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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Tal</id>
	<title>Tal - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Tal"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tal&amp;action=history"/>
	<updated>2026-06-15T15:35:01Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.0</generator>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Tal&amp;diff=11857&amp;oldid=prev</id>
		<title>Mukbil at 04:43, 9 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tal&amp;diff=11857&amp;oldid=prev"/>
		<updated>2021-07-09T04:43:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:43, 9 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the writers and composers who created new tals are [[Tagore, Rabindranath|rabindranath tagore]], [[Islam, Kazi Nazrul|kazi nazrul islam]], Ustad [[Khan, Ustad Alauddin|alauddin khan]]. Rabindranath Tagore created the following tals: &amp;#039;&amp;#039;jhampak&amp;#039;&amp;#039;, &amp;#039;&amp;#039;sasthi&amp;#039;&amp;#039;, &amp;#039;&amp;#039;rupkada&amp;#039;&amp;#039;, &amp;#039;&amp;#039;nabatal&amp;#039;&amp;#039;, &amp;#039;&amp;#039;ekadashi&amp;#039;&amp;#039; and &amp;#039;&amp;#039; nabapavcha&amp;#039;&amp;#039;. Nazrul Islam also created some tals such as &amp;#039;&amp;#039;nabanandan&amp;#039;&amp;#039;, &amp;#039;&amp;#039;priyachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;manimalachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;svagatachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;mandakini chhanda&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;mavjubhasini tal&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the writers and composers who created new tals are [[Tagore, Rabindranath|rabindranath tagore]], [[Islam, Kazi Nazrul|kazi nazrul islam]], Ustad [[Khan, Ustad Alauddin|alauddin khan]]. Rabindranath Tagore created the following tals: &amp;#039;&amp;#039;jhampak&amp;#039;&amp;#039;, &amp;#039;&amp;#039;sasthi&amp;#039;&amp;#039;, &amp;#039;&amp;#039;rupkada&amp;#039;&amp;#039;, &amp;#039;&amp;#039;nabatal&amp;#039;&amp;#039;, &amp;#039;&amp;#039;ekadashi&amp;#039;&amp;#039; and &amp;#039;&amp;#039; nabapavcha&amp;#039;&amp;#039;. Nazrul Islam also created some tals such as &amp;#039;&amp;#039;nabanandan&amp;#039;&amp;#039;, &amp;#039;&amp;#039;priyachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;manimalachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;svagatachhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;mandakini chhanda&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;mavjubhasini tal&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ustad Alauddin Khan created some tals for the Sarod such as &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;moh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nta&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;r&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;jbesh&lt;/del&gt;&#039;&#039;,&#039;&#039; udaysin&#039;&#039;,&#039;&#039; bijay&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bijay&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nanda&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;upr&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039;,&#039;&#039; bikramat&#039;&#039;,&#039;&#039; laghukir&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ra&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;ga&#039;&#039;,&#039;&#039; ra&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;gabara&#039;&#039;&#039;&#039;n&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ra&#039;&#039;&#039;&#039;b&#039;&#039;&#039;&#039;gar&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;yat&lt;/del&gt;&#039;&#039;,&#039;&#039; &#039;&#039;and&#039;&#039; abhinandan&#039;&#039;. [Mobarak Hossain Khan&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ustad Alauddin Khan created some tals for the Sarod such as &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mohanta&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rajbesh&lt;/ins&gt;&#039;&#039;, &#039;&#039;udaysin&#039;&#039;, &#039;&#039;bijay&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bijayananda&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;upral&lt;/ins&gt;&#039;&#039;, &#039;&#039;bikramat&#039;&#039;, &#039;&#039;laghukir&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rabga&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rabgabaran&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rabgarayat&lt;/ins&gt;&#039;&#039; and &#039;&#039;abhinandan&#039;&#039;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;[Mobarak Hossain Khan]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Performing Arts]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:তাল]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:তাল]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Tal&amp;diff=11856&amp;oldid=prev</id>
		<title>Mukbil at 04:41, 9 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tal&amp;diff=11856&amp;oldid=prev"/>
		<updated>2021-07-09T04:41:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:41, 9 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Tal&#039;&#039;&#039; (rhythm or beat) the basic temporal element of song, music, and dance concerned with duration and stress. Tal is of two kinds: &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;samapad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;(equal metrical foot) and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bi&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;amapad&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;or&#039;&#039; bisamachhandi &#039;&#039;(irregular metrical foot). Samapadi tal includes the following: ektal, trital, chautal, surfank, etc. Bisamapadi includes the following: teoda, dhamar, jhanptal, jhumra. A tal is made up of a number of units or &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;tr&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;. Trital, for example, has 16 matra, divided into four parts or feet: 1 2 3 4/ 5 6 7 8/9 10 11 12/ 13 14 15 16. In each part the number of matra are the same. In jhanptal there are ten matra arranged as follows: 1 2/ 3 4 5/ 6 7/ 8 9 10. As the matra are not divided equally, jhanptal is a bisamapadi tal.