider Chaudhuri &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rachanabali&lt;/ins&gt;&#039;&#039; (1978), &#039;&#039;Muhammad Enamul Haq &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Smarakgrantha&lt;/ins&gt;&#039;&#039; (1985), &#039;&#039;Syed Ali Ahsan &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sangbardhona &lt;/ins&gt;Grantha&#039;&#039; (1985) and &#039;&#039;Abdul Ghani Hazari Rachanabali&#039;&#039; (1994).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Mohammad Moniruzzaman joined the non-cooperation movement (1970) and hidden himself for a long time, as a result in 1971 he was abstained from service and sentenced to imprisonment for six months by a proclamation issued by Lt-Gen. Tikka Khan, Governor of East Pakistan and Martial Law Administrator of Zone B. Despite all this he was deeply committed to Bengali nationalism and the liberation war.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mohammad Moniruzzaman joined the non-cooperation movement (1970) and hidden himself for a long time, as a result in 1971 he was abstained from service and sentenced to imprisonment for six months by a proclamation issued by Lt-Gen. Tikka Khan, Governor of East Pakistan and Martial Law Administrator of Zone B. Despite all this he was deeply committed to Bengali nationalism and the liberation war.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;In recognition of his contribution to literature, Mohammad Moniruzzaman received a number of awards and prizes from home and abroad. In 1969 the &#039;International Who&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s Who in poetry&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;of London awarded him Certificate of Merit for Distinguished Contribution to Poetry, Bangla Academy prize (1972), Ekushey Padak (1987). Besides he was a fellow of the Royal Asiatic Society of London (1969), fellow of Bangla Academy (1972), president of Dhaka University Teachers Association (1982), Treasurer (1983) and general secretary (1984) of the Bangladesh Asiatic Society. He died in Dhaka on 3 September 2008. [Vishwadev Choudhury&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Choudhury, Vishwadev  Professor of Bangla, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In recognition of his contribution to literature, Mohammad Moniruzzaman received a number of awards and prizes from home and abroad. In 1969 the &#039;International Who&#039;s Who in poetry&#039; of London awarded him Certificate of Merit for Distinguished Contribution to Poetry, Bangla Academy prize (1972), Ekushey Padak (1987). Besides he was a fellow of the Royal Asiatic Society of London (1969), fellow of Bangla Academy (1972), president of Dhaka University Teachers Association (1982), Treasurer (1983) and general secretary (1984) of the Bangladesh Asiatic Society. He died in Dhaka on 3 September 2008. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[Vishwadev Choudhury]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=11441&amp;oldid=prev</id>
		<title>Nasirkhan: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=11441&amp;oldid=prev"/>
		<updated>2021-06-18T06:17:40Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:17, 18 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;&#039;&#039;&#039;Moniruzzaman, Mohammad&#039;&#039;&#039; (1936-2008) educationist, poet, lyricist and researcher, was born on 15 August 1936 in the village of Khadki pada of Jessore district. His father&#039;;s name was Muhammad Shahadat Ali and mother&#039;;s name Rahela Khatun.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Moniruzzaman, Mohammad&#039;&#039;&#039; (1936-2008) educationist, poet, lyricist and researcher, was born on 15 August 1936 in the village of Khadki pada of Jessore district. His father&#039;;s name was Muhammad Shahadat Ali and mother&#039;;s name Rahela Khatun.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Mohammad Moniruzzaman did his BA (Hons) in 1958 and MA in 1959 from Dhaka University. He joined Bangla Department of Dhaka University as Teaching Fellow in 1959 and then as a Lecturer in 1962. He became a Professor in 1975 and served as chairman of the Bangla Department from 1978 to 1981 and retired from that department in 2004.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Mohammad Moniruzzaman did his BA (Hons) in 1958 and MA in 1959 from Dhaka University. He joined Bangla Department of Dhaka University as Teaching Fellow in 1959 and then as a Lecturer in 1962. He became a Professor in 1975 and served as chairman of the Bangla Department from 1978 to 1981 and retired from that department in 2004.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &#039;&#039;Mill&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t.&#039;&#039; It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &#039;&#039;A&#039;&#039;&#039;&#039;dhunik Kahin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vye Muslim J&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ban O Chitra &#039;&#039;(1962). In 1969 he got his PhD from Dhaka University on &#039;Hindu-Muslim relationship in modern Bengali poetry.&#039;; In 1969-70 he did his post-doctoral research from &#039;School of Oriental and African Studies&#039;; of London University. While serving as a teacher of Dhaka University, he edited &#039;&#039;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hitya Patrik&#039;&#039;&#039;&#039;a&#039;&#039; for fifteen years.&#039;&#039; &#039;&#039;Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &#039;&#039;Mill&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t.