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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Tara_Sundari</id>
	<title>Tara Sundari - Revision history</title>
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	<updated>2026-06-15T15:44:37Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Tara_Sundari&amp;diff=11874&amp;oldid=prev</id>
		<title>Mukbil at 06:07, 9 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tara_Sundari&amp;diff=11874&amp;oldid=prev"/>
		<updated>2021-07-09T06:07:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:07, 9 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Tara Sundari&#039;&#039;&#039; (1878-1948) an actress, started her career in 1884 by joining the Star Theatre where she first played the role of a boy in &#039;&#039;Chaitanya &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;l&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; by [[girish chandra ghosh]] and the role of Gopal in another play titled &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saral&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;. Binodini played a part in her joining the theatre. Her talent earned her the role of the principal character in no time. She was adjudged as one of the best actresses of the time after her performance in the role of Shaibalini in &#039;&#039;Chandrashekhar&#039;&#039; in 1894. Amritalal Mitra taught her acting, Ramtaran Sanyal singing and Kashinath Chattopadhyay dancing.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Tara Sundari&#039;&#039;&#039; (1878-1948) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;an actress, started her career in 1884 by joining the Star Theatre where she first played the role of a boy in &#039;&#039;Chaitanya &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lila&lt;/ins&gt;&#039;&#039; by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ghosh, Girish Chandra|&lt;/ins&gt;girish chandra ghosh]] and the role of Gopal in another play titled &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarala&lt;/ins&gt;&#039;&#039;. Binodini played a part in her joining the theatre. Her talent earned her the role of the principal character in no time. She was adjudged as one of the best actresses of the time after her performance in the role of Shaibalini in &#039;&#039;Chandrashekhar&#039;&#039; in 1894. Amritalal Mitra taught her acting, Ramtaran Sanyal singing and Kashinath Chattopadhyay dancing.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tara Sundari joined the Classic Theatre, run by famous actor and playwright Amarendranath Datta, in 1897, and earned accolades for her performances in a number of plays. After the death of her son in 1922, she quit acting and went to Bhuvaneshwar to found a monastery and engage herself in religious practices. But after a few days, she again started acting in Kolkata at the request of Girish Chandra Ghosh and played the role of Ayesha in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Durgeshnandin&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;, Shaivya in &#039;&#039;Harishchandra&#039;&#039;, the role of the eponymic character in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;m&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;nuj&lt;/del&gt;&#039;&#039;, Saraswati in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Balid&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;n &lt;/del&gt;&#039;&#039;and the central character in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rizi&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tara Sundari joined the Classic Theatre, run by famous actor and playwright Amarendranath Datta, in 1897, and earned accolades for her performances in a number of plays. After the death of her son in 1922, she quit acting and went to Bhuvaneshwar to found a monastery and engage herself in religious practices. But after a few days, she again started acting in Kolkata at the request of Girish Chandra Ghosh and played the role of Ayesha in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Durgeshnandini&lt;/ins&gt;&#039;&#039;, Shaivya in &#039;&#039;Harishchandra&#039;&#039;, the role of the eponymic character in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ramanuj&lt;/ins&gt;&#039;&#039;, Saraswati in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Balidan&lt;/ins&gt;&#039;&#039; and the central character in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rizia&lt;/ins&gt;&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tara Sundari also worked with [[shishir kumar bhaduri]] in a number of plays during the formative years of the Bangla Theatre. She reached the peak of her fame for her role as Jana in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jan&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039;, Udipuri in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A&#039;&#039;&#039;&#039;lamg&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039;r &lt;/del&gt;&#039;&#039;and as Durga in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shr&#039;&#039;&#039;&#039;i&#039;&#039;&#039;&#039; Durg&#039;&#039;&#039;&#039;a&lt;/del&gt;&#039;&#039; (1926) at the Mitra Theatre. [Wahida Mallik&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Mallik, Wahida  Assosiate Professor of Theatre, Dhaka University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tara Sundari also worked with [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhaduri, Shishir Kumar|&lt;/ins&gt;shishir kumar bhaduri]] in a number of plays during the formative years of the Bangla Theatre. She reached the peak of her fame for her role as Jana in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jana&lt;/ins&gt;&#039;&#039;, Udipuri in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Alamgir&lt;/ins&gt;&#039;&#039;and as Durga in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shri Durga&lt;/ins&gt;&#039;&#039; (1926) at the Mitra Theatre. [Wahida Mallik]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:তারাসুন্দরী]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:তারাসুন্দরী]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Tara_Sundari&amp;diff=6170&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Tara_Sundari&amp;diff=6170&amp;oldid=prev"/>
		<updated>2021-06-17T19:37:44Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Tara Sundari&amp;#039;&amp;#039;&amp;#039; (1878-1948) an actress, started her career in 1884 by joining the Star Theatre where she first played the role of a boy in &amp;#039;&amp;#039;Chaitanya L&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;l&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; by [[girish chandra ghosh]] and the role of Gopal in another play titled &amp;#039;&amp;#039;Saral&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;. Binodini played a part in her joining the theatre. Her talent earned her the role of the principal character in no time. She was adjudged as one of the best actresses of the time after her performance in the role of Shaibalini in &amp;#039;&amp;#039;Chandrashekhar&amp;#039;&amp;#039; in 1894. Amritalal Mitra taught her acting, Ramtaran Sanyal singing and Kashinath Chattopadhyay dancing. &lt;br /&gt;
&lt;br /&gt;
Tara Sundari joined the Classic Theatre, run by famous actor and playwright Amarendranath Datta, in 1897, and earned accolades for her performances in a number of plays. After the death of her son in 1922, she quit acting and went to Bhuvaneshwar to found a monastery and engage herself in religious practices. But after a few days, she again started acting in Kolkata at the request of Girish Chandra Ghosh and played the role of Ayesha in &amp;#039;&amp;#039;Durgeshnandin&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;, Shaivya in &amp;#039;&amp;#039;Harishchandra&amp;#039;&amp;#039;, the role of the eponymic character in &amp;#039;&amp;#039;R&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;m&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;nuj&amp;#039;&amp;#039;, Saraswati in &amp;#039;&amp;#039;Balid&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;n &amp;#039;&amp;#039;and the central character in &amp;#039;&amp;#039;Rizi&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Tara Sundari also worked with [[shishir kumar bhaduri]] in a number of plays during the formative years of the Bangla Theatre. She reached the peak of her fame for her role as Jana in &amp;#039;&amp;#039;Jan&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;, Udipuri in &amp;#039;&amp;#039;A&amp;#039;&amp;#039;&amp;#039;&amp;#039;lamg&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039;r &amp;#039;&amp;#039;and as Durga in &amp;#039;&amp;#039;Shr&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;&amp;#039;&amp;#039; Durg&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039; (1926) at the Mitra Theatre. [Wahida Mallik] [Mallik, Wahida  Assosiate Professor of Theatre, Dhaka University]&lt;br /&gt;
&lt;br /&gt;
[[bn:তারাসুন্দরী]]&lt;/div&gt;</summary>
		<author><name>0:0:0:0:0:0:0:1</name></author>
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