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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Sarker%2C_Kavi_Rasaraj_Tarak_Chandra</id>
	<title>Sarker, Kavi Rasaraj Tarak Chandra - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Sarker%2C_Kavi_Rasaraj_Tarak_Chandra"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Sarker,_Kavi_Rasaraj_Tarak_Chandra&amp;action=history"/>
	<updated>2026-06-16T07:56:25Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Sarker,_Kavi_Rasaraj_Tarak_Chandra&amp;diff=11990&amp;oldid=prev</id>
		<title>Mukbil at 06:39, 12 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Sarker,_Kavi_Rasaraj_Tarak_Chandra&amp;diff=11990&amp;oldid=prev"/>
		<updated>2021-07-12T06:39:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:39, 12 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Sarker, Kavi Rasaraj Tarak Chandra&#039;&#039;&#039; (1847-1914) kaviyal (bard), was born in November 1847, in Joypur, a village in the district of [[narail]]. His father, Kashinath Sarker, was an agriculturist. Takar Chandra had very little institutional education, studying only for a few years at the village school. A natural poet, he established himself through his creativities.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Sarker, Kavi Rasaraj Tarak Chandra&#039;&#039;&#039; (1847-1914) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;kaviyal (bard), was born in November 1847, in Joypur, a village in the district of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Narail District|&lt;/ins&gt;narail]]. His father, Kashinath Sarker, was an agriculturist. Takar Chandra had very little institutional education, studying only for a few years at the village school. A natural poet, he established himself through his creativities.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrityunjoy Biswas was the Tarak Chandra guru in [[kavigan]] contests. Although this type of tournament evolved in Kolkata, Tarak Chandra was among the few who promulgated and popularised it in East Bengal. Towards the end of the nineteenth century, his genius rendered his compositions far superior to those of Kolkata. His particular contribution to the song contests was the [[dhuya gan]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mrityunjoy Biswas was the Tarak Chandra guru in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kavigan|&lt;/ins&gt;kavigan]] contests. Although this type of tournament evolved in Kolkata, Tarak Chandra was among the few who promulgated and popularised it in East Bengal. Towards the end of the nineteenth century, his genius rendered his compositions far superior to those of Kolkata. His particular contribution to the song contests was the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dhuya Gan|&lt;/ins&gt;dhuya gan]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tarak Chandra was a born poet who followed the [[matua]] faith promulgated by [[harichand thakur]] (1811-1877) of Orakandi. Even with his slight education, he wrote two books: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mah&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;sa&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;gk&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rtan&lt;/del&gt;&#039;&#039; and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shr&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Shr&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Haril&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ta&lt;/del&gt;&#039;&#039;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &#039;&#039;&lt;/del&gt;In &#039;&#039;Mahasamkirtan&#039;&#039;, published from Kolkata in 1910, he described the matuya faith and the importance of its practice through &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;harin&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039; &#039;&#039;k&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rtan&lt;/del&gt;&#039;&#039;, devotional songs. &#039;&#039;Shri Harililamrta&#039;&#039; is a biography of Harichand Thakur and was published from Kolkata in 1917. Some of his songs were also published in two journals: &#039;&#039;Shri Haridarshan&#039;&#039; and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Matuy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;suh&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;d&lt;/del&gt;&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tarak Chandra was a born poet who followed the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Matua|&lt;/ins&gt;matua]] faith promulgated by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thakur, Harichand|&lt;/ins&gt;harichand thakur]] (1811-1877) of Orakandi. Even with his slight education, he wrote two books: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahasabgkirtan&lt;/ins&gt;&#039;&#039; and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shri Shri Harililamrta&lt;/ins&gt;&#039;&#039;. In &#039;&#039;Mahasamkirtan&#039;&#039;, published from Kolkata in 1910, he described the matuya faith and the importance of its practice through &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;harinam kirtan&lt;/ins&gt;&#039;&#039;, devotional songs. &#039;&#039;Shri Harililamrta&#039;&#039; is a biography of Harichand Thakur and was published from Kolkata in 1917. Some of his songs were also published in two journals: &#039;&#039;Shri