&#039;&#039; It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &#039;&#039;A&#039;&#039;&#039;&#039;dhunik Kahin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vye Muslim J&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;ban O Chitra &#039;&#039;(1962). In 1969 he got his PhD from Dhaka University on &#039;Hindu-Muslim relationship in modern Bengali poetry.&#039;; In 1969-70 he did his post-doctoral research from &#039;School of Oriental and African Studies&#039;; of London University. While serving as a teacher of Dhaka University, he edited &#039;&#039;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hitya Patrik&#039;&#039;&#039;&#039;a&#039;&#039; for fifteen years.&#039;&#039; &#039;&#039;Under his supervision as many as forty researchers obtained PhD degrees.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l. &#039;&#039;Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;Sha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;kito &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;loke &#039;&#039;(1968), &#039;&#039;Bipanno Bish&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;d &#039;&#039;(1968), &#039;&#039;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lob&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tey &#039;&#039;(1976), &#039;&#039;Bh&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;miheen K&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ishij&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Ichhe t&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &#039;&#039;(1984), &#039;&#039;Muhammad Moniruzzaman K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vya Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems &#039;&#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[rabindranath]] [[tagore]] to [[kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;Onirv&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &#039;&#039;(1967) and &#039;&#039;Nirb&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chita G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n &#039;&#039;(1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &#039;&#039;Samak&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l. &#039;&#039;Muhammad Moniruzzaman was one of them. Some of his books of poems were &#039;&#039;Durlav Din &#039;&#039;(1961), &#039;&#039;Sha&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;kito &#039;&#039;&#039;&#039;A&#039;&#039;&#039;&#039;loke &#039;&#039;(1968), &#039;&#039;Bipanno Bish&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;d &#039;&#039;(1968), &#039;&#039;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;lob&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r H&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tey &#039;&#039;(1976), &#039;&#039;Bh&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;miheen K&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ishij&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Ichhe t&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r &#039;&#039;(1984), &#039;&#039;Muhammad Moniruzzaman K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;vya Samgraha&#039;&#039; (1998) and &#039;&#039;Selected Poems &#039;&#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[rabindranath]] [[tagore]] to [[kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &#039;&#039;Onirv&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039; &#039;&#039;(1967) and &#039;&#039;Nirb&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chita G&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n &#039;&#039;(1984) are well known.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &#039;&#039;A&#039;&#039;&#039;&#039;dhunik Bangla Sahitya &#039;&#039;(1965), &#039;&#039;Adhunik Bangla K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bye Hindu-Muslim Samparko &#039;&#039;(1970), &#039;&#039;Bangla Kavit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Chhando &#039;&#039;(1970), &#039;&#039;Bangla Sahitye Uchchatar Gabeshon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;(1978), &#039;&#039;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;moyikpatrey Sahitya Chint&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;: Saog&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &#039;&#039;(1981), &#039;&#039;Dhaka Biswabidy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;laya Bangla Bibh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ger Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &#039;&#039;(1981); edited books: &#039;&#039;Dhakar Lok-k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;(1965), &#039;&#039;Jessorer Lok kahini&#039;&#039; (1974), &#039;&#039;Mufazzal Haider Chaudhuri Rachan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bal&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;(1978), &#039;&#039;Muhammad Enamul Haq Sm&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rakgrantha &#039;&#039;(1985), &#039;&#039;Syed Ali Ahsan Sangbardhon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; Grantha &#039;&#039;(1985) and &#039;&#039;Abdul Ghani Hazari Rachanabali &#039;&#039;(1994).