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	<id>https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Yusuf-Zulekha</id>
	<title>Yusuf-Zulekha - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.banglapedia.org/index.php?action=history&amp;feed=atom&amp;title=Yusuf-Zulekha"/>
	<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;action=history"/>
	<updated>2026-06-04T23:14:52Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=11542&amp;oldid=prev</id>
		<title>Mukbil at 05:59, 2 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=11542&amp;oldid=prev"/>
		<updated>2021-07-02T05:59:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:59, 2 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Yusuf-Zulekha&#039;&#039;&#039;  a romantic story in verse written in the [[Bangla Language|bangla language]]. [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sagir, &lt;/del&gt;Shah Muhammad|shah muhammad sagir]], a court-poet of Sultan Giyasuddin Azam Shah of Gaura (1389-1410), wrote the book in the 15th century at the Suntan&#039;;s request. The book upholds the teachings of religion and ethics through love stories culled from the Holy Quran, where moral teachings and the greatness of the Almighty are expressed through the love story of Yusuf and Zulekha. Alongside, the religious teachings, human sentiments as well as the greatness of [[Islam|islam]] has been depicted in the work. The book ends with the supernatural story of the love between Ibn Amin, Yusuf&#039;;s brother, and Bidhuprabha. The last part of the book represents the writer&#039;;s contribution to the original story.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Yusuf-Zulekha&#039;&#039;&#039;  a romantic story in verse written in the [[Bangla Language|bangla language]]. [[Shah Muhammad &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sagir&lt;/ins&gt;|shah muhammad sagir]], a court-poet of Sultan Giyasuddin Azam Shah of Gaura (1389-1410), wrote the book in the 15th century at the Suntan&#039;;s request. The book upholds the teachings of religion and ethics through love stories culled from the Holy Quran, where moral teachings and the greatness of the Almighty are expressed through the love story of Yusuf and Zulekha. Alongside, the religious teachings, human sentiments as well as the greatness of [[Islam|islam]] has been depicted in the work. The book ends with the supernatural story of the love between Ibn Amin, Yusuf&#039;;s brother, and Bidhuprabha. The last part of the book represents the writer&#039;;s contribution to the original story.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written in &amp;#039;&amp;#039;payar&amp;#039;&amp;#039;, or a metrical measure with lines of fourteen syllables, and &amp;#039;&amp;#039;tripadi&amp;#039;&amp;#039;, another Bangla meter with three feet, the book is split into chapters narrating some trivial events. The mention of [[Raga|raga]] and [[Tal|tal]], or tune and measures, at the beginning of each chapter indicates that the pieces were originally meant for singing. The diction and the style of the work bear the signs of urbanity.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written in &amp;#039;&amp;#039;payar&amp;#039;&amp;#039;, or a metrical measure with lines of fourteen syllables, and &amp;#039;&amp;#039;tripadi&amp;#039;&amp;#039;, another Bangla meter with three feet, the book is split into chapters narrating some trivial events. The mention of [[Raga|raga]] and [[Tal|tal]], or tune and measures, at the beginning of each chapter indicates that the pieces were originally meant for singing. The diction and the style of the work bear the signs of urbanity.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to Shah Muhammad Sagir, medieval poets like [[Hakim, Abdul|abdul hakim]], [[Garibullah &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shah&lt;/del&gt;|shah garibullah]], Gholam Safatullah, Sadeq Ali and Fakir Mohammad wrote stories based on the Yusuf-Zulekha motif. The first two of these poets wrote in Bangla while others used a mixture of two languages reminiscent of &#039;&#039;Dobhasi literature. Ferdousi (11th century) and Jami (15th century), two great figures of [[persian]] literature, also wrote verses on the love story of Yusuf and Zulekha to uphold Sufistic mysticism. Some poets of Bengal have also followed in their tradition. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to Shah Muhammad Sagir, medieval poets like [[Hakim, Abdul|abdul hakim]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shah &lt;/ins&gt;Garibullah|shah garibullah]], Gholam Safatullah, Sadeq Ali and Fakir Mohammad wrote stories based on the Yusuf-Zulekha motif. The first two of these poets wrote in Bangla while others used a mixture of two languages reminiscent of &#039;&#039;Dobhasi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;literature. Ferdousi (11th century) and Jami (15th century), two great figures of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Persian|&lt;/ins&gt;persian]] literature, also wrote verses on the love story of Yusuf and Zulekha to uphold Sufistic mysticism. Some poets of Bengal have also followed in their tradition. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইউসুফ-জুলেখা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইউসুফ-জুলেখা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=11541&amp;oldid=prev</id>
		<title>Mukbil at 05:57, 2 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=11541&amp;oldid=prev"/>
		<updated>2021-07-02T05:57:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:57, 2 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Yusuf-Zulekha&#039;&#039;&#039; a romantic story in verse written in the [[bangla language]].[[ shah muhammad sagir]], a court-poet of Sultan Giyasuddin Azam Shah of Gaura (1389-1410), wrote the book in the 15th century at the Suntan&#039;;s request. The book upholds the teachings of religion and ethics through love stories culled from the Holy Quran, where moral teachings and the greatness of the Almighty are expressed through the love story of Yusuf and Zulekha. Alongside, the religious teachings, human sentiments as well as the greatness of [[islam]] has been depicted in the work. The book ends with the supernatural story of the love between Ibn Amin, Yusuf&#039;;s brother, and Bidhuprabha. The last part of the book represents the writer&#039;;s contribution to the original story.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Yusuf-Zulekha&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;a romantic story in verse written in the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangla Language|&lt;/ins&gt;bangla language]]. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sagir, Shah Muhammad|&lt;/ins&gt;shah muhammad sagir]], a court-poet of Sultan Giyasuddin Azam Shah of Gaura (1389-1410), wrote the book in the 15th century at the Suntan&#039;;s request. The book upholds the teachings of religion and ethics through love stories culled from the Holy Quran, where moral teachings and the greatness of the Almighty are expressed through the love story of Yusuf and Zulekha. Alongside, the religious teachings, human sentiments as well as the greatness of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Islam|&lt;/ins&gt;islam]] has been depicted in the work. The book ends with the supernatural story of the love between Ibn Amin, Yusuf&#039;;s brother, and Bidhuprabha. The last part of the book represents the writer&#039;;s contribution to the original story.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pay&#039;&#039;&#039;&#039;a&#039;&#039;&#039;&#039;r&lt;/del&gt;&#039;&#039;, or a metrical measure with lines of fourteen syllables, and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tripad&#039;&#039;&#039;&#039;i&lt;/del&gt;&#039;&#039;, another Bangla meter with three feet, the book is split into chapters narrating some trivial events. The mention of [[raga]] and [[tal]], or tune and measures, at the beginning of each chapter indicates that the pieces were originally meant for singing. The diction and the style of the work bear the signs of urbanity.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written in &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;payar&lt;/ins&gt;&#039;&#039;, or a metrical measure with lines of fourteen syllables, and &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tripadi&lt;/ins&gt;&#039;&#039;, another Bangla meter with three feet, the book is split into chapters narrating some trivial events. The mention of [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Raga|&lt;/ins&gt;raga]] and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tal|&lt;/ins&gt;tal]], or tune and measures, at the beginning of each chapter indicates that the pieces were originally meant for singing. The diction and the style of the work bear the signs of urbanity.