Haridarshan&#039;&#039; and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Matuyasuhrd&lt;/ins&gt;&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tarak Chandra was famous as a kaviyal all over Bengal. His exceptional reasoning power, amazing power of improvising poetry and melodious voice popularised kavigan in every corner of Bengal. He was awarded many prizes and titles for his successes. Guruchand Thakur (1847-1936), the son of Harichand Thakur, awarded him the title of &#039;Premik Chudamani&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(Lover&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;s Crown); the scholars of Itina awarded him a gold medal and the title of &#039;Sukavi&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;(Great Poet); the scholars of Kalia in Jessore awarded him the title of &#039;Kavi Rasaraj&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/del&gt;(King of Poets). Tarak Chandra used this last title till his death in December 1914 in his own village, Joypur. [Dulal Bhowmik&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tarak Chandra was famous as a kaviyal all over Bengal. His exceptional reasoning power, amazing power of improvising poetry and melodious voice popularised kavigan in every corner of Bengal. He was awarded many prizes and titles for his successes. Guruchand Thakur (1847-1936), the son of Harichand Thakur, awarded him the title of &#039;Premik Chudamani&#039; (Lover&#039;s Crown); the scholars of Itina awarded him a gold medal and the title of &#039;Sukavi&#039; (Great Poet); the scholars of Kalia in Jessore awarded him the title of &#039;Kavi Rasaraj&#039;(King of Poets). Tarak Chandra used this last title till his death in December 1914 in his own village, Joypur. [Dulal Bhowmik]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:সরকার, কবি রসরাজ তারকচন্দ্র]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:সরকার, কবি রসরাজ তারকচন্দ্র]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Sarker,_Kavi_Rasaraj_Tarak_Chandra&amp;diff=5507&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Sarker,_Kavi_Rasaraj_Tarak_Chandra&amp;diff=5507&amp;oldid=prev"/>
		<updated>2021-06-17T19:33:02Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sarker, Kavi Rasaraj Tarak Chandra&amp;#039;&amp;#039;&amp;#039; (1847-1914) kaviyal (bard), was born in November 1847, in Joypur, a village in the district of [[narail]]. His father, Kashinath Sarker, was an agriculturist. Takar Chandra had very little institutional education, studying only for a few years at the village school. A natural poet, he established himself through his creativities. &lt;br /&gt;
&lt;br /&gt;
Mrityunjoy Biswas was the Tarak Chandra guru in [[kavigan]] contests. Although this type of tournament evolved in Kolkata, Tarak Chandra was among the few who promulgated and popularised it in East Bengal. Towards the end of the nineteenth century, his genius rendered his compositions far superior to those of Kolkata. His particular contribution to the song contests was the [[dhuya gan]].&lt;br /&gt;
&lt;br /&gt;
Tarak Chandra was a born poet who followed the [[matua]] faith promulgated by [[harichand thakur]] (1811-1877) of Orakandi. Even with his slight education, he wrote two books: &amp;#039;&amp;#039;Mah&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;sa&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gk&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;rtan&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Shr&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Shr&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Haril&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;ta&amp;#039;&amp;#039;.&amp;#039;&amp;#039; &amp;#039;&amp;#039;In &amp;#039;&amp;#039;Mahasamkirtan&amp;#039;&amp;#039;, published from Kolkata in 1910, he described the matuya faith and the importance of its practice through &amp;#039;&amp;#039;harin&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039; &amp;#039;&amp;#039;k&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;rtan&amp;#039;&amp;#039;, devotional songs. &amp;#039;&amp;#039;Shri Harililamrta&amp;#039;&amp;#039; is a biography of Harichand Thakur and was published from Kolkata in 1917. Some of his songs were also published in two journals: &amp;#039;&amp;#039;Shri Haridarshan&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Matuy&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;suh&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;d&amp;#039;&amp;#039;. &lt;br /&gt;
&lt;br /&gt;
Tarak Chandra was famous as a kaviyal all over Bengal. His exceptional reasoning power, amazing power of improvising poetry and melodious voice popularised kavigan in every corner of Bengal. He was awarded many prizes and titles for his successes. Guruchand Thakur (1847-1936), the son of Harichand Thakur, awarded him the title of &amp;#039;Premik Chudamani&amp;#039;; (Lover&amp;#039;;s Crown); the scholars of Itina awarded him a gold medal and the title of &amp;#039;Sukavi&amp;#039;; (Great Poet); the scholars of Kalia in Jessore awarded him the title of &amp;#039;Kavi Rasaraj&amp;#039;;(King of Poets). Tarak Chandra used this last title till his death in December 1914 in his own village, Joypur. [Dulal Bhowmik] [Bhowmik, Dulal  Professor of Sanskrit, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:সরকার, কবি রসরাজ তারকচন্দ্র]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
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