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &#039;&#039;A&#039;&#039;&#039;&#039;dhunik Bangla Sahitya &#039;&#039;(1965), &#039;&#039;Adhunik Bangla K&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bye Hindu-Muslim Samparko &#039;&#039;(1970), &#039;&#039;Bangla Kavit&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r Chhando &#039;&#039;(1970), &#039;&#039;Bangla Sahitye Uchchatar Gabeshon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; &#039;&#039;(1978), &#039;&#039;S&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;moyikpatrey Sahitya Chint&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;: Saog&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t &#039;&#039;(1981), &#039;&#039;Dhaka Biswabidy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;laya Bangla Bibh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ger Itih&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &#039;&#039;(1981); edited books: &#039;&#039;Dhakar Lok-k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;hin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;(1965), &#039;&#039;Jessorer Lok kahini&#039;&#039; (1974), &#039;&#039;Mufazzal Haider Chaudhuri Rachan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bal&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &#039;&#039;(1978), &#039;&#039;Muhammad Enamul Haq Sm&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rakgrantha &#039;&#039;(1985), &#039;&#039;Syed Ali Ahsan Sangbardhon&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; Grantha &#039;&#039;(1985) and &#039;&#039;Abdul Ghani Hazari Rachanabali &#039;&#039;(1994).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;Mohammad Moniruzzaman joined the non-cooperation movement (1970) and hidden himself for a long time, as a result in 1971 he was abstained from service and sentenced to imprisonment for six months by a proclamation issued by Lt-Gen. Tikka Khan, Governor of East Pakistan and Martial Law Administrator of Zone B. Despite all this he was deeply committed to Bengali nationalism and the liberation war.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Mohammad Moniruzzaman joined the non-cooperation movement (1970) and hidden himself for a long time, as a result in 1971 he was abstained from service and sentenced to imprisonment for six months by a proclamation issued by Lt-Gen. Tikka Khan, Governor of East Pakistan and Martial Law Administrator of Zone B. Despite all this he was deeply committed to Bengali nationalism and the liberation war.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;p class=Normal &amp;gt;&lt;/del&gt;In recognition of his contribution to literature, Mohammad Moniruzzaman received a number of awards and prizes from home and abroad. In 1969 the &#039;International Who&#039;;s Who in poetry&#039;; of London awarded him Certificate of Merit for Distinguished Contribution to Poetry, Bangla Academy prize (1972), Ekushey Padak (1987). Besides he was a fellow of the Royal Asiatic Society of London (1969), fellow of Bangla Academy (1972), president of Dhaka University Teachers Association (1982), Treasurer (1983) and general secretary (1984) of the Bangladesh Asiatic Society. He died in Dhaka on 3 September 2008. [Vishwadev Choudhury] [Choudhury, Vishwadev  Professor of Bangla, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  In recognition of his contribution to literature, Mohammad Moniruzzaman received a number of awards and prizes from home and abroad. In 1969 the &#039;International Who&#039;;s Who in poetry&#039;; of London awarded him Certificate of Merit for Distinguished Contribution to Poetry, Bangla Academy prize (1972), Ekushey Padak (1987). Besides he was a fellow of the Royal Asiatic Society of London (1969), fellow of Bangla Academy (1972), president of Dhaka University Teachers Association (1982), Treasurer (1983) and general secretary (1984) of the Bangladesh Asiatic Society. He died in Dhaka on 3 September 2008. [Vishwadev Choudhury] [Choudhury, Vishwadev  Professor of Bangla, Dhaka University]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nasirkhan</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=4170&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Moniruzzaman,_Mohammad&amp;diff=4170&amp;oldid=prev"/>
		<updated>2021-06-17T19:23:29Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;p class=Normal &amp;gt;&amp;#039;&amp;#039;&amp;#039;Moniruzzaman, Mohammad&amp;#039;&amp;#039;&amp;#039; (1936-2008) educationist, poet, lyricist and researcher, was born on 15 August 1936 in the village of Khadki pada of Jessore district. His father&amp;#039;;s name was Muhammad Shahadat Ali and mother&amp;#039;;s name Rahela Khatun.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Mohammad Moniruzzaman did his BA (Hons) in 1958 and MA in 1959 from Dhaka University. He joined Bangla Department of Dhaka University as Teaching Fellow in 1959 and then as a Lecturer in 1962. He became a Professor in 1975 and served as chairman of the Bangla Department from 1978 to 1981 and retired from that department in 2004.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;While a student of Dhaka University, Mohammad Moniruzzaman worked as literary editor of the daily &amp;#039;&amp;#039;Mill&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t.&amp;#039;&amp;#039; It was his passion to conduct research in literature and write poems. For a while he showed interest in collecting and editing folk literature of Bangladesh but finally settled down to carrying on research in modern Bangla literature. His first research book is &amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;dhunik Kahin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;vye Muslim J&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;ban O Chitra &amp;#039;&amp;#039;(1962). In 1969 he got his PhD from Dhaka University on &amp;#039;Hindu-Muslim relationship in modern Bengali poetry.&amp;#039;; In 1969-70 he did his post-doctoral research from &amp;#039;School of Oriental and African Studies&amp;#039;; of London University. While serving as a teacher of Dhaka University, he edited &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;hitya Patrik&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; for fifteen years.&amp;#039;&amp;#039; &amp;#039;&amp;#039;Under his supervision as many as forty researchers obtained PhD degrees.