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[shah muhammad sagir]]&lt;/del&gt;, medieval poets like [[abdul hakim]], [[shah garibullah]], Gholam Safatullah, Sadeq Ali and Fakir Mohammad wrote stories based on the Yusuf-Zulekha motif. The first two of these poets wrote in Bangla while others used a mixture of two languages reminiscent of &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dobh&#039;&#039;&#039;&#039;asi&#039;&#039;&#039;&#039; &#039;&#039;&lt;/del&gt;literature. Ferdousi (11th century) and Jami (15th century), two great figures of [[persian]] literature, also wrote verses on the love story of Yusuf and Zulekha to uphold Sufistic mysticism. Some poets of Bengal have also followed in their tradition. [Wakil Ahmed&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] [Ahmed, Wakil  former Vice Chancellor, National University&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shah Muhammad Sagir&lt;/ins&gt;, medieval poets like [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hakim, Abdul|&lt;/ins&gt;abdul hakim]], [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Garibullah Shah|&lt;/ins&gt;shah garibullah]], Gholam Safatullah, Sadeq Ali and Fakir Mohammad wrote stories based on the Yusuf-Zulekha motif. The first two of these poets wrote in Bangla while others used a mixture of two languages reminiscent of &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dobhasi &lt;/ins&gt;literature. Ferdousi (11th century) and Jami (15th century), two great figures of [[persian]] literature, also wrote verses on the love story of Yusuf and Zulekha to uphold Sufistic mysticism. Some poets of Bengal have also followed in their tradition. [Wakil Ahmed]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইউসুফ-জুলেখা]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[bn:ইউসুফ-জুলেখা]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mukbil</name></author>
	</entry>
	<entry>
		<id>https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=6603&amp;oldid=prev</id>
		<title>0:0:0:0:0:0:0:1: Content Updated.</title>
		<link rel="alternate" type="text/html" href="https://en.banglapedia.org/index.php?title=Yusuf-Zulekha&amp;diff=6603&amp;oldid=prev"/>
		<updated>2021-06-17T19:40:51Z</updated>

		<summary type="html">&lt;p&gt;Content Updated.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Yusuf-Zulekha&amp;#039;&amp;#039;&amp;#039; a romantic story in verse written in the [[bangla language]].[[ shah muhammad sagir]], a court-poet of Sultan Giyasuddin Azam Shah of Gaura (1389-1410), wrote the book in the 15th century at the Suntan&amp;#039;;s request. The book upholds the teachings of religion and ethics through love stories culled from the Holy Quran, where moral teachings and the greatness of the Almighty are expressed through the love story of Yusuf and Zulekha. Alongside, the religious teachings, human sentiments as well as the greatness of [[islam]] has been depicted in the work. The book ends with the supernatural story of the love between Ibn Amin, Yusuf&amp;#039;;s brother, and Bidhuprabha. The last part of the book represents the writer&amp;#039;;s contribution to the original story.&lt;br /&gt;
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Written in &amp;#039;&amp;#039;pay&amp;#039;&amp;#039;&amp;#039;&amp;#039;a&amp;#039;&amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;, or a metrical measure with lines of fourteen syllables, and &amp;#039;&amp;#039;tripad&amp;#039;&amp;#039;&amp;#039;&amp;#039;i&amp;#039;&amp;#039;, another Bangla meter with three feet, the book is split into chapters narrating some trivial events. The mention of [[raga]] and [[tal]], or tune and measures, at the beginning of each chapter indicates that the pieces were originally meant for singing. The diction and the style of the work bear the signs of urbanity.&lt;br /&gt;
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In addition to [[shah muhammad sagir]], medieval poets like [[abdul hakim]], [[shah garibullah]], Gholam Safatullah, Sadeq Ali and Fakir Mohammad wrote stories based on the Yusuf-Zulekha motif. The first two of these poets wrote in Bangla while others used a mixture of two languages reminiscent of &amp;#039;&amp;#039;Dobh&amp;#039;&amp;#039;&amp;#039;&amp;#039;asi&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;literature. Ferdousi (11th century) and Jami (15th century), two great figures of [[persian]] literature, also wrote verses on the love story of Yusuf and Zulekha to uphold Sufistic mysticism. Some poets of Bengal have also followed in their tradition. [Wakil Ahmed] [Ahmed, Wakil  former Vice Chancellor, National University]&lt;br /&gt;
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[[bn:ইউসুফ-জুলেখা]]&lt;/div&gt;</summary>
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