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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Siddiqui%2C_Khondkar_Shamsuddin_Mohammad</id>
	<title>Siddiqui, Khondkar Shamsuddin Mohammad - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Siddiqui%2C_Khondkar_Shamsuddin_Mohammad"/>
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	<updated>2026-06-16T01:16:01Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Siddiqui,_Khondkar_Shamsuddin_Mohammad&amp;diff=12081&amp;oldid=prev</id>
		<title>Mukbil at 05:16, 13 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Siddiqui,_Khondkar_Shamsuddin_Mohammad&amp;diff=12081&amp;oldid=prev"/>
		<updated>2021-07-13T05:16:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:16, 13 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Siddiqui, Khondkar Shamsuddin Mohammad&#039;&#039;&#039; (1808-1870) the first Muslim prose writer of the nineteenth century, was born in Sarbamangal village of Burdwan district in [[west bengal]]. His father, Khondkar Gholam Farid, was a &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039;. Siddiqui was noted for his command over [[sufism]] and philosophy. He won over many people to the &#039;&#039;fakiri&#039;&#039; philosophy (of renunciation). Two important books written by him are &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bal&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;bh&lt;/del&gt;&#039;&#039; (The attainment of the inmost ideology, 1853) and &#039;&#039;Uchit &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shraba&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039; arth&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;t P&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;ram&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;rthik Bh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;b&lt;/del&gt;&#039;&#039; (Essential Listening on Thoughts on the Ultimate Reality, 1860). While the first book is in verse, the second is a mixture of verse and prose, but both are concerned with Sufism.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Siddiqui, Khondkar Shamsuddin Mohammad&#039;&#039;&#039; (1808-1870) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;the first Muslim prose writer of the nineteenth century, was born in Sarbamangal village of Burdwan district in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;West Bengal|&lt;/ins&gt;west bengal]]. His father, Khondkar Gholam Farid, was a &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pir&lt;/ins&gt;&#039;&#039;. Siddiqui was noted for his command over [[sufism]] and philosophy. He won over many people to the &#039;&#039;fakiri&#039;&#039; philosophy (of renunciation). Two important books written by him are &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhabalabh&lt;/ins&gt;&#039;&#039; (The attainment of the inmost ideology, 1853) and &#039;&#039;Uchit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shraban arthat Paramarthik Bhab&lt;/ins&gt;&#039;&#039; (Essential Listening on Thoughts on the Ultimate Reality, 1860). While the first book is in verse, the second is a mixture of verse and prose, but both are concerned with Sufism.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The language of Shamsuddin is modern, yet obscure. But his poetic diction is highly imaginative, lucid and thoughtful. His verses composed in the fashion of songs testify to his poetic genius. His song-&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r pr&#039;&#039;&#039;&#039;an&#039;&#039;&#039;&#039;&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;preyas&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;sarad &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;shash&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; h&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;syabadan&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;&lt;/del&gt;/ &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;d&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;rghan&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;si kutilakesh&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; m&#039;&#039;&#039;&#039;r&#039;&#039;&#039;&#039;ganayan&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;/ &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jij&#039;&#039;&#039;&#039;va&#039;&#039;&#039;&#039;sile &lt;/del&gt;kehe tumi, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kail&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s &lt;/del&gt;anugata &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;mi &lt;/del&gt;/ &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;y&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;be koth&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; jij&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;asila &#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r k&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;min&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039; (O my darling, you are gleeful like the full moon/ long-nosed with unkempt hair and eyes like deer, if wonder, who are you? / Devoted to Kailas, said I/ Where will you go? asked the lady again)-in his &#039;&#039;Uchit &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sraba&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039; has affinities with the [[ghazal]] form. [Wakil Ahmed&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Ahmed, Wakil  former Vice Chancellor, National University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The language of Shamsuddin is modern, yet obscure. But his poetic diction is highly imaginative, lucid and thoughtful. His verses composed in the fashion of songs testify to his poetic genius. His song- &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Amar pran&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;preyasi &lt;/ins&gt;sarad &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;shashi hasyabadani&lt;/ins&gt;/ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dirghanasi kutilakeshi mrganayani &lt;/ins&gt;/ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jijvasile &lt;/ins&gt;kehe tumi, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kailas &lt;/ins&gt;anugata &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ami &lt;/ins&gt;/ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yabe kotha jijvasila abar kamini&lt;/ins&gt;&#039;&#039; (O my darling, you are gleeful like the full moon/ long-nosed with unkempt hair and eyes like deer, if wonder, who are you? / Devoted to Kailas, said I/ Where will you go? asked the lady again)-in his &#039;&#039;Uchit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sraban&lt;/ins&gt;&#039;&#039; has affinities with the [[ghazal]] form. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Biography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:সিদ্দিকী, খোন্দকার শামসুদ্দীন মোহাম্মদ]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:সিদ্দিকী, খোন্দকার শামসুদ্দীন মোহাম্মদ]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Siddiqui,_Khondkar_Shamsuddin_Mohammad&amp;diff=5823&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Siddiqui,_Khondkar_Shamsuddin_Mohammad&amp;diff=5823&amp;oldid=prev"/>
		<updated>2021-06-17T19:35:16Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Siddiqui, Khondkar Shamsuddin Mohammad&amp;#039;&amp;#039;&amp;#039; (1808-1870) the first Muslim prose writer of the nineteenth century, was born in Sarbamangal village of Burdwan district in [[west bengal]]. His father, Khondkar Gholam Farid, was a &amp;#039;&amp;#039;p&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;. Siddiqui was noted for his command over [[sufism]] and philosophy. He won over many people to the &amp;#039;&amp;#039;fakiri&amp;#039;&amp;#039; philosophy (of renunciation). Two important books written by him are &amp;#039;&amp;#039;Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;bal&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;bh&amp;#039;&amp;#039; (The attainment of the inmost ideology, 1853) and &amp;#039;&amp;#039;Uchit Shraba&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039; arth&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;t P&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;ram&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;rthik Bh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039; (Essential Listening on Thoughts on the Ultimate Reality, 1860). While the first book is in verse, the second is a mixture of verse and prose, but both are concerned with Sufism.&lt;br /&gt;
&lt;br /&gt;
The language of Shamsuddin is modern, yet obscure. But his poetic diction is highly imaginative, lucid and thoughtful. His verses composed in the fashion of songs testify to his poetic genius. His song-&amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r pr&amp;#039;&amp;#039;&amp;#039;&amp;#039;an&amp;#039;&amp;#039;&amp;#039;&amp;#039;-preyas&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; sarad shash&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; h&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;syabadan&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;/ d&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;rghan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;si kutilakesh&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; m&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;&amp;#039;ganayan&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; / jij&amp;#039;&amp;#039;&amp;#039;&amp;#039;va&amp;#039;&amp;#039;&amp;#039;&amp;#039;sile kehe tumi, kail&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s anugata &amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;mi / y&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;be koth&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; jij&amp;#039;&amp;#039;&amp;#039;&amp;#039;v&amp;#039;&amp;#039;&amp;#039;&amp;#039;asila &amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r k&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;min&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039; (O my darling, you are gleeful like the full moon/ long-nosed with unkempt hair and eyes like deer, if wonder, who are you? / Devoted to Kailas, said I/ Where will you go? asked the lady again)-in his &amp;#039;&amp;#039;Uchit Sraba&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039; has affinities with the [[ghazal]] form. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
&lt;br /&gt;
[[Category:Biography]]&lt;br /&gt;
&lt;br /&gt;
[[bn:সিদ্দিকী, খোন্দকার শামসুদ্দীন মোহাম্মদ]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>