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Mohammad Moniruzzaman was a leading poet of the fifties and early sixties. In the sixties a new group of poets emerged through the &amp;#039;&amp;#039;Samak&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l. &amp;#039;&amp;#039;Muhammad Moniruzzaman was one of them. Some of his books of poems were &amp;#039;&amp;#039;Durlav Din &amp;#039;&amp;#039;(1961), &amp;#039;&amp;#039;Sha&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;kito &amp;#039;&amp;#039;&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;loke &amp;#039;&amp;#039;(1968), &amp;#039;&amp;#039;Bipanno Bish&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;d &amp;#039;&amp;#039;(1968), &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;lob&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r H&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;tey &amp;#039;&amp;#039;(1976), &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039;&amp;#039;miheen K&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;ishij&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Ichhe t&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r &amp;#039;&amp;#039;(1984), &amp;#039;&amp;#039;Muhammad Moniruzzaman K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;vya Samgraha&amp;#039;&amp;#039; (1998) and &amp;#039;&amp;#039;Selected Poems &amp;#039;&amp;#039;(Honolulu, 1979). Love for nature, humanism, patriotism and complexities of urban life formed the main themes of his poems. His artistic mind coupled with his fellow-feeling made him a distinctive poet. This identity is also noticeable in his exquisitely written songs. He is one of those who carried the tradition of modern Bengali songs extending from [[rabindranath]] [[tagore]] to [[kazi nazrul islam]]. The songs written by him for cinemas and his patriotic songs brought him popularity and honour. It may be said that he will long be remembered for his songs in the arena of Bengali culture. Among his books of collected songs, &amp;#039;&amp;#039;Onirv&amp;#039;&amp;#039;&amp;#039;&amp;#039;an&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1967) and &amp;#039;&amp;#039;Nirb&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;chita G&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n &amp;#039;&amp;#039;(1984) are well known. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Although Mohammad Moniruzzaman earned considerable fame as a poet and a lyricist, he contributed no less in such areas of literary activities as research and editing. Research books: &amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;dhunik Bangla Sahitya &amp;#039;&amp;#039;(1965), &amp;#039;&amp;#039;Adhunik Bangla K&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;bye Hindu-Muslim Samparko &amp;#039;&amp;#039;(1970), &amp;#039;&amp;#039;Bangla Kavit&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r Chhando &amp;#039;&amp;#039;(1970), &amp;#039;&amp;#039;Bangla Sahitye Uchchatar Gabeshon&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1978), &amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;moyikpatrey Sahitya Chint&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;: Saog&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t &amp;#039;&amp;#039;(1981), &amp;#039;&amp;#039;Dhaka Biswabidy&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;laya Bangla Bibh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ger Itih&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s &amp;#039;&amp;#039;(1981); edited books: &amp;#039;&amp;#039;Dhakar Lok-k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;hin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1965), &amp;#039;&amp;#039;Jessorer Lok kahini&amp;#039;&amp;#039; (1974), &amp;#039;&amp;#039;Mufazzal Haider Chaudhuri Rachan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;bal&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(1978), &amp;#039;&amp;#039;Muhammad Enamul Haq Sm&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rakgrantha &amp;#039;&amp;#039;(1985), &amp;#039;&amp;#039;Syed Ali Ahsan Sangbardhon&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; Grantha &amp;#039;&amp;#039;(1985) and &amp;#039;&amp;#039;Abdul Ghani Hazari Rachanabali &amp;#039;&amp;#039;(1994).&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;Mohammad Moniruzzaman joined the non-cooperation movement (1970) and hidden himself for a long time, as a result in 1971 he was abstained from service and sentenced to imprisonment for six months by a proclamation issued by Lt-Gen. Tikka Khan, Governor of East Pakistan and Martial Law Administrator of Zone B. Despite all this he was deeply committed to Bengali nationalism and the liberation war. &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;p class=Normal &amp;gt;In recognition of his contribution to literature, Mohammad Moniruzzaman received a number of awards and prizes from home and abroad. In 1969 the &amp;#039;International Who&amp;#039;;s Who in poetry&amp;#039;; of London awarded him Certificate of Merit for Distinguished Contribution to Poetry, Bangla Academy prize (1972), Ekushey Padak (1987). Besides he was a fellow of the Royal Asiatic Society of London (1969), fellow of Bangla Academy (1972), president of Dhaka University Teachers Association (1982), Treasurer (1983) and general secretary (1984) of the Bangladesh Asiatic Society. He died in Dhaka on 3 September 2008. [Vishwadev Choudhury] [Choudhury, Vishwadev  Professor of Bangla, Dhaka University]&lt;br /&gt;
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[[Category:Biography]]&lt;br /&gt;
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[[bn:]]&lt;/div&gt;</summary>
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