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Tal&#039;&#039;&#039; (rhythm or beat) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;the basic temporal element of song, music, and dance concerned with duration and stress. Tal is of two kinds: &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;samapadi&lt;/ins&gt;&#039;&#039;(equal metrical foot) and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bisamapadi&lt;/ins&gt;&#039;&#039; or &#039;&#039;bisamachhandi&#039;&#039;(irregular metrical foot). Samapadi tal includes the following: ektal, trital, chautal, surfank, etc. Bisamapadi includes the following: teoda, dhamar, jhanptal, jhumra. A tal is made up of a number of units or &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;matra&lt;/ins&gt;&#039;&#039;. Trital, for example, has 16 matra, divided into four parts or feet: 1 2 3 4/ 5 6 7 8/9 10 11 12/ 13 14 15 16. In each part the number of matra are the same. In jhanptal there are ten matra arranged as follows: 1 2/ 3 4 5/ 6 7/ 8 9 10. As the matra are not divided equally, jhanptal is a bisamapadi tal.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first matra of the tal is called the &#039;&#039;sama&#039;&#039;. The sama is indicated by &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;t&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;li &lt;/del&gt;&#039;&#039;or clapping. The remaining feet, as well some matra, contain the beat and are shown by clapping. These are called tali. The division in which there is no clapping is called &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kh&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;li&lt;/del&gt;&#039;&#039; or &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;f&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nk&lt;/del&gt;&#039;&#039; (gap/empty).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The first matra of the tal is called the &#039;&#039;sama&#039;&#039;. The sama is indicated by &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tali&lt;/ins&gt;&#039;&#039; or clapping. The remaining feet, as well some matra, contain the beat and are shown by clapping. These are called tali. The division in which there is no clapping is called &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;khali&lt;/ins&gt;&#039;&#039; or &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fank&lt;/ins&gt;&#039;&#039; (gap/empty).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the writers and composers who created new tals are [[rabindranath tagore]], [[kazi nazrul islam]], Ustad [[alauddin khan]]. Rabindranath Tagore created the following tals: &#039;&#039;jhampak&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;s&#039;&#039;&#039;&#039;th&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;r&#039;&#039;&#039;&#039;u&#039;&#039;&#039;&#039;pka&#039;&#039;&#039;&#039;da&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nabat&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ek&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;dash&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;&#039;&#039;and&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nabapa&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;cha&lt;/del&gt;&#039;&#039;. Nazrul Islam also created some tals such as &#039;&#039;nabanandan&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;priy&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;chhanda&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ma&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;im&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; chhanda&lt;/del&gt;&#039;&#039;,&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sv&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;gat&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039; chhanda&lt;/del&gt;&#039;&#039;, &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mand&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;kin&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; &lt;/del&gt;chhanda&#039;&#039;,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &#039;&#039;&lt;/del&gt;and&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ma&#039;&#039;&#039;&#039;v&#039;&#039;&#039;&#039;jubh&#039;&#039;&#039;&#039;as&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;n&#039;&#039;&#039;&#039;i t&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;l&lt;/del&gt;&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the writers and composers who created new tals are [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tagore, Rabindranath|&lt;/ins&gt;rabindranath tagore]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam, Kazi Nazrul|&lt;/ins&gt;kazi nazrul islam]], Ustad [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Khan, Ustad Alauddin|&lt;/ins&gt;alauddin khan]]. Rabindranath Tagore created the following tals: &#039;&#039;jhampak&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sasthi&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rupkada&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nabatal&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ekadashi&lt;/ins&gt;&#039;&#039; and &#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nabapavcha&lt;/ins&gt;&#039;&#039;. Nazrul Islam also created some tals such as &#039;&#039;nabanandan&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;priyachhanda&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;manimalachhanda&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;svagatachhanda&lt;/ins&gt;&#039;&#039;, &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mandakini &lt;/ins&gt;chhanda&#039;&#039;, and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mavjubhasini tal&lt;/ins&gt;&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ustad Alauddin Khan created some tals for the Sarod such as &amp;#039;&amp;#039;moh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nta&amp;#039;&amp;#039;,&amp;#039;&amp;#039; r&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;jbesh&amp;#039;&amp;#039;,&amp;#039;&amp;#039; udaysin&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; upr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bikramat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; laghukir&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ga&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gabara&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gar&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;yat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; &amp;#039;&amp;#039;and&amp;#039;&amp;#039; abhinandan&amp;#039;&amp;#039;. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ustad Alauddin Khan created some tals for the Sarod such as &amp;#039;&amp;#039;moh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nta&amp;#039;&amp;#039;,&amp;#039;&amp;#039; r&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;jbesh&amp;#039;&amp;#039;,&amp;#039;&amp;#039; udaysin&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; upr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bikramat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; laghukir&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ga&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gabara&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gar&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;yat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; &amp;#039;&amp;#039;and&amp;#039;&amp;#039; abhinandan&amp;#039;&amp;#039;. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Tal&amp;diff=6142&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tal&amp;diff=6142&amp;oldid=prev"/>
		<updated>2021-06-17T19:37:31Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Tal&amp;#039;&amp;#039;&amp;#039; (rhythm or beat) the basic temporal element of song, music, and dance concerned with duration and stress. Tal is of two kinds: &amp;#039;&amp;#039;samapad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(equal metrical foot) and &amp;#039;&amp;#039;bi&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;amapad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;or&amp;#039;&amp;#039; bisamachhandi &amp;#039;&amp;#039;(irregular metrical foot). Samapadi tal includes the following: ektal, trital, chautal, surfank, etc. Bisamapadi includes the following: teoda, dhamar, jhanptal, jhumra. A tal is made up of a number of units or &amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;tr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;. Trital, for example, has 16 matra, divided into four parts or feet: 1 2 3 4/ 5 6 7 8/9 10 11 12/ 13 14 15 16. In each part the number of matra are the same. In jhanptal there are ten matra arranged as follows: 1 2/ 3 4 5/ 6 7/ 8 9 10. As the matra are not divided equally, jhanptal is a bisamapadi tal. &lt;br /&gt;
&lt;br /&gt;
The first matra of the tal is called the &amp;#039;&amp;#039;sama&amp;#039;&amp;#039;. The sama is indicated by &amp;#039;&amp;#039;t&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;li &amp;#039;&amp;#039;or clapping. The remaining feet, as well some matra, contain the beat and are shown by clapping. These are called tali. The division in which there is no clapping is called &amp;#039;&amp;#039;kh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;li&amp;#039;&amp;#039; or &amp;#039;&amp;#039;f&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nk&amp;#039;&amp;#039; (gap/empty). &lt;br /&gt;
&lt;br /&gt;
Among the writers and composers who created new tals are [[rabindranath tagore]], [[kazi nazrul islam]], Ustad [[alauddin khan]]. Rabindranath Tagore created the following tals: &amp;#039;&amp;#039;jhampak&amp;#039;&amp;#039;,&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;s&amp;#039;&amp;#039;&amp;#039;&amp;#039;th&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;,&amp;#039;&amp;#039; r&amp;#039;&amp;#039;&amp;#039;&amp;#039;u&amp;#039;&amp;#039;&amp;#039;&amp;#039;pka&amp;#039;&amp;#039;&amp;#039;&amp;#039;da&amp;#039;&amp;#039;,&amp;#039;&amp;#039; nabat&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ek&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;dash&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;and&amp;#039;&amp;#039; nabapa&amp;#039;&amp;#039;&amp;#039;&amp;#039;v&amp;#039;&amp;#039;&amp;#039;&amp;#039;cha&amp;#039;&amp;#039;. Nazrul Islam also created some tals such as &amp;#039;&amp;#039;nabanandan&amp;#039;&amp;#039;,&amp;#039;&amp;#039; priy&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;chhanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ma&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;im&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; chhanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; sv&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;gat&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039; chhanda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;mand&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;kin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; chhanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; &amp;#039;&amp;#039;and&amp;#039;&amp;#039; ma&amp;#039;&amp;#039;&amp;#039;&amp;#039;v&amp;#039;&amp;#039;&amp;#039;&amp;#039;jubh&amp;#039;&amp;#039;&amp;#039;&amp;#039;as&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;&amp;#039;&amp;#039;i t&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;. &lt;br /&gt;
&lt;br /&gt;
Ustad Alauddin Khan created some tals for the Sarod such as &amp;#039;&amp;#039;moh&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nta&amp;#039;&amp;#039;,&amp;#039;&amp;#039; r&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;jbesh&amp;#039;&amp;#039;,&amp;#039;&amp;#039; udaysin&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bijay&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nanda&amp;#039;&amp;#039;,&amp;#039;&amp;#039; upr&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;,&amp;#039;&amp;#039; bikramat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; laghukir&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;ga&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gabara&amp;#039;&amp;#039;&amp;#039;&amp;#039;n&amp;#039;&amp;#039;,&amp;#039;&amp;#039; ra&amp;#039;&amp;#039;&amp;#039;&amp;#039;b&amp;#039;&amp;#039;&amp;#039;&amp;#039;gar&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;yat&amp;#039;&amp;#039;,&amp;#039;&amp;#039; &amp;#039;&amp;#039;and&amp;#039;&amp;#039; abhinandan&amp;#039;&amp;#039;. [Mobarak Hossain Khan] [Khan, Mobarak Hossain  former DG, Bangladesh Shilpakala Academy]&lt;br /&gt;
&lt;br /&gt;
[[Category:Performing Arts]]&lt;br /&gt;
&lt;br /&gt;
[[bn:তাল]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
	</entry>
</feed>